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Artworks

170 records · Pen and gray ink
The Visitation
The Visitation
Ottmar Elliger
Pen and gray ink and brush and gray wash on ivory laid paper · 1686
Art Institute of Chicago
Christ Driving the Money-Changers from the Temple
Christ Driving the Money-Changers from the Temple
Ottmar Elliger
Pen and gray ink and brush and gray wash on ivory laid paper · 1686
Art Institute of Chicago
Scene from Revelations
Scene from Revelations
Ottmar Elliger
Pen and gray ink with brush and gray wash and lead white (partly discolored) on cream laid paper · 1686
Art Institute of Chicago
Christ Driving the Money-Changers from the Temple
Christ Driving the Money-Changers from the Temple
Ottmar Elliger the Younger
Pen and gray ink and brush and gray wash on ivory laid paper · 1686
Art Institute of Chicago
Scene from Revelations
Scene from Revelations
Ottmar Elliger the Younger
Pen and gray ink with brush and gray wash and lead white (partly discolored) on cream laid paper · 1686
Art Institute of Chicago
The Visitation
The Visitation
Ottmar Elliger the Younger
Pen and gray ink and brush and gray wash on ivory laid paper · 1686
Art Institute of Chicago
The Mystic Marriage of Saint Catherine
The Mystic Marriage of Saint Catherine
Leonard Bramer
Pen and gray ink with brush and gray wash, heightened with lead white (partly discolored), on gray laid paper · 1660
Art Institute of Chicago
Putti and Coat of Arms
Putti and Coat of Arms
Gerard de Lairesse
Pen and gray ink, with brush and gray wash, over black and red chalk, on cream laid paper, laid down on ivory laid paper · 1660
Art Institute of Chicago
Design for the Decoration of a Ceiling
Design for the Decoration of a Ceiling
Claude Audran III
Pen and gray ink, brush and gray, rose, peach, and green wash · 1658
The Metropolitan Museum of Art
Figure Presenting Loaves to a General
Figure Presenting Loaves to a General
Karel Škréta, Bohemian
Pen and gray ink, brush and gray wash with traces of graphite on cream laid paper · 1650
Cooper Hewitt, Smithsonian Design Museum
Mercury and Mars
Mercury and Mars
Marco Marcola
Pen and gray ink, with brush and gray wash, on buff laid paper, laid down on ivory laid paper · 1639
Art Institute of Chicago
The Devil's Kitchen Visited by an Angel
The Devil's Kitchen Visited by an Angel
Conrad Meyer
Pen and gray ink, brush and gray wash · 1638
The Metropolitan Museum of Art
Scene at a Village Inn
Scene at a Village Inn
Michael Herr
Pen and black ink, brush and gray wash; framing line in pen and gray ink · 1611
The Metropolitan Museum of Art
Figures on a Road
Figures on a Road
Pieter de Molijn
Black chalk and gray wash, framing line in pen and gray ink · 1605
The Metropolitan Museum of Art
The Adoration of the Holy Trinity in the New Covenant
The Adoration of the Holy Trinity in the New Covenant
Friedrich Sustris
Pen and gray ink, gray wash; laid down; framing line in pen and brown ink · 1588
The Metropolitan Museum of Art
Putti Holding Swan
Putti Holding Swan
Hans von Aachen
Pen and gray ink, with brush and gray wash, on cream laid paper, laid down on ivory laid card · 1572
Art Institute of Chicago
A Dog Looking to the Right
A Dog Looking to the Right
Tobias Stimmer
Pen and gray ink, brush and black and gray wash · 1564
The Metropolitan Museum of Art
The Entombment
The Entombment
Albrecht Dürer
pen and gray ink on laid paper · 1504
National Gallery of Art
Venus in Vulcan's Forge (recto); Geometry (verso)
Venus in Vulcan's Forge (recto); Geometry (verso)
HERMANN
Pen and black ink, with brush and gray wash (recto), and pen and gray ink with brush and gray wash heightened with lead white (verso), on ivory laid paper · 1500
Art Institute of Chicago
Venus in Vulcan's Forge (recto); Geometry (verso)
Venus in Vulcan's Forge (recto); Geometry (verso)
Hermann Weyer
Pen and black ink, with brush and gray wash (recto), and pen and gray ink with brush and gray wash heightened with lead white (verso), on ivory laid paper · 1500
Art Institute of Chicago
Saint Martin and the Beggar
Saint Martin and the Beggar
Vittore Carpaccio
Pen and gray ink, brush and gray wash, over faint traces of black chalk · 1493
The Metropolitan Museum of Art
Designs for Silver Serving Pieces
Designs for Silver Serving Pieces
Pietro Belli, Italian
tableware designs, drawing — pen and gray ink, brush and gray wash, graphite, ruled borders in pen and black ink on white laid paper
Cooper Hewitt, Smithsonian Design Museum
Stage Design, Men Constructing Building in Cave
Stage Design, Men Constructing Building in Cave
Antonio Giuseppe Basoli, Italian
theater, drawing — pen and gray ink, brush and gray and black wash, graphite on paper
Cooper Hewitt, Smithsonian Design Museum
Stage Design, Valley with Classical Ruins
Stage Design, Valley with Classical Ruins
Antonio Giuseppe Basoli, Italian
theater, drawing — pen and gray ink, brush and gray wash on paper
Cooper Hewitt, Smithsonian Design Museum
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