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Artworks

34 records · Wild silk
A Weaving
A Weaving
James Bassler
Cotton, linen, silk, wild silk, nettle fiber (ramie), rayon, and wool, plain weave and slit tapestry weave with eccentric wefts · 2012
Art Institute of Chicago
Untitled/64
Untitled/64
Rebecca Bluestone
Cotton, silk, and wild silk, dovetailed tapestry weave · 2000
Art Institute of Chicago
Ten Skin Net
Ten Skin Net
James Bassler
Cotton, silk, wild silk, polyester film, and sisal, ten interworked strips of warp resist dyed (ikat), plain weave of discontinuous warps and wefts with some non-perpendicular weaving · 1992
Art Institute of Chicago
Saints of the Christian Church
Saints of the Christian Church
John W. Mulder
Silk and wild silk, plain weave; resist-dyed (batik) · 1975
Art Institute of Chicago
If I Forget Thee, Oh Jerusalem
If I Forget Thee, Oh Jerusalem
John W. Mulder
Silk, wild silk, and acetate, plain weave; batik printed · 1969
Art Institute of Chicago
Excavations
Excavations
Mariska Karasz
Linen, plain weave; applied painted paper, leather, and fur; appliquéd with jute, wool and linen, plain weaves; embroidered with wool, linen, silk, wild silk, cotton, jute, hemp, sisal, and cellulose film, in crossed back, eyelet, herringbone, laced herringbone, laced long-armed cross, long-armed cross, ladder and stem stitches; couching · 1959
Art Institute of Chicago
Water Birds Hanging
Water Birds Hanging
Lenore Tawney
Cotton, wool, silk, wild silk, cotton (mercerized), cellulose acetate, rayon, and linen, plain weave with discontinuous wefts; cut and knotted warp fringe · 1956
Art Institute of Chicago
Sample
Sample
Mary Evans Landis
Linen, wild silk, wool, and polyester film, bands of plain weave, of double-faced complementary weft twill plain weaves with inner warps; warp fringe · 1951
Art Institute of Chicago
Sample
Sample
Mary Evans Landis
Bands of silk, wild silk, and wool, plain weave with supplementary patterning wefts and plain weave with supplementary patterning wefts and self-patterned by main warp and ground weft floats; warp fringe · 1951
Art Institute of Chicago
Sample
Sample
Mary Evans Landis
Bands of linen, wild silk, and wool, plain weave and plain weave self-patterned by main warp and ground weft floats · 1951
Art Institute of Chicago
Sample
Sample
Mary Evans Landis
Silk, wool, acrylic, wild silk, and probably polyethylene film, point twill weave; warp fringe · 1951
Art Institute of Chicago
Sample
Sample
Mary Evans Landis
Silk, wool, cotton, wild silk, and rayon, stripes of weft chevron twill weave and of plain weave self-patterned by main warp and ground weft floats; openwork; warp fringe · 1951
Art Institute of Chicago
Sample
Sample
Mary Evans Landis
Bands of cotton, silk, wild silk, and wool, plain weave, point twill weave and alternating float weave; two warp sets used, each with warp fringe · 1951
Art Institute of Chicago
Sample
Sample
Mary Evans Landis
Bands of silk, wild silk, and wool, twill weave, plain weave double cloth, tubular plain weave, and plain weave with warp floats; main warp fringe · 1951
Art Institute of Chicago
Bed Cover from the Philip Johnson apartment
Bed Cover from the Philip Johnson apartment
Lilly Reich
Wild silk · 1933
Museum of Modern Art
Fragment or Swatch
Fragment or Swatch
Fredrica Justina Staack
Most likely wild silk and rayon, plain weave with crepe effect from overspun wefts; printed · 1929
Art Institute of Chicago
Panel
Panel
F. Schumacher & Co
Silk, wild silk and gold gilt strip wound around silk and wild silk fiber core, warp-float faced satin weave with supplementary brocading wefts tied in twill interlacing and self-patterned by ground wefts tied by supplementary binding warps in plain weave backed by twill interlacing · 1928
Art Institute of Chicago
Panel
Panel
F. Schumacher & Co
Silk, wild silk, warp-float faced satin weave with supplementary brocading wefts tied in twill interlacing and self-patterned by ground wefts tied by supplementary binding warps in plain weave backed by twill interlacing · 1928
Art Institute of Chicago
Panel (Upholstery Fabric)
Panel (Upholstery Fabric)
Wiener Werkstätte
Cotton, linen, wool, rayon, and wild silk, bands of plain and twill weaves and plain weave with warp floats · 1910
Art Institute of Chicago
The Bride
The Bride
Ann Macbeth
Wild silk, plain weave; appliquéd with silk, satin weave; embroidered with silk- and gold-leaf-paper-strip wrapped silk in detached chain, satin and stem stitches; laid work, couching and French knots; and glass beads · 1905
Art Institute of Chicago
Panel
Panel
Gavin Morton
Cotton and wild silk, four-color complementary warp plain weave double cloth · 1900
Art Institute of Chicago
Mohnköpfe (Poppyheads) (Dress or Furnishing Fabric)
Mohnköpfe (Poppyheads) (Dress or Furnishing Fabric)
Koloman Moser
Silk, wild silk, and cotton, warp-float faced 15:1 satin weave self-patterned by ground weft floats; woven on loom with Jacquard attachment; right selvage present · 1900
Art Institute of Chicago
Panel
Panel
René Beauclair
Silk, wild silk, and linen, satin weave with patterning wefts bound in twill interlacings; woven on loom with Jacquard attachment · 1895
Art Institute of Chicago
Furnishing Fabric
Furnishing Fabric
Charles Francis Annesley Voysey
Cotton, cotton chenille, and wild silk, plain weave double cloth with three-color complementary main warps · 1895
Art Institute of Chicago
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