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Artworks

49 records · Red chalk wash
Seated Female Nude with Arms Raised
Seated Female Nude with Arms Raised
Auguste Rodin
Graphite and red chalk wash on cream wove paper (discolored to tan) · 1860
Art Institute of Chicago
The Entrance of Charlemagne into Pavia
The Entrance of Charlemagne into Pavia
Julius Schnorr von Carolsfeld
Black chalk, graphite, brown watercolor washes, red chalk, red chalk washes. Squared for transfer in graphite with numerical indications of vertical divisions at the lower edge · 1840
The Metropolitan Museum of Art
The Assumption of the Virgin
The Assumption of the Virgin
Carlo Carlone
red chalk and brush and red chalk wash over traces of black chalk; squared in black chalk · 1759
Cleveland Museum of Art
The Assumption of the Virgin
The Assumption of the Virgin
Carlo Carlone
red chalk and brush and red chalk wash over traces of black chalk; squared in black chalk · 1759
Cleveland Museum of Art
The Departure of Jacob
The Departure of Jacob
François Boucher, French
Pen and brown-black ink, brown ink wash, and red chalk wash, with black chalk on cream laid paper · 1750
Cleveland Museum of Art
The Departure of Jacob
The Departure of Jacob
François Boucher
Pen and brown-black ink, brown ink wash, and red chalk wash, with black chalk on cream laid paper · 1750
Cleveland Museum of Art
Holy Family
Holy Family
James Stuart
Pen and brown ink with red chalk, and brush and red chalk wash, on ivory laid paper, laid down on cream wove paper · 1733
Art Institute of Chicago
Harem Scene
Harem Scene
Francesco Guardi, Italian
Pen and brown and black ink, brush and gray wash, red chalk with red chalk wash on buff laid paper · 1732
Art Institute of Chicago
Adoration of the Magi
Adoration of the Magi
Pupil of François Boucher
Pen and brown ink, over red chalk, with brush and red chalk wash, on ivory laid paper · 1723
Art Institute of Chicago
Sketches of Male Heads (recto); Queen and Page (verso)
Sketches of Male Heads (recto); Queen and Page (verso)
Giovanni Domenico Tiepolo
Pen and brown ink with brush and brown wash (recto) and red chalk with brush and red chalk wash; pen and brown ink, with traces of black chalk (verso) on ivory laid paper · 1716
Art Institute of Chicago
Music-Making Angels
Music-Making Angels
Vittorio Maria Bigari
Red chalk, with brush and red chalk wash, over traces of black chalk, on ivory laid paper · 1700
Art Institute of Chicago
Sketches of a Child:  Half-Length, Torso, Foot, Hand
Sketches of a Child: Half-Length, Torso, Foot, Hand
Lombard
Red chalk, heightened with touches of lead white (discolored), on cream laid paper, prepared with a red chalk wash ground · 1700
Art Institute of Chicago
Music-Making Angels
Music-Making Angels
Vittorio Maria Bigari
Red chalk, with brush and red chalk wash, over traces of black chalk, on ivory laid paper · 1700
Art Institute of Chicago
Caryatid with Yoke and Scroll
Caryatid with Yoke and Scroll
Raphael
Red chalk, with brush and red chalk wash, on ivory laid paper, laid down on card · 1700
Art Institute of Chicago
Woman Crowned with Laurel
Woman Crowned with Laurel
Raphael
Red chalk and stumping, with traces of red chalk wash, on cream laid paper · 1700
Art Institute of Chicago
Muse
Muse
Raphael
Red chalk with stumping, and touches of red chalk wash, on cream laid paper · 1700
Art Institute of Chicago
Muse Seen from the Back
Muse Seen from the Back
Raphael
Red chalk with stumping and red chalk wash on cream laid paper · 1700
Art Institute of Chicago
The Annunciation
The Annunciation
Alexandre Ubeleski
red chalk with red chalk wash on three pieces of laid paper · 1690
National Gallery of Art
Standing Franciscan Saint Holding Crucifix
Standing Franciscan Saint Holding Crucifix
Giovanni Battista Gaulli
Pen and brown ink, with brush and brown wash, and red chalk and red chalk wash, on ivory laid paper, laid down on ivory wove board · 1659
Art Institute of Chicago
Evangelist Looking Upward
Evangelist Looking Upward
Luca Giordano
Red chalk on ivory laid paper, prepared with a red chalk wash on paper · 1652
Art Institute of Chicago
Standing Bearded Man
Standing Bearded Man
Luca Giordano
Red chalk, with touches of black crayon, on cream laid paper prepared with a red chalk wash, laid down on cream laid paper · 1652
Art Institute of Chicago
Allegorical Figures Holding the Papal Insignia, study after the Allegory of Divine Providence in Palazzo Barberini in Rome
Allegorical Figures Holding the Papal Insignia, study after the Allegory of Divine Providence in Palazzo Barberini in Rome
Luca Giordano
Red chalk, with stumping, on cream laid paper, prepared with a red chalk wash · 1645
Art Institute of Chicago
Holy Family with the Infant Saint John
Holy Family with the Infant Saint John
Valerio Castello
Pen and brown ink, with brush and pale brown wash, over red chalk and brush and red chalk wash, on ivory laid paper, laid down on ivory wove paper · 1644
Art Institute of Chicago
Holy Family with the Infant Saint John
Holy Family with the Infant Saint John
Valerio Castello
Pen and brown ink, with brush and pale brown wash, over red chalk and brush and red chalk wash, on ivory laid paper, laid down on ivory wove paper · 1644
Art Institute of Chicago
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