Database / Artworks
Artworks
Communion of the Apostles
Martin Schuster
Red chalk on cream laid paper · 1687
Art Institute of Chicago
Adoration of the Virgin
Antoine Rivalz
Black chalk on cream laid paper · 1687
Art Institute of Chicago
Return of the Prodigal Son
Alessandro Magnasco
Black chalk heightened with touches of white chalk on brown tinted laid paper, laid down on ivory laid paper · 1687
Art Institute of Chicago
Study Sheet with Seated Figures
Alessandro Magnasco
Brush and brown ink and brown wash, heightened with white gouache, with touches of black chalk, on tan laid paper with brown fibers, laid down on off-white laid paper · 1687
Art Institute of Chicago
Bust of Diana
Giuseppe Mazza
Marble · 1687
Art Institute of Chicago
Sheet of Studies: Three Women and a Hand (recto); Sketches of Male Nudes, Heads and Hand (verso)
François Marot
Black chalk, heightened with white chalk (recto), and black chalk (verso), on tan laid paper · 1686
Art Institute of Chicago
Christ Driving the Money-Changers from the Temple
Ottmar Elliger
Pen and gray ink and brush and gray wash on ivory laid paper · 1686
Art Institute of Chicago
Christ Driving the Money-Changers from the Temple
Ottmar Elliger the Younger
Pen and gray ink and brush and gray wash on ivory laid paper · 1686
Art Institute of Chicago
The Visitation
Ottmar Elliger
Pen and gray ink and brush and gray wash on ivory laid paper · 1686
Art Institute of Chicago
Scene from Revelations
Ottmar Elliger
Pen and gray ink with brush and gray wash and lead white (partly discolored) on cream laid paper · 1686
Art Institute of Chicago
Portrait of Elizabeth Murray, Countess of Dysart
John Hoskins
Watercolor on paper · 1686
Art Institute of Chicago
Scene from Revelations
Ottmar Elliger the Younger
Pen and gray ink with brush and gray wash and lead white (partly discolored) on cream laid paper · 1686
Art Institute of Chicago
The Raising of the Cross
Ottmar Elliger
Pen and gray and brown ink, with brush and gray wash, over traces of red chalk, on ivory laid paper · 1686
Art Institute of Chicago
The Visitation
Ottmar Elliger the Younger
Pen and gray ink and brush and gray wash on ivory laid paper · 1686
Art Institute of Chicago
Birds, Flowers and Insects
Li Shanmei
Album of eight leaves; ink and color on paper · 1686
Art Institute of Chicago
The Raising of the Cross
Ottmar Elliger the Younger
Pen and gray and brown ink, with brush and gray wash, over traces of red chalk, on ivory laid paper · 1686
Art Institute of Chicago
Resurrection of Christ
Giacinto Boccanera
Pen and brown ink, with brush and brown wash, over traces of black chalk, on ivory laid paper, laid down on ivory laid paper · 1686
Art Institute of Chicago
Birds, Flowers and Insects
Li Shan 李鱓 (1682-1756)
Album of eight leaves; ink and color on paper · 1686
Art Institute of Chicago
Mary as Queen of Heaven or Apotheosis of Saint
Antonio Balestra
Brush and brown ink and wash, possibly over charcoal, on ivory laid paper, laid down on blue wove paper · 1686
Art Institute of Chicago
Portrait of Elizabeth Murray, Countess of Dysart
John Hoskins, the Younger
Watercolor on paper · 1686
Art Institute of Chicago
Birds, Flowers and Insects
Elizabeth Shan Shan Li
Album of eight leaves; ink and color on paper · 1686
Art Institute of Chicago
The Wedding at Cana
Giuseppe Maria Crespi
oil paint · 1686
Art Institute of Chicago
Finding of Moses
Antonio Molinari
Pen and brown ink, over red chalk, on ivory laid paper · 1685
Art Institute of Chicago
The Plum Blossom Studio in the style of Li Cheng
Mei
Hanging scroll; ink and light colors on paper · 1685
Art Institute of Chicago