Database / Artworks
Artworks

Gift 18: Peas work (Kindergarten material based on the educational theories of Friedrich Froebel)
Unknown Artist
Various materials · 1880
Museum of Modern Art

Gift 10: Drawing - Slate pencils (Kindergarten material based on the educational theories of Friedrich Froebel)
Unknown Artist
Various materials · 1880
Museum of Modern Art

Strange Flower (Little Sister of the Poor)
Odilon Redon
Various charcoals, with touches of black chalk and black Conté crayon, stumping, incising and erasing, on yellowish cream wove paper altered to a golden tone · 1880
Art Institute of Chicago

Male Nude
Gustav Klimt
Various graphite pencils, with erasing and stumping, on cream laid paper · 1880
Art Institute of Chicago

Cauldron of the Sorceress
Odilon Redon
Various charcoals, with stumping, erasing, and incising, on pale-pink wove paper with red and blue fibers altered to a golden tone · 1879
Art Institute of Chicago

Guardian Spirit of the Waters
Odilon Redon
Various charcoals, with touches of black chalk, stumping, erasing, incising, and subtractive sponge work, heightened with traces of white chalk, on cream wove paper altered to a golden tone · 1878
Art Institute of Chicago

Guardian Spirit of the Waters
Odilon Redon
Various charcoals, with touches of black chalk, stumping, erasing, incising, and subtractive sponge work, heightened with traces of white chalk, on cream wove paper altered to a golden tone · 1878
Art Institute of Chicago

Mark Hopkins House
Herter Brothers, New York, New York, ca. 1865–82
furniture, decorative arts, side chair — rosewood, inlaid and veneered with various woods, silk (of the period but not original) · 1878
Cooper Hewitt, Smithsonian Design Museum

Guardian Spirit of the Waters
Odilon Redon, French
Various charcoals, with touches of black chalk, stumping, erasing, incising, and subtractive sponge work, heightened with traces of white chalk, on cream wove paper altered to a golden tone · 1878
Art Institute of Chicago

Guardian Spirit of the Waters
Odilon Redon
Various charcoals, with touches of black chalk, stumping, erasing, incising, and subtractive sponge work, heightened with traces of white chalk, on cream wove paper altered to a golden tone · 1878
Art Institute of Chicago

Mute Violin
Albert Charle
Maple, ebony, brass, various other materials · 1876
The Metropolitan Museum of Art

Melancholy
Odilon Redon
Various charcoals and gouache, with pastel and black chalk, and touches of stumping and erasing, on pale-pink wove paper with red and blue fibers altered to a golden tone, laid down on gray wove paper · 1876
Art Institute of Chicago

Melancholy
Odilon Redon
Various charcoals and gouache, with pastel and black chalk, and touches of stumping and erasing, on pale-pink wove paper with red and blue fibers altered to a golden tone, laid down on gray wove paper · 1876
Art Institute of Chicago

Melancholy
Odilon Redon, French
Various charcoals and gouache, with pastel and black chalk, and touches of stumping and erasing, on pale-pink wove paper with red and blue fibers altered to a golden tone, laid down on gray wove paper · 1876
Art Institute of Chicago

L'après-midi d'un faune
Édouard Manet
Book with four wood engravings in black on various laid and wove papers, two handcolored with pink wash, rebound and housed in slipcase · 1876
Art Institute of Chicago

Melancholy
Odilon Redon
Various charcoals and gouache, with pastel and black chalk, and touches of stumping and erasing, on pale-pink wove paper with red and blue fibers altered to a golden tone, laid down on gray wove paper · 1876
Art Institute of Chicago

Primitive Man
Odilon Redon
Various charcoals, with touches of black chalk, stumping, wiping and erasing, heightened with touches of white and ocher gouache, on cream wove paper altered to a pale, golden tone · 1872
Art Institute of Chicago

Primitive Being
Odilon Redon
Various charcoals and black chalk, with stumping, wiping, and erasing, fixed, on cream wove paper · 1871
Art Institute of Chicago

Landscape
Odilon Redon
Various charcoals, with black chalk and black Conté crayon, wiping, stumping and erasing on cream wove paper altered to a golden tone · 1868
Art Institute of Chicago

Chair
Herter Brothers
Maple, rosewood, various wood veneers, ebonized veneer, ash (secondary wood), gilding, modern upholstery · 1867
The Metropolitan Museum of Art

Sofa
Pierre E. Guerin (firm)
Rosewood, inlays of various woods, ormolu mounts, porcelain plaques, and upholstery · 1860
Art Institute of Chicago

Sketchbook of Noank and Lyme, Connecticut Subjects
Henry Ward Ranger
Cardboard covered in canvas (cover)
Various media (sheets) · 1858
The Metropolitan Museum of Art

Design for a painted overdoor
Giacomo Casa, Italian
Pencil, brush, various colors, gold, cardboard · 1850
Cooper Hewitt, Smithsonian Design Museum

Octagonal Library Table
Richard Hicks Bridgens
Ebony, boxwood, kingwood, mahogany, satinwood, pine, cedar, chestnut, tulipwood, and various stained and shaded woods, with ivory, pearl-shell, copper and brass inlay; the carcass of the top and of the drawer linings is mahogany; the carcass of the base pedestal is pine; replacement leather · 1835
Art Institute of Chicago