Database / Artworks
Artworks

Triumphal Arch
Jan van der Straet, called Stradanus, Flemish
Recto: Pen and brown ink over black chalk on laid paper Verso: Pen and brown ink, brush and brown wash on laid paper · 1588
Cooper Hewitt, Smithsonian Design Museum

Head of a Bearded Man
Domenico Fetti
Black chalk, red, yellow, and pink pastel, highlighted with white on gray-green paper · 1588
The Metropolitan Museum of Art

Scene with Soldiers
Ludovico Cardi
Pen and brown ink, over black chalk, on ivory laid paper, laid down on blue laid paper · 1587
Art Institute of Chicago
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci
Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown ink · 1587
Cleveland Museum of Art

The Conversion of Saint Paul
Lodovico Carracci
Pen and iron-gall ink, with brush and iron-gall ink wash, heightened with white oil paint, over traces of black chalk, on laid paper prepared with a brown oil wash, laid down on paper · 1587
Art Institute of Chicago

Scene with Soldiers
Cigoli
Pen and brown ink, over black chalk, on ivory laid paper, laid down on blue laid paper · 1587
Art Institute of Chicago
![The Penitent Man Choosing Good over Evil [left]; Spirit of the Penitent Man Ascending to Heaven [right]](/api/images/artworks/smithsonian/chndm_1901-39-2644.jpg)
The Penitent Man Choosing Good over Evil [left]; Spirit of the Penitent Man Ascending to Heaven [right]
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown ink, brush and brown and black wash, over black chalk, with corrections by the artist in white opaque paint, on laid paper Verso: pen and brown ink over black chalk on laid paper · 1587
Cooper Hewitt, Smithsonian Design Museum

Judith with the Head of Holofernes
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown ink, brush and brown and black washes over black chalk on laid paper Verso: pen and brown ink, brush and brown wash over black chalk on laid paper · 1587
Cooper Hewitt, Smithsonian Design Museum

Two Galleys at Sea
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash, with corrections by the artist in white opaque paint, over black chalk on laid paper · 1587
Cooper Hewitt, Smithsonian Design Museum
Standing Officer Holding a Boar's Spear
Hendrick Goltzius
Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transfer · 1586
Cleveland Museum of Art
Standing Officer Holding a Boar's Spear
Hendrick Goltzius
Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transfer · 1586
Cleveland Museum of Art

Monastic Healing
Pietro Malombra
Pen and brown ink with red chalk, on ivory laid paper, squared in black chalk, laid down on ivory laid paper · 1586
Art Institute of Chicago

Saints John the Evangelist, Paul, Peter, and Stephen
Ferraù Fenzoni
Black chalk, pen and brown ink, brush and brown wash · 1585
The Metropolitan Museum of Art

Standing Angel Brandishing a Sword
Ferraù Fenzoni
Pen and brown ink, brush and brown wash, over black chalk · 1585
The Metropolitan Museum of Art

Standing Academy
Andrea Boscoli
Red and black chalk, on buff laid paper, laid down on cream laid paper, tipped onto cream board · 1585
Art Institute of Chicago

Standing Academy
Andrea Boscoli
Red and black chalk, on buff laid paper, laid down on cream laid paper, tipped onto cream board · 1585
Art Institute of Chicago

The Massacre of the Innocents
Giovanni Battista della Rovere
Pen and brown ink, brush and brown wash, over black chalk (recto); sketch for the decoration of a spandrel in pen and brown ink over red chalk (verso) · 1585
The Metropolitan Museum of Art

Samuel Annointing David (recto); Sketch of two figures (verso)
Karel van Mander II
Pen and brown ink, brush and brown and gray wash; pasted down (recto); pen and brown ink, incised and rubbed with black chalk (verso) · 1585
The Metropolitan Museum of Art

Eurydice Bitten by a Serpent
Hendrick de Clerck
Pen and brown ink, brush and brown wash, over traces of black chalk; framing lines in pen and brown ink · 1585
The Metropolitan Museum of Art

Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Agostino Carracci, Italian
Pen and brown ink, over black chalk underdrawing · 1585
The Metropolitan Museum of Art

The Blessed in Paradise with the Virgin and St. John the Baptist before God
Lazzaro Tavarone
pen and brown ink with brown wash over black chalk on laid paper, laid down · 1585
National Gallery of Art

Bust of a Warrior
Hendrick Goltzius
Black chalk, with red chalk, heightened with traces of white chalk, ruled with pen and black ink, on cream laid paper · 1585
Art Institute of Chicago

Standing Academy
Andrea Boscoli
Red and black chalk, on buff laid paper, laid down on cream laid paper, tipped onto cream board · 1585
Art Institute of Chicago

Manure Collector
Annibale Carracci
Pen and brown ink, over traces of black chalk, on cream laid paper, laid down on ivory wove card · 1585
Art Institute of Chicago