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Artworks

85 records · Pen and ink, brush and watercolor
Elevation and Cross-Section of an Opera House
Elevation and Cross-Section of an Opera House
Christian Francis Rosborg
drawing — pen and ink, brush and watercolor, graphite on paper · 1900
Cooper Hewitt, Smithsonian Design Museum
Sketch of Church of St. Nicholas, Caen, France
Sketch of Church of St. Nicholas, Caen, France
Stanford White, American
Graphite, pen and ink, brush and watercolor on paper mounted on board; verso: graphite · 1878
Cooper Hewitt, Smithsonian Design Museum
Design for Stained Glass, Southeast Window Nave, Paisley Abbey, Scotland
Design for Stained Glass, Southeast Window Nave, Paisley Abbey, Scotland
Sir Edward Burne-Jones, English
Pen and ink, brush and watercolor on paper · 1874
Cooper Hewitt, Smithsonian Design Museum
Adam and Eve, Design for Stained Glass Window, Frankby Church, Birkenhead (Cheshire), England
Adam and Eve, Design for Stained Glass Window, Frankby Church, Birkenhead (Cheshire), England
Sir Edward Burne-Jones, English
Pen and ink, brush and watercolor on paper · 1870
Cooper Hewitt, Smithsonian Design Museum
Design for Stained Glass Window, St. Paul's Church, Boston, MA
Design for Stained Glass Window, St. Paul's Church, Boston, MA
Sir Edward Burne-Jones, English
Pen and ink, brush and watercolor on paper · 1870
Cooper Hewitt, Smithsonian Design Museum
Painting Decoration of a Pilaster Strip
Painting Decoration of a Pilaster Strip
Giacomo Casa, Italian
ornament, drawing — graphite, pen and ink, brush and watercolor on paper · 1860
Cooper Hewitt, Smithsonian Design Museum
The Salutation at the Masquerade
The Salutation at the Masquerade
Edouard de Beaumont, French
Pen and ink, brush and watercolor on bristol board · 1860
Cooper Hewitt, Smithsonian Design Museum
Design for a Sepulchral Monument
Design for a Sepulchral Monument
Giuseppe Barberi, Italian
architecture, drawing — graphite, pen and ink, brush and watercolor on paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for Metal Frame
Design for Metal Frame
Johann Alois Seethaler
Pen and ink, brush and watercolor · 1825
Cooper Hewitt, Smithsonian Design Museum
Tricks of the Turf, or, Settling how to Lose a Race
Tricks of the Turf, or, Settling how to Lose a Race
Thomas Rowlandson, British
Pen and ink, brush and watercolor on paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Capital
Capital
Felice Giani, Italian
ornament, drawing — graphite, pen and ink, brush and watercolor on paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Design for a Cross
Design for a Cross
Pietro Belli, Italian
metalwork, drawing — pen and ink, brush and watercolor, graphite on paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Decorative Studies of Candelabra; Verso: Masculine Heads
Decorative Studies of Candelabra; Verso: Masculine Heads
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor over graphite on laid paper · 1817
Cooper Hewitt, Smithsonian Design Museum
Decorative Studies; Verso: Profile Heads of Barbarians
Decorative Studies; Verso: Profile Heads of Barbarians
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor washes over graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum
Decorative Motifs; Verso: Anatomical Studies
Decorative Motifs; Verso: Anatomical Studies
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor washes with traces of graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum
Decorative Studies; Verso: Anatomical Studies
Decorative Studies; Verso: Anatomical Studies
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor washes over graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum
Six Decorative Studies; Verso, Anatomical Study
Six Decorative Studies; Verso, Anatomical Study
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor washes over graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum
Decorative Studies for Ceilings; Verso: Head in Profile with Antique Helmet
Decorative Studies for Ceilings; Verso: Head in Profile with Antique Helmet
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor washes over graphite on cream laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum
Five Studies of Ceiling with Grotesques; Madonna
Five Studies of Ceiling with Grotesques; Madonna
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor washes over graphite on cream laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum
Two Decorartive Studies of Ceilings; Verso: Studies of Heads
Two Decorartive Studies of Ceilings; Verso: Studies of Heads
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor washes over graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum
Decorative Studies; Verso: Anatomical Studies of Toes
Decorative Studies; Verso: Anatomical Studies of Toes
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor washes over graphite on cream laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum
Four Decorative Studies of Ceilings; Verso: Anatomical Studies
Four Decorative Studies of Ceilings; Verso: Anatomical Studies
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor washes over graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum
Personification of Justice
Personification of Justice
Felice Giani, Italian
figures, drawing — pen and ink, brush and watercolor washes on laid paper · 1813
Cooper Hewitt, Smithsonian Design Museum
Study of the Landing of Maria de' Medici to Marsala, after Peter Paul Rubens
Study of the Landing of Maria de' Medici to Marsala, after Peter Paul Rubens
Felice Giani, Italian
figures, drawing — pen and ink, brush and watercolor washes on paper · 1813
Cooper Hewitt, Smithsonian Design Museum
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