Database / Artworks
Artworks
5:16 am from the portfolio Nightwalk
Mark Stock
One from a portfolio of seven etchings with aquatint · 1978
Museum of Modern Art
Title page from the portfolio Nightwalk
Mark Stock
One from a portfolio of seven etchings with aquatint · 1978
Museum of Modern Art
1:18 am from the portfolio Nightwalk
Mark Stock
One from a portfolio of seven etchings with aquatint · 1978
Museum of Modern Art
4:24 am from the portfolio Nightwalk
Mark Stock
One from a portfolio of seven etchings with aquatint · 1978
Museum of Modern Art
2:57 am from the portfolio Nightwalk
Mark Stock
One from a portfolio of seven etchings with aquatint · 1978
Museum of Modern Art
12:46 am from the portfolio Nightwalk
Mark Stock
One from a portfolio of seven etchings with aquatint · 1978
Museum of Modern Art
5:14 am from the portfolio Nightwalk
Mark Stock
One from a portfolio of seven etchings with aquatint · 1978
Museum of Modern Art
Compositional Study No. III from Impressions: Our World, Volume I
Eldzier Cortor
Etching with embossing from a portfolio of seven etchings (five with aquatint, two with embossing) · 1974
Museum of Modern Art
The Triumph of B.L.S. from Impressions: Our World, Volume I
Vincent Smith
Etching and aquatint from a portfolio of seven etchings (five with aquatint, two with embossing) · 1974
Museum of Modern Art
Horseman from Impressions: Our World, Volume I
Vivian Browne
Etching from a portfolio of seven etchings (five with aquatint, two with embossing) · 1974
Museum of Modern Art
Carnaval from Impressions: Our World, Volume I
Norman Lewis
Etching and aquatint with embossing from a portfolio of seven etchings (five with aquatint, two with embossing) · 1974
Museum of Modern Art
American Girl from Impressions: Our World, Volume I
Emma Amos
Etching and aquatint from a portfolio of seven etchings (five with aquatint, two with embossing) · 1974
Museum of Modern Art
Growing Up from Impressions: Our World, Volume I
Benny Andrews
Etching and aquatint from a portfolio of seven etchings (five with aquatint, two with embossing) · 1973
Museum of Modern Art
Dialogue from Impressions: Our World, Volume I
John Wilson
Etching and aquatint from a portfolio of seven etchings (five with aquatint, two with embossing) · 1973
Museum of Modern Art
Impressions: Our World, Volume I
Emma Amos
Portfolio of seven etchings (five with aquatint, two with embossing) · 1973
Museum of Modern Art
7 Possible Constructions
Gérard Titus-Carmel
Portfolio of seven etchings · 1970
Museum of Modern Art
P. Standing from Selections from The Nude Man
Beth Van Hoesen
Drypoint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
J. Seated from Selections from The Nude Man
Beth Van Hoesen
Drypoint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
Father and Son from Selections from The Nude Man
Beth Van Hoesen
Drypoint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
W. Profile from Selections from The Nude Ma
Beth Van Hoesen
Engraving and drypoint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
W. Seated from Selections from The Nude Man
Beth Van Hoesen
Etching and drypoint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
H. Seated from Selections from The Nude Man
Beth Van Hoesen
Etching and aquatint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
Sun Tan from Selections from The Nude Man
Beth Van Hoesen
Etching and aquatint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
Seated from Selections from The Nude Man
Beth Van Hoesen
Etching from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art