Database / Artworks
Artworks

Panel (Dress Fabric)
House of Worth
Silk, warp-float faced 7:1 satin weave self-patterned by ground weft floats and areas of plain weave · 1890
Art Institute of Chicago

Man's Jifu (Semiformal Court Robe)
Manchu
Silk, warp-float faced satin weave; embroidered with gold-leafed-paper-strip-wrapped cotton in padded satin and stem stitches; couching; edged with silk and gold-leafed-paper-strip-wrapped silk in warp-float faced satin weave with plain interlacing of secondary binding warps and supplementary patterning wefts · 1890
Art Institute of Chicago

Panel (Furnishing Fabric)
Alexander Morton & Co.
Silk, cotton, and gilt-metal-strip-wrapped cotton, satin weave with twill interlacings of secondary binding warps and patterning wefts · 1885
Art Institute of Chicago

Kennet
William Morris
Silk, satin weave with self-patterning ground wefts · 1883
Art Institute of Chicago

Kennett
William Morris
Silk, satin weave with self-patterning ground wefts · 1883
Art Institute of Chicago

Kennett
William Morris
Silk, satin weave with self-patterning ground wefts · 1883
Art Institute of Chicago

Kennet
William Morris
Silk, satin weave with self-patterning ground wefts · 1883
Art Institute of Chicago

Kennett
William Morris
Silk, satin weave with self-patterning ground wefts · 1883
Art Institute of Chicago

Portière
G
Silk, warp-float faced twill weave with supplementary pile warps forming cut solid velvet; embroidered with gilt paper and gold-leafed-paper-strip-wrapped cotton and silk in satin and stem stitches; laid work, couching and French knots; fringe of gilt-paper-strip-wrapped cotton and silk, wrapped and braided; lined with silk, weft-float faced satin weave self-patterned by areas of plain weave · 1880
Art Institute of Chicago

Woman's Semiformal Domestic Magua (Short Coat)
Manchu
Silk, warp-float faced 7:1 satin damask weave; facings: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts; ribbons: silk, plain weave with supplementary patterning warps, one with extended ground weft loop fringe, silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, plain weave with supplementary patterning warps, and silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5:1 satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts; sleeve facings: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in flat, knot, and Pekinese stitches; sleeve bands: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin and stem stitches; laid work and couching; trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, warp-float faced 3:1 'Z' twill weave self-patterned by areas of plain weave · 1880
Art Institute of Chicago

Woman's Qun (Skirt)
Han-Chinese
Silk, plain weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin and stem stitches; laid work and couching; edged with warp-float faced 4:1 and 7:1 satin weaves; waist band · 1880
Art Institute of Chicago

Portière
Anna G. Lyman
Silk, warp-float faced twill weave with supplementary pile warps forming cut solid velvet; embroidered with gilt paper and gold-leafed-paper-strip-wrapped cotton and silk in satin and stem stitches; laid work, couching and French knots; fringe of gilt-paper-strip-wrapped cotton and silk, wrapped and braided; lined with silk, weft-float faced satin weave self-patterned by areas of plain weave · 1880
Art Institute of Chicago

'Crazy Quilt'
Hallie Rogers Judd, (Halvania)
Sixteen joined squares, most of silk, plain, satin and twill weaves, some with supplementary pile warps (velvet) and supplementary patterning and brocading wefts; some squares of cotton, plain weave with supplementary weft pile (velveteen); embroidered in silk threads in buttonhole feather, running, stem, herringbone, satin and outline stitches and couching; appliquéd; additional design in paint and human hair; border: silk, plain weave with supplementary pile warps (velvet)
Back: silk, satin weave; four panels joined · 1880
Art Institute of Chicago

Victoria Empress of India 1877
Shobey Shiino, Japanese
embroidery & stitching, coat of arms — medium: silk, metal threads technique: embroidery on satin weave · 1877
Cooper Hewitt, Smithsonian Design Museum

Panel (from a Dress)
Charles Frederick Worth
Silk, satin weave with supplementary pile warps forming cut, voided velvet · 1875
Art Institute of Chicago

Woman's Vest
Manchu
Silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin, single satin, and stem stitches; laid work, couching and Chinese knots; inner tape: silk and cotton, plain weave self-patterned by main warp floats; outer tape: silk, warp-float faced 7:1 satin weave; embroidered with silk in satin and stem stitches; edged with silk, warp-float faced 7:1 satin weave; lined with silk, plain weave; button loops: silk, warp-float faced 7:1 satin weave; metal buttons · 1875
Art Institute of Chicago

Woman's Ao (Short Robe)
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin and stem stitches; laid work and couching; sleeve facing: silk, 7:1 satin damask weave; embroidered with silk and gilt-metal-strip-wrapped silk in knot, satin, single satin, split, and stem stitches (under drawing in black ink or graphite); edging and cloud collar: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-wrapped silk in satin and stem stitches; laid work and couching; collar: silk, 7:1 satin damask weave; ribbons: silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, stripes of 7:1 satin weave and stripes of plain weave with supplementary patterning warps and of silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, stripes of 7:1 satin weave, and stripes of plain weave with supplementary patterning warps; tapes: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, 1:1 oblique interlacing and silk, plain weave with self-patterning main warp floats; trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, plain weave · 1875
Art Institute of Chicago

Embroidered Trimmings for a Woman's Ao (Short Coat)
Han-Chinese
Silk, warp-float faced 7:1 satin weave; ink outlines; embroidered in back, cross, eyelet, fly, knot, single satin, satin, split, and stem stitches; couching · 1875
Art Institute of Chicago

Woman's Waitao (Semiformal Domestic Surcoat)
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with gold-leaf-over-lacquered-paper-strip-wrapped wild silk and silk, laid work and couching; collar tape, closures, and lining: silk, warp-float faced 7:1 satin weave; metal button · 1875
Art Institute of Chicago

Panel
Raoul Dufy
Silk, satin weave self-patterned by ground weft floats; block or screen printed · 1875
Art Institute of Chicago

Bedcover
Eleanor Beard Incorporated
Cotton, plain weave; pieced with cotton, stripes of plain weave and stripes of warp-float faced satin weave; roller printed; backed with cotton, plain weave; quilted · 1875
Art Institute of Chicago

Bridal Long Pao (Dragon Robe)
Han-Chinese
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with supplementary brocading wefts bound in weft-float faced 1:2 'Z' twill interlacings; painted details; closures, ties, and lining: silk, 4:1 satin damask weave; metal clasps and knotted button · 1875
Art Institute of Chicago

Panel
Christopher Dresser
Wool and silk, two color complementary weft, weft-float faced 1:11 satin weave with supplementary patterning wefts bound in 1:11 warp chevron twill interlacings · 1871
Art Institute of Chicago

Sutherland
Owen Jones
Silk, satin weave with twill interlacings of secondary binding warps and supplementary patterning wefts · 1870
Art Institute of Chicago