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Artworks
Tattoo from Selections from The Nude Man
Beth Van Hoesen
Etching and drypoint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
P. Standing from Selections from The Nude Man
Beth Van Hoesen
Drypoint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
W. Profile from Selections from The Nude Ma
Beth Van Hoesen
Engraving and drypoint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
Selections from The Nude Man
Beth Van Hoesen
Portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
Vignette (in-text plate, title page) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etched title page from a portfolio of seven etchings, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Rescuse (Rettung) (plate IV) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Fears (Ängste) (plate VII) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Triumph (plate V) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Repose (Ruhe) (plate VIII) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Cupid (Amor) (plate X) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Yearnings (Wünsche) (plate III) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Abduction (Entführung) (plate IX) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Homage (Huldigung) (plate VI) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Action (Handlung) (plate II) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Place (Ort) (plate I) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art