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Artworks

39 records · Watercolour on paper. Verso: graphite on paper
Near Wallenstadt
Near Wallenstadt
William James Muller
Watercolour on paper. Verso: graphite on paper · 1834
Tate
The Serpent Attacking Buoso Donati. Verso: A Man with a Transparent Hood (?) over his Head
The Serpent Attacking Buoso Donati. Verso: A Man with a Transparent Hood (?) over his Head
William Blake
Ink and watercolour on paper. Verso: graphite on paper · 1824
Tate
Study Connected with J. Ritson’s ‘Caledonian Muse’: Men with Spears, Fighting. Verso: Sketch
Study Connected with J. Ritson’s ‘Caledonian Muse’: Men with Spears, Fighting. Verso: Sketch
Thomas Stothard
Ink and watercolour on paper. Verso: graphite on paper · 1821
Tate
Every Man also Gave him a Piece of Money. Verso: God the Father with Attendant Angels
Every Man also Gave him a Piece of Money. Verso: God the Father with Attendant Angels
William Blake
Graphite, ink and watercolour on paper. Verso: graphite on paper · 1821
Tate
Siegfried about to Deny on Oath that Brunhild Had Been his Paramour. Verso: The Figures Traced Through
Siegfried about to Deny on Oath that Brunhild Had Been his Paramour. Verso: The Figures Traced Through
Henry Fuseli
Graphite and watercolour on paper. Verso: graphite on paper · 1805
Tate
Shipping in the Thames or Medway. Verso: Sketch of Shipping
Shipping in the Thames or Medway. Verso: Sketch of Shipping
John Constable
Graphite and watercolour on paper. Verso: graphite on paper · 1803
Tate
Job, his Wife and his Friends: The Complaint of Job. Verso: Job’s Wife and Eight Other Sketches
Job, his Wife and his Friends: The Complaint of Job. Verso: Job’s Wife and Eight Other Sketches
William Blake
Ink and watercolour on paper. Verso: graphite on paper · 1785
Tate
An Allegory of the Bible. Verso: The Shins of an Écorché Male Figure
An Allegory of the Bible. Verso: The Shins of an Écorché Male Figure
William Blake
Graphite, ink and watercolour on paper. Verso: graphite on paper · 1780
Tate
The Good Farmer, Probably the Parable of the Wheat and the Tares. Verso: Rough Sketch of Two or Three Figures in a Landscape
The Good Farmer, Probably the Parable of the Wheat and the Tares. Verso: Rough Sketch of Two or Three Figures in a Landscape
William Blake
Ink and watercolour on paper. Verso: graphite on paper · 1780
Tate
[title not known] Verso: [title not known]
[title not known] Verso: [title not known]
British School
Ink and watercolour on paper. Verso: graphite on paper
Tate
[title not known] Verso: [title not known]
[title not known] Verso: [title not known]
John Flaxman
Graphite, ink and watercolour on paper. Verso: graphite on paper
Tate
[title not known] Verso: Tulip Design
[title not known] Verso: Tulip Design
British School
Graphite and watercolour on paper. Verso: graphite on paper
Tate
[title not known] Verso: Compositional Sketch
[title not known] Verso: Compositional Sketch
British School
Chalk and watercolour on paper. Verso: graphite on paper
Tate
[title not known] Verso: Sketch
[title not known] Verso: Sketch
British School
Graphite and watercolour on paper. Verso: graphite on paper
Tate
Two Recumbent Boys and a Panther, Part of a Frieze. Verso: Sketch
Two Recumbent Boys and a Panther, Part of a Frieze. Verso: Sketch
Thomas Stothard
Graphite, ink and watercolour on paper. Verso: graphite on paper
Tate
Design for R. Pollard’s ‘The Peerage of Great Britain and Ireland’; Matthew de Johnson Defeating the Earl of Douglas and Taking his Brother the Earl of Ormond Prisoner: A Border of Fighting Figures. Verso: Similar Design, Flanked by a Standing Female
Design for R. Pollard’s ‘The Peerage of Great Britain and Ireland’; Matthew de Johnson Defeating the Earl of Douglas and Taking his Brother the Earl of Ormond Prisoner: A Border of Fighting Figures. Verso: Similar Design, Flanked by a Standing Female
Thomas Stothard
Graphite, ink and watercolour on paper. Verso: graphite on paper
Tate
Scene in a Church with Figures Below. Verso: Sketch
Scene in a Church with Figures Below. Verso: Sketch
Thomas Stothard
Graphite, ink and watercolour on paper. Verso: graphite on paper
Tate
Studies of a Group of Female Spectators. Verso: Similar Figures
Studies of a Group of Female Spectators. Verso: Similar Figures
Thomas Stothard
Ink and watercolour on paper. Verso: graphite on paper
Tate
A Man Wearing One Top-Boot. Verso: Heads, Etc., and a Scrawl
A Man Wearing One Top-Boot. Verso: Heads, Etc., and a Scrawl
Henry William Bunbury
Graphite and watercolour on paper. Verso: graphite on paper
Tate
Sheet of Caricature Heads (Eleven). Verso: (a) Two Men Conversing; (b) A Man and Woman Embracing
Sheet of Caricature Heads (Eleven). Verso: (a) Two Men Conversing; (b) A Man and Woman Embracing
Henry William Bunbury
Graphite and watercolour on paper. Verso: graphite on paper
Tate
Scene in a Coffee House. Caricature. Verso: Drawings
Scene in a Coffee House. Caricature. Verso: Drawings
Henry William Bunbury
Graphite and watercolour on paper. Verso: graphite on paper
Tate
Four Figures. Caricature. Verso: Drawings
Four Figures. Caricature. Verso: Drawings
Henry William Bunbury
Graphite and watercolour on paper. Verso: graphite on paper
Tate
The Anglers. Three Men. Verso: Sketch
The Anglers. Three Men. Verso: Sketch
Henry William Bunbury
Graphite and watercolour on paper. Verso: graphite on paper
Tate
Snowdon on the Bangor Road about 7 Miles form Carnarvon. Verso: Sketch
Snowdon on the Bangor Road about 7 Miles form Carnarvon. Verso: Sketch
Nicholas Pocock
Graphite and watercolour on paper. Verso: graphite on paper
Tate
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