Database / Artworks
Artworks

Return From The Vintage
Bartolomeo Pinelli, Italian
Pen and gray ink with watercolor and black chalk on off-white wove paper · 1807
Cooper Hewitt, Smithsonian Design Museum

Vintage in the Mountains Near Rome
Bartolomeo Pinelli, Italian
Pen and gray ink with watercolor and black chalk on off-white wove paper · 1807
Cooper Hewitt, Smithsonian Design Museum

Two Shepherds in the Campagna
Bartolomeo Pinelli, Italian
Pen and gray ink with watercolor and black chalk on off-white wove paper · 1807
Cooper Hewitt, Smithsonian Design Museum

The Great Red Dragon and the Woman Clothed with the Sun
William Blake
pen and gray ink with watercolor over graphite · 1805
National Gallery of Art

Design for Medallion of King Alfred
Robert Smirke
Pen and gray ink, with brush and gray wash, on ivory laid paper, tipped onto cream laid paper · 1801
Art Institute of Chicago

Design for Medallion of King Canute
Robert Smirke
Pen and gray ink, with brush and gray wash, on ivory laid paper, tipped onto ivory laid paper · 1801
Art Institute of Chicago

Design for a Chimneypiece
Luigi Righetti, Italian
architecture, interiors, drawing — pen and gray ink, brush and watercolor, graphite on paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Design for Ornamental Ceiling
Charles Percier, French
pen and gray ink and gray, blue and yellow wash over graphite · 1800
Cleveland Museum of Art

Outskirts of Nodorp
Wouterus Verschuur
Pen and gray ink, with brush and gray wash, over traces of graphite, on ivory laid paper, laid down on ivory laid paper · 1800
Art Institute of Chicago

Altar Lamp
Luigi Righetti, Italian
Pen and gray ink, watercolor, graphite on white laid paper · 1800
Cooper Hewitt, Smithsonian Design Museum

Urn Design, after the Warwick Vase
Luigi Righetti, Italian
Pen and gray ink, brush and watercolor, black chalk on light blue laid paper · 1800
Cooper Hewitt, Smithsonian Design Museum

A Judge of the Criminal Court
Pierre Narcisse Guérin, French
Pen and gray ink with watercolor, over traces of graphite · 1798
The Metropolitan Museum of Art

Waterfalls in a Mountain Forest
Johann Georg von Dillis
watercolor with pen and gray ink over graphite on two joined sheets of laid paper · 1797
National Gallery of Art
![Designs for a Monument to Sir William Jones (?) [recto and verso]](https://api.nga.gov/iiif/8ba2d2b1-07c6-45d6-9418-8df66273ac7b/full/!800,800/0/default.jpg)
Designs for a Monument to Sir William Jones (?) [recto and verso]
John Flaxman
graphite; verso: graphite and pen and gray ink over graphite · 1796
National Gallery of Art

Thirius de Pautrizel
Jacques-Louis David
pen and gray ink with gray wash and pale brown wash (on the face) over touches of graphite, heightened with white gouache on laid paper, laid down on an old circular mount · 1795
National Gallery of Art

Figure Standing over Corpses, Blowing a Horn
John Flaxman
pen and gray ink with gray wash over graphite on wove paper · 1795
National Gallery of Art

Cascade of the Aray at Inveraray (Scotland)
John Abbott
Watercolor, pen and gray ink; laid down on original paper mount with brown wash · 1791
The Metropolitan Museum of Art

A Royal Party Admiring the Sunset atop the Hesselberg Mountain
Johann Georg von Dillis
watercolor, gouache, and pen and gray ink over graphite on laid paper · 1790
National Gallery of Art

Comfort the Afflicted
John Flaxman
pen and gray ink with gray and brown wash over graphite on laid paper · 1790
National Gallery of Art

Amphion and Zethus Delivering their Mother Antiope from the Fury of Dirce and Lycus
John Flaxman, English
Pen and gray ink and brush and gray wash, over graphite, on gray laid paper, laid down on ivory wove paper · 1789
Art Institute of Chicago

Amphion and Zethus Delivering their Mother Antiope from the Fury of Dirce and Lycus
John Flaxman
Pen and gray ink and brush and gray wash, over graphite, on gray laid paper, laid down on ivory wove paper · 1789
Art Institute of Chicago

Study of Five Vases or Urns
Felice Giani
Pen and gray ink, brush and brown wash, over freehand graphite and ruling, borders in blue wash · 1785
The Metropolitan Museum of Art

Christ Leading Peter, James, and John to the High Mountain for the Transfiguration
Giovanni Domenico Tiepolo
pen and gray ink and pen and black ink over black chalk with a variety of gray, black, brown and golden brown washes · 1785
National Gallery of Art

Study of Five Vases or Urns
Felice Giani, Italian
Pen and gray ink, brush and brown wash, over freehand graphite and ruling, borders in blue wash · 1785
The Metropolitan Museum of Art