Database / Artworks
Artworks

Color Intersection M-II
Shigeo Kubota
Linen and sisal, resist dyed, plain weave; folded; twisted; mounted to Plexiglas · 1997
Art Institute of Chicago

Ten Skin Net
James Bassler
Cotton, silk, wild silk, polyester film, and sisal, ten interworked strips of warp resist dyed (ikat), plain weave of discontinuous warps and wefts with some non-perpendicular weaving · 1992
Art Institute of Chicago

Mouzieys Eco System
Jolanta Owidzka
Sisal, wool, cotton, copper, and nylon, plain weave with supplementary patterning and brocading wefts · 1980
Art Institute of Chicago

Embryology
Magdalena Abakanowicz
Burlap, cotton gauze, hemp rope, nylon and sisal · 1978
Tate

Águila Beige (Brown Eagle)
Aurèlia Muñoz
Macramé with hand-dyed sisal and jute yarn · 1977
Museum of Modern Art

Le Feu et La Cendre (Fire and Cinders)
Magdalena Abakanowicz
Linen and sisal, discontinuous weft plain weave with supplementary brocading wefts, supplementary wrapping wefts and some ground wefts forming cut and uncut weft pile; self-patterned by ground weft floats; appliquéd with smaller rectangle of same weave, wrapped cord, yarn bundles forming cut pile and three-dimensional form of knotting · 1973
Art Institute of Chicago

The Moon Escaping
Jolanta Owidzka
Wool, linen, sisal, cotton, lurex and copper wire · 1973
Art Institute of Chicago

Abakan Orange
Magdalena Abakanowicz
Sisal and steel · 1971
Tate

Brun Rouge
Magdalena Abakanowicz
Sisal, hemp, and horsehair, slit tapestry weave with raised coils of supplementary wefts; attached strips of weft-faced plain weave and lengths of horsehair · 1970
Art Institute of Chicago

Humming Bird I
Magdalena Abakanowicz
Sisal and hemp, plain weave with discontinuous wefts and with supplementary pile wefts forming cut and uncut pile and additional warps knotted into weave; plied and wrapped · 1970
Art Institute of Chicago

Abakan Red
Magdalena Abakanowicz
Sisal and metal · 1969
Tate

Yellow Abakan
Magdalena Abakanowicz
Sisal · 1967
Museum of Modern Art

Czarna
Magdalena Abakanowicz
Sisal, rope and horsehair · 1966
Art Institute of Chicago

Excavations
Mariska Karasz
Linen, plain weave; applied painted paper, leather, and fur; appliquéd with jute, wool and linen, plain weaves; embroidered with wool, linen, silk, wild silk, cotton, jute, hemp, sisal, and cellulose film, in crossed back, eyelet, herringbone, laced herringbone, laced long-armed cross, long-armed cross, ladder and stem stitches; couching · 1959
Art Institute of Chicago

Chinois
Mariska Karasz
Goat hair and cotton, weft-float faced satin weave; appliquéd in cotton, plain weave; embroidered with linen, sisal, wool, silk, cotton, nylon, rayon, and cellulose in buttonhole, long-armed cross and open Cretan stitches; couching · 1953
Art Institute of Chicago

Sample (Window Blind)
Dorothy Liebes
Cotton, wool, silk, rayon, sisal, metal strip encased in synthetic film, and PVC strips, plain weave · 1950
Art Institute of Chicago

Band
Nasca
Sisal, cotton, and wool (camelid), open work of oblique interlaced tapes and slit tapestry weave with wrapping outlining wefts; braided warp fringe · 400
Art Institute of Chicago