Database / Artworks
Artworks
Oval Ceiling with Three Graces, Design for Sala di Enea, Palazzo Marescalchi, Bologna
Felice Giani, Italian
figures, drawing — pen and ink on paper · 1810
Cooper Hewitt, Smithsonian Design Museum
The Triumph of Venus designed for the bedroom of Palazzo Milzetti, Faenza
Felice Giani, Italian
figures, drawing — pen and ink on paper; wm lines. · 1802
Cooper Hewitt, Smithsonian Design Museum
Design for Wall Decoration, Possibly for Lobby or Vicinity South of Dining Room
Frederick Crace, English
interiors, drawing — brush watercolor, pen and ink on paper · 1802
Cooper Hewitt, Smithsonian Design Museum
Design for Doorway, Possibly for Lobby or Vicinity South of Dining Room
Frederick Crace, English
interiors, drawing — brush and watercolor, pen and ink on paper · 1802
Cooper Hewitt, Smithsonian Design Museum
Design for a Window, Possibly for Lobby or Vicinity South of Dining Room
Frederick Crace, English
interiors, drawing — brush and watercolor, pen and ink on paper · 1802
Cooper Hewitt, Smithsonian Design Museum
A Thatched Cottage among Trees
Thomas Girtin
Pen and ink on paper · 1802
Tate
Entrance Hall, West Wall, Royal Pavilion, Brighton
Frederick Crace, English
Brush and watercolor, pen and ink on paper · 1802
Cooper Hewitt, Smithsonian Design Museum
Entrance Hall, East Wall, Royal Pavilion, Brighton
Frederick Crace, English
Brush and watercolor, pen and ink on paper · 1802
Cooper Hewitt, Smithsonian Design Museum
Design for the Interior of a Passageway
Giuseppe Bernardino Bison, Italian
interiors, drawing — graphite, pen and ink on paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Project for a Lunette
Giuseppe Bernardino Bison, Italian
architecture, drawing — pen and ink on paper, lined · 1800
Cooper Hewitt, Smithsonian Design Museum
Sketches for wall paintings: Arts and Sciences
Giuseppe Bernardino Bison, Italian
Pen and ink on paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Allegorical Figures of the Arts
Felice Giani, Italian
Black chalk, pen and ink on paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Two Flying Putti with Weapons
Felice Giani, Italian
Pen and ink on paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Two Representations of Saint Luke Making a Portrait of the Virgin and the Child
Fortunato Duranti, Italian
Pen and ink on paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Two Flying Putti with Banderole
Felice Giani, Italian
Pen and ink on paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Angel
Felice Giani, Italian
Pen and ink on paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Four Sketches of a Saint
Francesco Manno, Italian
Pen and ink on paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Design for Two Freizes
Felice Giani, Italian
Graphite, pen and ink on paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Design for a Candelabra
Carlo Marchionni, Italian
Pen and ink on paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Atalanta and Hippomenes
Felice Giani, Italian
Pen and ink on paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Cupid in Flight
Felice Giani, Italian
Pen and ink on paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Design for Two Friezes with Putti
Felice Giani, Italian
Graphite, pen and ink on paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Two Flying Putti with Attributes of Dionysus
Felice Giani, Italian
Pen and ink on paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Design for a gate, for the reception of Pope Pius VI returning from Germany, in Ancona
Filippo Marchionni, Italian
Graphite, brush and gray watercolor, pen and ink on paper · 1782
Cooper Hewitt, Smithsonian Design Museum