Database / Artworks
Artworks
Green Blade
Sarah Crowner
Soft ground etching and aquatint · 2023
Museum of Modern Art
Untitled (LA MoCA portfolio)
Martin Puryear
Hard and soft ground etching and aquatint, on cream Japanese paper, laid down on white wove paper (chine collé) · 1999
Art Institute of Chicago
David's Pool at Night
Howard Hodgkin
Soft ground etching and aquatint with hand-coloring in black ink on white wove paper · 1985
Art Institute of Chicago
Nancy Outside in July XIX: The Fish in the Wind
Jim Dine
Hard and soft ground etching and aquatint from three copper plates in white ink on white wove paper, painted in black acrylic · 1981
Art Institute of Chicago
Nancy Outside in July XIII: Dissolving in Eden
Jim Dine
Hard and soft ground etching and aquatint from four copper plates in black, pink, turquoise, and yellow inks on white wove paper · 1981
Art Institute of Chicago
Nancy Outside in July XXV: Charcoal Cyclamen
Jim Dine
Hard and soft ground etching and aquatint from two copper plates in black and cream inks, with charcoal on pinkish cream wove paper · 1981
Art Institute of Chicago
Nancy Outside in July XXII: Ten Layers of Gray
Jim Dine
Hard and soft ground etching and aquatint from eight copper plates on white wove paper · 1981
Art Institute of Chicago
Nancy Outside in July XIV: Wrestling with Spirits
Jim Dine
Hard and soft ground etching and aquatint from three copper plates, in blue, gray, and black inks on white wove paper · 1981
Art Institute of Chicago
Tondo
Francesco Clemente
Soft ground etching and aquatint · 1981
Museum of Modern Art
After Lunch
Howard Hodgkin
Soft ground etching and aquatint, with hand-coloring with gouache, on buff wove paper · 1980
Art Institute of Chicago
L'Abbatoire VI
Eldzier Cortor
Soft ground etching and aquatint, with flat bite, from two cut plates in black and red on ivory wove paper · 1980
Art Institute of Chicago
L'Abbatoire III
Eldzier Cortor
Soft ground etching and aquatint, with flat bite, in black and red on white wove paper · 1980
Art Institute of Chicago
Nancy Outside in July I
Jim Dine
Hard and soft ground etching and aquatint from three copper plates in green, cream, and black inks, with watercolor on ivory wove paper · 1978
Art Institute of Chicago
Green Shoes
William T. Wiley
Color soft ground etching and aquatint on cream wove paper · 1977
Art Institute of Chicago
S. W. Hayter Discovers Viscosity Printing, from The History of Printmaking
Warrington Colescott
Color soft ground etching and aquatint, with vibrograver, relief rolls through stencils on cream wove paper · 1976
Art Institute of Chicago
Plate Six, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Plate Nine, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Plate Seven, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Plate Three, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Plate Four, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Plate Eight, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Plate Two, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Plate five, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Plate One, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1971
Art Institute of Chicago