Database / Artworks
Artworks

Sutherland
Owen Jones
Silk, satin weave with twill interlacings of secondary binding warps and supplementary patterning wefts · 1870
Art Institute of Chicago

Panel (Dress Fabric)
Charles Frederick Worth
Silk, warp-float faced 7:1 satin weave with supplementary patterning wefts and self-patterned by ground weft floats and areas of plain weave · 1870
Art Institute of Chicago

Woman's Qun (Semiformal Domestic Skirt)
Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton in knot, single satin, satin, split, and stem stitches; laid work and couching; ribbons: silk, plain weave with supplementary patterning warps; trimmed with silk, warp-float faced 4:1 satin weave; waistband: cotton, plain weave; lined with silk, plain weave · 1870
Art Institute of Chicago

Sutherland
Owen Jones
Silk, satin weave with twill interlacings of secondary binding warps and supplementary patterning wefts · 1870
Art Institute of Chicago

Peri
Owen Jones, British
woven textiles, textile — medium: silk technique: two interconnected structures: 4\1 satin and 1\2 twill (lampas) label: silk lampas · 1870
Cooper Hewitt, Smithsonian Design Museum

Bird Motif
Huntley, Boorne, & Stevens
containers, decorative arts, matchsafe — plated tin, printed , gilded · 1870
Cooper Hewitt, Smithsonian Design Museum

"Smoke Up & Up Fumar Cigars"
Huntley, Boorne, & Stevens
containers, decorative arts, matchsafe — plated tin, printed gilded · 1870
Cooper Hewitt, Smithsonian Design Museum

Au Jardin d'Acclimatation (In the Zoological Garden)
Félix Bracquemond
etching and aquatint on Japan paper · 1870
National Gallery of Art

Au Jardin d'Acclimatation (In the Zoological Garden)
Félix Bracquemond
color etching and aquatint on laid paper · 1870
National Gallery of Art

Au Jardin d'Acclimatation (In the Zoological Garden)
Félix Bracquemond
etching and aquatint on laid paper · 1870
National Gallery of Art

Au Jardin d'Acclimatation (In the Zoological Garden)
Félix Bracquemond
etching and aquatint with roulette on laid paper · 1870
National Gallery of Art

Au Jardin d'Acclimatation (In the Zoological Garden)
Félix Bracquemond
etching and aquatint with roulette on wove paper · 1870
National Gallery of Art

Alpine Castle above a Wooded Lake
Maxime Lalanne
charcoal with stumping,scraping, erasing and wetting, and white chalk on beige laid paper, laid down · 1870
National Gallery of Art

Le Neptune, Place Saint-Pierre à Montmartre
Nadar (Gaspard Félix Tournachon)
Gelatin silver printing out print · 1870
Art Institute of Chicago

Sutherland
Owen Carter Jones
Silk, satin weave with twill interlacings of secondary binding warps and supplementary patterning wefts · 1870
Art Institute of Chicago

Woman's Long Pao (Formal Domestic Robe)
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; painted details; trimmed with braid of gilt-metal-strip-wrapped silk, 2:2 twill oblique interlacing; edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts; body lined with silk, 4:1 satin damask weave; sleeves lined with silk, warp-float faced 7:1 satin weave · 1870
Art Institute of Chicago

Woman's Majia (Semiformal or Informal Domestic Vest)
Manchu
Silk, 7:1 satin damask weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin, single satin, and stem stitches; laid work and couching; ribbon: silk and silver-leaf-over-lacquered-paper-strip-wrapped cotton, plain weave with supplementary patterning warps; facings: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin and single satin stitches; laid work and couching; corner cut outs edged with silk, warp-float faced 7:1 satin weave under laid with silk, warp-float faced 3:1 twill weave self-patterned by areas of plain weave; trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, 3:1, 1:1, 3:1, 1:1... twill weave; metal buttons · 1870
Art Institute of Chicago

Woman's Ao (Short Robe)
Han-Chinese
Silk, 7:1 satin damask weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin, and stem stitches; laid work and couching; sleeve bands: silk, warp-float faced 7:1 satin weave; embroidered with silk, gold-leaf-over-lacquered-paper-strip-wrapped wild silk, and gilt-metal-strip-wrapped silk in eyelet, feather, knot, satin, single satin, and stem stitches; laid work and couching; ribbons: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, complementary warp 7:1 satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts; trim and closures: silk, warp-float faced 7:1 and 4:1 satin weaves; lined with silk, plain weave · 1870
Art Institute of Chicago

Speke Hall: The Avenue
James McNeill Whistler
Etching and drypoint with foul biting in black ink on off-white laid paper · 1870
Art Institute of Chicago

Speke Hall: The Avenue
James McNeill Whistler
Etching and drypoint with foul biting in black ink on off-white laid paper · 1870
Art Institute of Chicago

Panel (Dress Fabric)
Charles Frederick Worth
Silk, warp-float faced 7:1 satin weave with supplementary patterning wefts and self-patterned by ground weft floats and areas of plain weave · 1870
Art Institute of Chicago

Speke Hall: The Avenue
James McNeill Whistler
Etching and drypoint with foul biting in dark brown ink on ivory laid paper · 1870
Art Institute of Chicago

Small Street on the Outskirts of Florence with Puppy
Giovanni Fattori
Etching and aquatint, from a zinc plate, in black on ivory wove paper · 1870
Art Institute of Chicago

Les Chats
Édouard Manet
Book with five etchings, two with aquatint and three with plate tone, one color lithograph, and line block prints, two with hand-coloring, with letterpress in black on ivory wove paper, with cardboard and paper cover and leather spine with gilt lettering · 1870
Art Institute of Chicago