Database / Artworks

Artworks

70 records · Pen and dark brown ink
Untitled
Untitled
Marina Abramović
Pen and dark brown ink on cream wove paper · 1990
Art Institute of Chicago
Untitled
Untitled
Fernand Léger
Pen and dark brown ink, over touches of graphite on cream laid paper, laid down on Japanese paper · 1943
Art Institute of Chicago
Study Sheet
Study Sheet
Alfred Dehodencq
pen and dark brown ink, watercolor with graphite on lightweight wove paper · 1865
Cleveland Museum of Art
The Fountain
The Fountain
Lorenz Frølich
Pen and dark brown ink, brush and gray and brown wash · 1835
The Metropolitan Museum of Art
Sketches for the Painted Decoration of Ceilings
Sketches for the Painted Decoration of Ceilings
Felice Giani, Italian
interiors, drawing — pen and dark brown ink on light brown laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Tribonian Presents Pandects to Emperor Julian, after Perino del Vaga; Sketch of Trophy
Tribonian Presents Pandects to Emperor Julian, after Perino del Vaga; Sketch of Trophy
Felice Giani, Italian
figures, drawing — pen and dark brown ink, brush and sepia wash on off white laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
A Fireplace Wall and Two Alternative Ceiling Schemes
A Fireplace Wall and Two Alternative Ceiling Schemes
Felice Giani, Italian
figures, drawing — pen and dark brown ink on lighblue laid paper. · 1820
Cooper Hewitt, Smithsonian Design Museum
Ceiling of a Bedroom
Ceiling of a Bedroom
Felice Giani, Italian
architecture, interiors, drawing — pen and dark brown ink, brush and watercolors with black, red, violet and blue washes over traces of graphite on paper. · 1820
Cooper Hewitt, Smithsonian Design Museum
Magi Conversing about Heavenly Bodies, after Perino del Vaga
Magi Conversing about Heavenly Bodies, after Perino del Vaga
Felice Giani, Italian
figures, drawing — pen and dark brown ink, brush and brown wash over traces of graphite on off white laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Sketchbook Page: Battle of the Centaurs and Lapiths
Sketchbook Page: Battle of the Centaurs and Lapiths
Felice Giani, Italian
figures, drawing — pen and dark brown ink over traces of graphite on cream laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Theology, after Raphael Sansio, Stanza della Segnatura, Vatican
Theology, after Raphael Sansio, Stanza della Segnatura, Vatican
Felice Giani, Italian
architecture, interiors, drawing — pen and dark brown ink, brush and sepia wash over traces of graphite on off white laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Two Friezes with Women and Sea Monsters
Two Friezes with Women and Sea Monsters
Felice Giani, Italian
figures, drawing — pen and dark brown ink, brush and sepia wash over black chalk on off white laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Three Sketches of Theseus Subjects, for the Sala di Teseo, Palazzo Gaddi, Forli
Three Sketches of Theseus Subjects, for the Sala di Teseo, Palazzo Gaddi, Forli
Felice Giani, Italian
figures, drawing — pen and dark brown ink on laid paper · 1819
Cooper Hewitt, Smithsonian Design Museum
Night and Day, in Two Octagons, for a Bedroom
Night and Day, in Two Octagons, for a Bedroom
Felice Giani, Italian
architecture, interiors, drawing — pen and dark brown ink on heavy laid paper · 1815
Cooper Hewitt, Smithsonian Design Museum
Women Riding Sea Centaurs, Villa Aldini, Montmorency, France
Women Riding Sea Centaurs, Villa Aldini, Montmorency, France
Felice Giani, Italian
figures, drawing — pen and dark brown ink, brush and brown wash over black chalk with traces of graphite on laid paper. · 1813
Cooper Hewitt, Smithsonian Design Museum
Sketch of Victory holding Bowknot and Trumpet; sketches of Wall Section and Stool
Sketch of Victory holding Bowknot and Trumpet; sketches of Wall Section and Stool
Felice Giani, Italian
figures, drawing — pen and dark brown ink, brush and gray-brown wash over black chalk on laid paper · 1812
Cooper Hewitt, Smithsonian Design Museum
Justice and Strength, in Two Octagons
Justice and Strength, in Two Octagons
Felice Giani, Italian
figures, drawing — pen and dark brown ink, brush and greyish-brown wash over traces of graphite on textured laid paper · 1812
Cooper Hewitt, Smithsonian Design Museum
Memorial Tablets for Severoli Family, Faenza
Memorial Tablets for Severoli Family, Faenza
Felice Giani, Italian
sculpture, drawing — pen and dark brown ink on light brown laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Apollo Driving the Chariot of the Sun, for the Sala di Apollo e Diana, Palazzo Bianchetti, Bologna
Apollo Driving the Chariot of the Sun, for the Sala di Apollo e Diana, Palazzo Bianchetti, Bologna
Felice Giani, Italian
figures, drawing — pen and dark brown ink, brush and brown wash, graphite on off-white laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Cupid and Psyche: Four Octagons and Eight Drawings of Cupid
Cupid and Psyche: Four Octagons and Eight Drawings of Cupid
Felice Giani, Italian
figures, drawing — pen and dark brown ink, brush and brown watercolor wash over traces of graphite, on laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Portrait of Giovanni Ricasoli, aged 5
Portrait of Giovanni Ricasoli, aged 5
Luigi Sabatelli
Pen and dark brown ink · 1808
The Metropolitan Museum of Art
Lost Labor (Trabajo perdido)
Lost Labor (Trabajo perdido)
Leonardo Alenza
Pen and dark brown ink; composition outlined with pen and dark brown ink on all sides · 1807
The Metropolitan Museum of Art
They Strut About Elegantly (Lindamente se pavonean)
They Strut About Elegantly (Lindamente se pavonean)
Leonardo Alenza
Pen and dark brown ink with brush over traces of black graphite · 1807
The Metropolitan Museum of Art
The Last Song (El aria final)
The Last Song (El aria final)
Leonardo Alenza
Pen and dark brown ink; composition outlined with pen and dark brown ink on all sides · 1807
The Metropolitan Museum of Art
Go to pageof 3