Database / Artworks
Artworks

Untitled
Dado
Pen and gray ink on cream wove paper · 1966
Art Institute of Chicago

Head of a Man with Eyes Closed
Harold Tovish
Pen and gray ink on off-white wove paper · 1941
Art Institute of Chicago

Standing Woman Holding Child By the Hand
Salvador Dalí
Pen and gray ink, over graphite, on ivory wove card · 1938
Art Institute of Chicago

Oak Branch
Henri Rousseau
Pen and gray ink on cream wove paper · 1907
Art Institute of Chicago

St. Ives Bridge, St. Ives, Huntingdonshire
William Fraser Garden
Watercolor, pen and gray ink, touches of gouache (bodycolor), over graphite · 1895
The Metropolitan Museum of Art

Standing Roman
Lawrence Alma-Tadema
Pen and gray ink, brush and gray wash · 1875
The Metropolitan Museum of Art

Sketch to Illustrate the Passions–Ambition
Richard Dadd
Pen and gray ink and watercolor, mounted on card · 1854
The Metropolitan Museum of Art

Three Maries at the Tomb
Freiherr von Arthur George Ramberg
Pen and gray ink, with brush and gray wash, on wove paper · 1841
Art Institute of Chicago

Rye - South Coast Near Hastings
Edward William Cooke
Brush and gray wash, with touches of pen and gray ink and traces of graphite, on cream wove paper, laid down on tan board · 1831
Art Institute of Chicago

Rye - South Coast Near Hastings
Edward William Cooke
Brush and gray wash, with touches of pen and gray ink and traces of graphite, on cream wove paper, laid down on tan board · 1831
Art Institute of Chicago

Perspectival Cross-Section of a Venetian Palace
Eugène-Emmanuel Viollet-le-Duc
Pen and gray ink, brush and light wash, metal point framing lines, with small spatters of brown wash · 1830
The Metropolitan Museum of Art

Altar Lamp
Luigi Righetti, Italian
lighting, drawing — pen and gray ink, brush and watercolor, graphite on white laid paper; verso: pen and ink, graphite · 1825
Cooper Hewitt, Smithsonian Design Museum

Altar Lamp
Luigi Righetti, Italian
lighting, drawing — pen and gray ink, brush and watercolor, graphite on white laid paper · 1825
Cooper Hewitt, Smithsonian Design Museum

View of Salzburg
Johann Georg von Dillis
pen and gray ink with gray and brown washes, heightened with pink, over graphite on blue paper · 1820
National Gallery of Art

Study for Decorations of Buckingham Palace
John Flaxman
pen and gray ink with brown wash on wove paper · 1820
National Gallery of Art

Town Bridge and Portal
William Leighton Leitch
Pen and gray ink over graphite on gray laid paper · 1820
Art Institute of Chicago

Figures Seated in a Landscape
Fortunato Duranti, Italian
Pen and gray ink, brush and brown wash on paper · 1820
Cooper Hewitt, Smithsonian Design Museum

Altar of Colored Marbles,
Luigi Righetti, Italian
Pen and gray ink, watercolor, over graphite on white laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum

Design for a Painted Porcelain Plate, Fruits à l'eau de Vie (Fruits in Plum Liquor) for the Services des Objets de Dessert (Dessert Service)
Jean Charles Develly, French
ceramics, drawing — pen and brown-gray ink, brush and gray wash, graphite on cream laid paper, border in pen and gray ink · 1819
Cooper Hewitt, Smithsonian Design Museum

Two Designs for Decoration of Boxes, Tor di Nona Theater, Rome
Giuseppe Valadier, Italian
theater, drawing — pen and gray ink, watercolor, over pencil · 1819
Cooper Hewitt, Smithsonian Design Museum

The Handwriting on the Wall
John Doyle
Brush and gray wash, with pen and gray ink over graphite, on cream wove paper laid down on tan board · 1817
Art Institute of Chicago

The Handwriting on the Wall
Doyle
Brush and gray wash, with pen and gray ink over graphite, on cream wove paper laid down on tan board · 1817
Art Institute of Chicago

View of the Rhine with Pfalzgrafenstein Castle and Kaub Seen from the South-East
Johann Adam Klein
Graphite, pen and gray ink · 1815
The Metropolitan Museum of Art

Wall Elevation with Fireplace and Two Doors
Frederick Crace, English
architecture, interiors, drawing — pen and gray ink, brush and watercolor on off-white laid paper · 1815
Cooper Hewitt, Smithsonian Design Museum