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Artworks

406 records · Sand
Dick
Dick
Suzanne McClelland
Gouache and watercolor on sandpaper · 2000
Museum of Modern Art
Böse Wolke
Böse Wolke
Ingeborg Hunzinger
sandstone · 1999
Cader Idris
Cader Idris
William Pye
sandstone · 1999
Cette obscure clarté qui tombe des étoiles
Cette obscure clarté qui tombe des étoiles
Anselm Kiefer
Acrylic paint, oil paint, shellac, earth, sand, wood, paper and glass on 2 canvases, lead, iron, books and other materia · 1999
Tate
Terrain, project
Terrain, project
Lebbeus Woods
Photocopyt with felt-tipped marker, ink and colored pencil on paper with sanding mounted to board · 1999
Museum of Modern Art
Terrain, project
Terrain, project
Lebbeus Woods
Photocopy with felt-tipped marker, ink and colored pencil on paper with sanding mounted to board · 1999
Museum of Modern Art
Terrain Project
Terrain Project
Lebbeus Woods
Photocopy with felt-tipped marker, ink, colored pencil and cut and pasted printed paper with felt-tipped marker on paper with sanding mounted to board · 1999
Museum of Modern Art
Terrain, project
Terrain, project
Lebbeus Woods
Photocopy with felt-tipped marker, ink and colored pencil on paper with sanding mounted to board · 1999
Museum of Modern Art
Terrain, project
Terrain, project
Lebbeus Woods
Photocopy with felt-tipped marker, ink and colored pencil on paper with sanding mounted to board · 1999
Museum of Modern Art
Terrain, project
Terrain, project
Lebbeus Woods
Photocopy with felt-tipped marker, colored pencil and graphite on paper with sanding mounted to board · 1999
Museum of Modern Art
Terrain, project
Terrain, project
Lebbeus Woods
Photocopy with felt-tipped marker, colored pencil and graphite on paper with sanding mounted to board · 1999
Museum of Modern Art
Terrain, project
Terrain, project
Lebbeus Woods
Photocopy with felt-tipped marker, ink and colored pencil on paper with sanding mounted to board · 1999
Museum of Modern Art
Terrain, project
Terrain, project
Lebbeus Woods
Photocopy with felt-tipped marker, ink and colored pencil on paper with sanding mounted to board · 1999
Museum of Modern Art
Terrain, project
Terrain, project
Lebbeus Woods
Photocopy with felt-tipped marker, graphite and colored pencil on paper with sanding mounted to board · 1999
Museum of Modern Art
Navedenga
Navedenga
Ernesto Neto
Polyamide stretch fabric, sand, Styrofoam, cloves, cord, and ribbon · 1998
Museum of Modern Art
Lauscha Group 1997–98 #5
Lauscha Group 1997–98 #5
Marvin Lipofsky
Cut, sandblasted, acid etched, and mold-blown glass · 1997
Art Institute of Chicago
Älteres Paar
Älteres Paar
Ingeborg Hunzinger
sandstone · 1996
Tree Mountain
Tree Mountain
Agnes Denes
sand · 1996
Pacific
Pacific
Yukinori Yanagi
49 Perspex boxes, plastic tubes and artificial sand · 1996
Tate
For Your Names You Took Hope and Humble
For Your Names You Took Hope and Humble
Carrie Mae Weems
Chromogenic print, overlaid with text sandblasted in glass · 1995
Art Institute of Chicago
Black and Tanned Your Whipped Wind of Change Howled Low Blowing Itself - Ha - Smack into the Middle of Duke Ellington's Orchestra Billie Heard It Too & Cried Strange Fruit Tears
Black and Tanned Your Whipped Wind of Change Howled Low Blowing Itself - Ha - Smack into the Middle of Duke Ellington's Orchestra Billie Heard It Too & Cried Strange Fruit Tears
Carrie Mae Weems
Chromogenic print and sandblasted glass · 1995
Art Institute of Chicago
You Became Uncle Tom John & Clemens' Jim
You Became Uncle Tom John & Clemens' Jim
Carrie Mae Weems
Chromogenic print with sand-blasted text on glass · 1995
Museum of Modern Art
In Your Sing Song Prayer You Asked Didn't My Lord Deliver Daniel?
In Your Sing Song Prayer You Asked Didn't My Lord Deliver Daniel?
Carrie Mae Weems
Chromogenic print with sand-blasted text on glass · 1995
Museum of Modern Art
Some Laughed Long & Hard & Loud
Some Laughed Long & Hard & Loud
Carrie Mae Weems
Chromogenic print with sand-blasted text on glass · 1995
Museum of Modern Art
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