Database / Artworks
Artworks
The Ravine of Bellano, near Lake Como
Felice Giani, Italian
landscapes, drawing — black chalk on laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Head of a Man
Honoré Daumier
watercolor over black chalk on laid paper · 1808
National Gallery of Art
Woman with Veil
Honoré Daumier
pen and black ink over black chalk on laid paper · 1808
National Gallery of Art
Lawyer
Honoré Daumier
black chalk on laid paper · 1808
National Gallery of Art
Urania, Muse of Astronomy
Felice Giani, Italian
Black chalk on laid paper · 1805
Cooper Hewitt, Smithsonian Design Museum
Apollo in his Chariot with Aurora, Sala Ottogonale, Palazzo Milzetti, Faenza
Felice Giani, Italian
Pen and brown ink, brown wash, black chalk on laid paper Support: white laid paper laid down · 1804
Cooper Hewitt, Smithsonian Design Museum
Fame or Victory in a Chariot, Sala di Nike, Palazzo Naldi, Faenza
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash over black chalk on laid paper · 1803
Cooper Hewitt, Smithsonian Design Museum
Figure Studies
Johann Georg von Dillis
pen and black ink with watercolor over black chalk on laid paper · 1801
National Gallery of Art
Design for Various Decorations including Coriolanus at the Walls of Rome
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and wash over black chalk on laid paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Design for Various Decorations including "Coriolanus at the Walls of Rome"
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and wash over black chalk on laid paper · 1800
Cooper Hewitt, Smithsonian Design Museum
A Stand of Trees
Pierre Henri de Valenciennes
black chalk on laid paper, laid down on old album sheet · 1797
National Gallery of Art
Tal para qual (Two of a Kind)
Francisco Goya
etching retouched with stumped black chalk on laid paper [proof before letters] · 1797
National Gallery of Art
A Roman Ruin
Antonio Zucchi
pen and brown and gray ink with brown, gray, and red wash over black chalk on laid paper · 1788
National Gallery of Art
Orpheus, Ceres, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza
Felice Giani, Italian
figures, drawing — pen and ink, brush and greyish-brown wash over black chalk on laid paper · 1787
Cooper Hewitt, Smithsonian Design Museum
Man the Farmer, Diana the Goddess of the Hunt, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza
Felice Giani, Italian
figures, drawing — pen and ink, brush and brown wash over black chalk on laid paper · 1787
Cooper Hewitt, Smithsonian Design Museum
Pales, Triptolemus, Decoration for a Vault, Sala dei Legislatori, Palazzo Conti-Sinibaldi
Felice Giani, Italian
figures, drawing — pen and ink, brush and bistre wash over black chalk on laid paper · 1787
Cooper Hewitt, Smithsonian Design Museum
Bacchus, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza
Felice Giani, Italian
figures, drawing — pen and ink, brush and bistre wash over black chalk on laid paper · 1787
Cooper Hewitt, Smithsonian Design Museum
Minerva, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza
Felice Giani, Italian
figures, drawing — pen and ink, brush and bistre wash over black chalk on laid paper · 1787
Cooper Hewitt, Smithsonian Design Museum
Man the Hunter, Man the Shepherd, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza
Felice Giani, Italian
figures, drawing — pen and ink, brush and greyish-brown wash over black chalk on laid paper · 1787
Cooper Hewitt, Smithsonian Design Museum
Wall Elevation for an Antechamber or Salon
Louis-Gustave Taraval, French
architecture, interiors, drawing — pen and black ink, brush and watercolor, black chalk on laid paper · 1785
Cooper Hewitt, Smithsonian Design Museum
Coriolanus before the Women of Rome
Giuseppe Bernardino Bison
pen and brown ink and brown wash over black chalk on laid paper · 1785
National Gallery of Art
The Apotheosis of San Vitale
Ubaldo Gandolfi
pen and brown ink with brown wash over black chalk on laid paper · 1781
National Gallery of Art
The Apotheosis of San Vitale
Ubaldo Gandolfi
pen and brown ink with brown wash over black chalk on laid paper · 1781
National Gallery of Art
Rinaldo is Welcomed by the Monks
Jean-Honoré Fragonard
pen and brown ink with brown and gray wash over black chalk on laid paper · 1780
National Gallery of Art