Database / Artworks
Artworks
Plate One, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1971
Art Institute of Chicago
Plate (folio 10) from One Day
Eduard Flor
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts · 1971
Museum of Modern Art
Plate (folio 6) from One Day
Eduard Flor
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts · 1971
Museum of Modern Art
Plate (folio 4) from One Day
Eduard Flor
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts · 1971
Museum of Modern Art
Plate (folio 8) from One Day
Eduard Flor
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts · 1971
Museum of Modern Art
Plate (folio 2) from One Day
Eduard Flor
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts · 1971
Museum of Modern Art
Plate (folio 12) from One Day
Eduard Flor
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts · 1971
Museum of Modern Art
Plate (folio 14) from One Day
Eduard Flor
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts · 1971
Museum of Modern Art
A la pintura: To the Paintbrush
Robert Motherwell
Soft ground etching and aquatint in black on white wove paper · 1969
Art Institute of Chicago
The Devil's Picnic
Vera Berdich
Color photo-etching, with soft ground etching and aquatint, on white wove paper · 1969
Art Institute of Chicago
The Devil's Picnic
Vera Berdich
Color photo-etching, with soft ground etching and aquatint, on white wove paper · 1968
Art Institute of Chicago
Portfolio Box, from Fifth Stone, Sixth Stone
Lee Bontecou
Soft ground etching and aquatint from one plate in black ink, with letterpress in black ink, on ivory muslin · 1967
Art Institute of Chicago
Cover, from Fifth Stone, Sixth Stone
Lee Bontecou
Soft ground etching and aquatint from one plate in black ink on ivory muslin, laid down on board · 1967
Art Institute of Chicago
Soldiers Defending the Master Race, plate II (folio 5) from Judgments
Roberto Matta
One from an illustrated book with six soft ground etching and aquatints (one with roulette) and one soft ground etching · 1967
Museum of Modern Art
Nuremberg Judgment, plate IV (folio 7) from Judgment
Roberto Matta
Soft ground etching and aquatint with roulette from an illustrated book with six soft ground etching and aquatints (one with roulette) and one soft ground etching · 1967
Museum of Modern Art
To Be Read in One's Own Mirror after Looking at Oneself, plate VII (folio 10) from Judgments
Roberto Matta
Soft ground etching from an illustrated book with six soft ground etching and aquatints (one with roulette) and one soft ground etching · 1967
Museum of Modern Art
After the Nuremberg Trial, plate V (folio 8) from Judgments
Roberto Matta
One from an illustrated book with six soft ground etching and aquatints (one with roulette) and one soft ground etching · 1967
Museum of Modern Art
Blitz, plate I (folio 4) from Judgements
Roberto Matta
One from an illustrated book with six soft ground etching and aquatints (one with roulette) and one soft ground etching · 1967
Museum of Modern Art
Judgements
Roberto Matta
Illustrated book with six soft ground etching and aquatints (one with roulette) and one soft ground etching · 1967
Museum of Modern Art
Genocide, plate III (folio 6) from Judgments
Roberto Matta
One from an illustrated book with six soft ground etching and aquatints (one with roulette) and one soft ground etching · 1967
Museum of Modern Art
Tomorrow, the World..., plate VI (folio 9) from Judgments
Roberto Matta
One from an illustrated book with six soft ground etching and aquatints (one with roulette) and one soft ground etching · 1967
Museum of Modern Art
Classic Head
Vera Berdich
Color soft ground etching and aquatint on off-white wove paper · 1955
Art Institute of Chicago
La Main
Joan Miró
Soft ground etching and aquatint in color on ivory wove paper · 1953
Art Institute of Chicago
Rain and the Sea
Karl Schrag
Engraving, soft ground etching and aquatint · 1946
Museum of Modern Art