Artworks

Johann Carl Loth

Pen and brown ink, heightened with white gouache, on gray laid paper with blue fibers, laid down on ivory laid card · 1690

Staffordshire Potteries

Lead-glazed earthenware with slip decoration · 1690

Pier Leone Ghezzi

Etching on ivory laid paper · 1690

Jeremiah Dummer

Silver · 1690

Jan Goeree

Pen and brown ink, with brush and brown wash, over traces of red chalk, on ivory laid paper, tipped onto cream wove paper · 1690

Johann Michael Rottmayr

Oil on canvas · 1690

Parnell Mackett

Linen, plain weave; bands of cut and drawn thread work in darning, interlocking lace, satin, and needle lace filling stitches; bands of needle lace or a cut and drawn thread grid and bands embroidered with silk and linen in Algerian eye, back, cross, long-armed cross, two-sided Italian cross, double running, running, satin and a variety of buttonhole stitches · 1690

Johann Michael Rottmayr

Oil on canvas · 1690

Grinling Gibbons

Pen and brown ink, with brush and gray wash, over graphite, on cream laid paper, tipped on buff wove paper · 1690

R.H. Quaytman

Silver · 1690

Edward Pierce, the younger

Pen and brown ink, with brush and gray and brown wash, over traces of graphite, with gold paint in borders on ivory laid paper · 1690

Giulio Testone

Pen and brown ink, with brush and gray wash, over traces of graphite, on ivory laid paper · 1690

Carlo Marchionni

Pen and brown ink on ivory laid paper, laid down on ivory wove paper · 1689

Carlo Marchionni

Pen and brown and black ink with brush and brown wash, with black chalk and graphite, on ivory laid paper, laid down on ivory laid paper · 1689

Carlo Marchionni

Pen and brown ink on ivory laid paper, laid down on ivory wove paper · 1689

Pieter Schenk

Mezzotint and engraving in black on ivory laid paper · 1689

Carlo Marchionni

Pen and brown and black ink with brush and brown wash, with black chalk and graphite, on ivory laid paper, laid down on ivory laid paper · 1689

Giuseppe Nogari

Red chalk, heightened with white gouache, over traces of graphite on tan laid paper, laid down on cream laid paper · 1689

Giuseppe Nogari

Red chalk, heightened with white gouache, over traces of graphite on tan laid paper, laid down on cream laid paper · 1689

Pieter Schenk

Mezzotint and engraving in black on ivory laid paper · 1689

Jean Baptiste Monnoyer

Wool and silk, slit and double interlocking tapestry weave · 1688

Mercy Mackett

Linen, plain weave; with bands of cut and drawn thread work in back, buttonhole, darning, double hem, interlocking lace, overcast, and needle lace filling stitches; bands of linen, needle lace; and bands embroidered with silk in Algerian eye, Antwerp edge, back, cross, double hem, double running, long-armed cross, two-sided Italian cross, satin, squared ground, and a variety of buttonhole stitches · 1688

Carlo Antonio Tavella

Pen and iron gall ink on cream laid paper · 1688

JEAN

Wool and silk, slit and double interlocking tapestry weave · 1688