Database / Artworks
Artworks

Beaker
R.H. Quaytman
Silver · 1690
Art Institute of Chicago

Study
Giuseppe Nogari
Red chalk, heightened with white gouache, over traces of graphite on tan laid paper, laid down on cream laid paper · 1689
Art Institute of Chicago

William III, King of England
Pieter Schenk
Mezzotint and engraving in black on ivory laid paper · 1689
Art Institute of Chicago

Man Seated in Front of Trees
Carlo Marchionni
Pen and brown and black ink with brush and brown wash, with black chalk and graphite, on ivory laid paper, laid down on ivory laid paper · 1689
Art Institute of Chicago

Study
Giuseppe Nogari
Red chalk, heightened with white gouache, over traces of graphite on tan laid paper, laid down on cream laid paper · 1689
Art Institute of Chicago

William III, King of England
Pieter Schenk
Mezzotint and engraving in black on ivory laid paper · 1689
Art Institute of Chicago

Caricature of Man Writing
Carlo Marchionni
Pen and brown ink on ivory laid paper, laid down on ivory wove paper · 1689
Art Institute of Chicago

Man Seated in Front of Trees
Carlo Marchionni
Pen and brown and black ink with brush and brown wash, with black chalk and graphite, on ivory laid paper, laid down on ivory laid paper · 1689
Art Institute of Chicago

Caricature of Man Writing
Carlo Marchionni
Pen and brown ink on ivory laid paper, laid down on ivory wove paper · 1689
Art Institute of Chicago

The Elephant, from The Berain Grotesques Series
Jean Baptiste Monnoyer
Wool and silk, slit and double interlocking tapestry weave · 1688
Art Institute of Chicago

Sampler
Mercy Mackett
Linen, plain weave; with bands of cut and drawn thread work in back, buttonhole, darning, double hem, interlocking lace, overcast, and needle lace filling stitches; bands of linen, needle lace; and bands embroidered with silk in Algerian eye, Antwerp edge, back, cross, double hem, double running, long-armed cross, two-sided Italian cross, satin, squared ground, and a variety of buttonhole stitches · 1688
Art Institute of Chicago

Hilly Landscape with Cows and Shepherds in Foreground
Carlo Antonio Tavella
Pen and iron gall ink on cream laid paper · 1688
Art Institute of Chicago

Figure Crossing a Bridge in a Rainstorm
Hasegawa Tojyu
Hanging scroll; ink on paper · 1688
Art Institute of Chicago

The Elephant, from The Berain Grotesques Series
JEAN
Wool and silk, slit and double interlocking tapestry weave · 1688
Art Institute of Chicago

François Van der Meulen
Pierre Louis van Schuppen
Engraving on paper · 1687
Art Institute of Chicago

Ruined Vault
Hendrik Voogd
Brush and brown wash with black chalk, on cream laid paper · 1687
Art Institute of Chicago

Return of the Prodigal Son
Alessandro Magnasco
Black chalk heightened with touches of white chalk on brown tinted laid paper, laid down on ivory laid paper · 1687
Art Institute of Chicago

Study Sheet with Seated Figures
Alessandro Magnasco
Brush and brown ink and brown wash, heightened with white gouache, with touches of black chalk, on tan laid paper with brown fibers, laid down on off-white laid paper · 1687
Art Institute of Chicago

Bust of Diana
Giuseppe Mazza
Marble · 1687
Art Institute of Chicago

Communion of the Apostles
Johann Martin Schuster
Red chalk on cream laid paper · 1687
Art Institute of Chicago

Adoration of the Virgin
Antoine Rivalz
Black chalk on cream laid paper · 1687
Art Institute of Chicago

Ruined Vault
Hendrik Voogd, Dutch
Brush and brown wash with black chalk, on cream laid paper · 1687
Art Institute of Chicago

Supper at Emmaus
Nicolas Bertin
Red chalk on tan laid paper · 1687
Art Institute of Chicago

Ruined Vault
Hendrik Voogd
Brush and brown wash with black chalk, on cream laid paper · 1687
Art Institute of Chicago