Database / Artworks
Artworks
Figures at an Altar or Classical Sacrifice
Paolo Pagani
Pen and brown ink, with brush and brown wash, over red and black chalk on ivory laid paper · 1671
Art Institute of Chicago
Face of an Old Man with Eyes Closed
Pietro Dandini
Red and black chalk on ivory laid paper, tipped onto ivory wove paper · 1666
Art Institute of Chicago
Face of an Old Man with Eyes Closed
Pietro Dandini
Red and black chalk on ivory laid paper, tipped onto ivory wove paper · 1666
Art Institute of Chicago
Madonna Nursing the Christ Child
Esteban
pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown ink · 1665
Cleveland Museum of Art
Madonna Nursing the Christ Child
Bartolomé Esteban Murillo
pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown ink · 1665
Cleveland Museum of Art
Allegory with Figures of Hope, Time, and Death
Sebastiano Ricci
Pen and brown ink, brush and gray wash, over red and black chalk · 1659
The Metropolitan Museum of Art
Design for the Decoration of a Ceiling
Charles de La Fosse
Red and black chalk, pen and brown ink · 1655
The Metropolitan Museum of Art
Saint Philip Healing the Cripple in Samaria
Jacob Jordaens
Red and black chalk, reddish brown and gray wash; paper extended 3 cm. at the left and top by the artist (similar extensions at the right and bottom margins may have been removed). · 1652
The Metropolitan Museum of Art
The Adoration of the Magi
Bartolomé Esteban Murillo
pen and brown ink with brown wash over red and black chalk on laid paper · 1650
National Gallery of Art
Christ and the Virgin in Glory
Giacinto Brandi
Brush and brown wash, with red and black chalk, on blue laid paper, laid down on tan wove paper · 1643
Art Institute of Chicago
Studies for the Archangel Gabriel (recto and verso)
Nicolas Mignard
Red and black chalk, over graphite, on light brown paper (verso, same media) · 1640
The Metropolitan Museum of Art
River Scene
Abraham de Verwer
Pen and brown ink with brush and brown and gray wash, over red and black chalk, on ivory laid paper · 1640
Art Institute of Chicago
Christ Kneeling
Carlo Dolci
Red and black chalk on ivory laid paper · 1636
Art Institute of Chicago
Nude Old Man Seated, Leaning on His Forearm, Facing Left
Pupil of Jacob Jordaens
Red and black chalk, with touches of white chalk, on cream laid paper · 1635
Art Institute of Chicago
Nude Old Man Seated, Leaning on His Forearm, Facing Left
Jacob Jordaens
Red and black chalk, with touches of white chalk, on cream laid paper · 1635
Art Institute of Chicago
The Charlatan (recto), and Two Standing Figures (verso)
Borch
Pen and brown ink, with brush and gray wash, with traces of graphite, over traces of black chalk (recto), and red and black chalk (verso), on ivory laid paper · 1630
Art Institute of Chicago
The Charlatan (recto), and Two Standing Figures (verso)
Gerard ter Borch the Younger
Pen and brown ink, with brush and gray wash, with traces of graphite, over traces of black chalk (recto), and red and black chalk (verso), on ivory laid paper · 1630
Art Institute of Chicago
The Charlatan (recto), and Two Standing Figures (verso)
Gerard ter Borch
Pen and brown ink, with brush and gray wash, with traces of graphite, over traces of black chalk (recto), and red and black chalk (verso), on ivory laid paper · 1630
Art Institute of Chicago
The Cumean Sibyl
Claude Vignon
Red and black chalk on laid paper · 1625
Art Institute of Chicago
The Cumean Sibyl
Claude Vignon
Red and black chalk on laid paper · 1625
Art Institute of Chicago
Mary Magdalene
Claude Mellan
Red and black chalk on cream laid paper · 1618
Art Institute of Chicago
The Pentecost
Salomon de Bray
Red and black chalk, graphite, gouache and gold paint in spandrels of 1st support · 1612
The Metropolitan Museum of Art
Studies of Goats
Jan Roos, I
Red and black chalk with graphite on buff laid paper, laid down on blue card · 1612
Art Institute of Chicago
Pan Reclining
Sir Peter Paul Rubens
red and black chalk with red wash and gouache · 1610
National Gallery of Art