Database / Artworks
Artworks
Proscenium and Stage Design: Scene 1, Ballet celebrating the marriage of Leopoldo Cesare, Duke of Mantua, and Claudia Felice, Archduchess of Austria, 1674
Giuseppe Maria Mitelli
Pen and brown ink, black and red chalk on white laid paper · 1674
Cooper Hewitt, Smithsonian Design Museum
Madonna Seated on Clouds and Sketch of Angel's Wing
Michel Corneille
Black and red chalk, heightened with white chalk, on tan laid paper, laid down on blue wove card · 1660
Art Institute of Chicago
Madonna Seated on Clouds and Sketch of Angel's Wing
Michel Ange Corneille
Black and red chalk, heightened with white chalk, on tan laid paper, laid down on blue wove card · 1660
Art Institute of Chicago
Putti and Coat of Arms
Gerard de Lairesse
Pen and gray ink, with brush and gray wash, over black and red chalk, on cream laid paper, laid down on ivory laid paper · 1660
Art Institute of Chicago
The Vision of Saint John of Matha
Giacinto Calandrucci
Pen and brown ink, black and red chalk, some corrections in white · 1646
The Metropolitan Museum of Art
The Conversion of Saul with Christ and the Cross
Jacob Jordaens
brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite · 1645
Cleveland Museum of Art
"It is good candles which light the way"
Jacob Jordaens
pen and ink with brown wash and white heightening over black and red chalk on laid paper · 1640
National Gallery of Art
Susannah Crouching
Jacob Jordaens
black and red chalk with watercolor, heightened with white · 1640
National Gallery of Art
Study of a Young Girl Drinking from a Glass
Jacob Jordaens
Black and red chalk, heightened with white chalk, on light brown paper; framing lines in pen and brown ink · 1640
The Metropolitan Museum of Art
The Conversion of Saul with Horseman and Banner
Jacob Jordaens
Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge) · 1640
Cleveland Museum of Art
The Feast of Herod (recto)
Peter Paul Rubens, Flemish
pen and brown ink, with black and red chalk, touched with white gouache · 1637
Cleveland Museum of Art
The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)
Peter Paul Rubens, Flemish
pen and brown ink, with black and red chalk, touched with white gouache · 1637
Cleveland Museum of Art
The Feast of Herod (recto)
Peter Paul Rubens
pen and brown ink, with black and red chalk, touched with white gouache · 1637
Cleveland Museum of Art
The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)
Peter Paul Rubens
pen and brown ink, with black and red chalk, touched with white gouache · 1637
Cleveland Museum of Art
River Landscape
Claude Lorrain
pen and brown ink with brown wash and black and red chalk on laid paper · 1635
National Gallery of Art
View of Lahnstein on the River Rhine
Wenceslaus Hollar
Pen and brown ink over black and red chalk · 1631
The Metropolitan Museum of Art
Self-Portrait
Onorio Marinari
Black and red chalk on beige paper (the oval portrait); brush and gray wash over black chalk (the drawn frame) · 1627
The Metropolitan Museum of Art
Neptune
Theodoor van Thulden
Black and red chalk, heightened with white chalk, on tan laid paper · 1626
Art Institute of Chicago
Neptune
Theodoor van Thulden
Black and red chalk, heightened with white chalk, on tan laid paper · 1626
Art Institute of Chicago
Portrait of a Young Man
Gian Lorenzo Bernini
black and red chalk heightened with white chalk · 1615
National Gallery of Art
A Duck Sleeping near a Broken Wheel in a Farmyard, a Chicken beyond
Cornelis Saftleven
Black and red chalk, gray and brown wash · 1615
The Metropolitan Museum of Art
Two Gentlemen (verso)
Hendrick Avercamp
Pen and black ink, black and red chalk, graphite and watercolor on blue paper · 1613
Cleveland Museum of Art
A Woman Doing Laundry in an Ice Hole (recto)
Hendrick Avercamp
black and red chalk, graphite, watercolor heightened with white on blue paper · 1613
Cleveland Museum of Art
A Woman Doing Laundry in an Ice Hole (recto); Two Gentlemen (verso)
Hendrick Avercamp
black and red chalk, graphite, watercolor, pen and black ink, black and red chalk, graphite, watercolor (verso) on blue paper · 1613
Cleveland Museum of Art