Database / Artworks
Artworks
Seated Tahitian Woman (recto); Standing Tahitian Woman (verso)
Paul Gauguin
Pen and brown ink (originally purple, est.), with graphite, on cream wove paper (recto); pen and brown ink (originally purple, est.), with traces of graphite, on cream wove paper; removed from a sketchbook and trimmed · 1891
Art Institute of Chicago
Sketches of Standing Figures and Animals
Paul Gauguin
Graphite and watercolor on cream wove paper, discolored to tan (removed from a sketchbook) · 1891
Art Institute of Chicago
Head of a Tahitian Woman (recto), Sketches of Anatomical Details (verso)
Paul Gauguin
Pen and brown ink (originally purple) (recto); graphite (verso); on cream wove paper, discolored to tan (removed from a sketchbook) · 1891
Art Institute of Chicago
Sketches of Figures, Pandanus Leaf, and Vanilla Plant
Paul Gauguin
black fabricated chalk and watercolor on cream wove paper (removed from a sketchbook) · 1891
Art Institute of Chicago
![Sketches of Seated Figures and Chickens (recto), Nude Female Torso (related to the painting Te a no areois [The Seed of the Areoi]) (verso), from the Carnet de Tahiti (Tahitian sketchbook)](/api/images/artworks/aic/113796.jpg)
Sketches of Seated Figures and Chickens (recto), Nude Female Torso (related to the painting Te a no areois [The Seed of the Areoi]) (verso), from the Carnet de Tahiti (Tahitian sketchbook)
Paul Gauguin
Graphite (recto); graphite with traces of green watercolor offset (verso); on cream wove paper (removed from a sketchbook) · 1891
Art Institute of Chicago
Sketches of Tahitian Residence with Color Notations and Dogs
Paul Gauguin
Black fabricated chalk, with black fabricated chalk offset, on cream wove paper (removed from a sketchbook) · 1891
Art Institute of Chicago
Tahitian Eve (related to the painting Parau ne te varua ino) (recto); Fragment of Inscription (related to Cahier pour Aline) (verso)
Paul Gauguin
Pen and brownish-black ink (originally dark purple), over pen and brown ink (originally purple) (recto) and graphite (verso) on cream wove paper (discolored to tan) (removed from a sketchbook) · 1891
Art Institute of Chicago
Seated Tahitian Woman (recto), Sketches of Roosters and Chickens (verso)
Paul Gauguin
Black fabricated chalk, selectively blended, with touches of brush and gray gouache, over traces of black fabricated chalk offset (recto); graphite (verso); on ivory wove paper (removed from a sketchbook) · 1891
Art Institute of Chicago
Study of Wind in Trees
William Trost Richards, American
landscapes, sketchbook folio — pen and black ink on off-white wove paper · 1890
Cooper Hewitt, Smithsonian Design Museum
Ocean View with Light Breaking through Dark Sky
William Trost Richards, American
seascapes, sketchbook folio — pen and black ink on off-white wove paper · 1890
Cooper Hewitt, Smithsonian Design Museum
Sketches of Figures and Foliage (recto); Profile of Charles Laval with Palm Tree and Other Sketches (verso)
Paul Gauguin
Black fabricated chalk with watercolor, on mottled blue wove paper with blue fibers, altered to light gray (recto); black fabricated chalk, with pen and brown ink, on mottled blue wove paper with blue fibers, altered to bluish-gray (verso) (removed from a sketchbook) · 1887
Art Institute of Chicago
Unfinished Landscape Sketch (Recto); Quick Sketch of Trees in Wind (Verso)
William Trost Richards, American
landscapes, sketchbook folio — graphite on cream wove paper · 1885
Cooper Hewitt, Smithsonian Design Museum
Seated Figure and a Cow; Three Studies of a Child's Head
Paul Gauguin
graphite, pen and brown ink on end papers of sketchbook cover · 1884
National Gallery of Art
Sketchbook
Gustave Caillebotte
Sketchbook containing 40 drawings: 30 in graphite, 7 in watercolor over graphite, and 3 in graphite and brush and gray wash, on 40 sheets of cream wove paper bound in brown cloth · 1883
Art Institute of Chicago
Sketchbook, 1880
Henri de Toulouse-Lautrec
Sketchbook of drawings containing 47 leaves including both end sheets by the artist. The media are pencil, black grease crayon and occasionally pen and ink and watercolor. Drawings on both sides of each leaf except 7 · 1880
Art Institute of Chicago
Sketchbook: Souvenir of Naples
Unknown Artist
Sketchbook with faded calfskin binding, pink endpapers and 56 views of Naples arranged two a page on 28 facing pages: pages 1-24 in watercolor over graphite, pages 25-28 in gouache. · 1821
The Metropolitan Museum of Art
Madonna Enthroned
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Romulus and Remus Suckled the Wolf; Romulus Dedicates to Jove Feretrius the Spoils of Conquered King Acronius, Two Studies after Carracci
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
The Madonna and Child in Glory, Study after Dosso Dossi
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Apollo with Lyre, Fame, Abundance, Beauty and Two Putti on Clouds, Study after Marcantonio Franceschini
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brown wash, over black chalk white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Remus Kills King Amulius; Remus Led in Chains before King Amulius; Two Studies After Carracci
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
The Madonna and Child Enthroned with Saints; Study after Panetti or Costa
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Lamentation over the Body
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Lunette with Saints Peter and Paul, Matthew and the Prophet Isaiah, Study after Sebastiano del Piombo
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over black chalk on heavy white wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum