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Artworks

54 records · Pen and brown ink on cream laid paper
Portrait of Miss Maud Franklin
Portrait of Miss Maud Franklin
James McNeill Whistler
Pen and brown ink on cream laid paper · 1883
Art Institute of Chicago
Landscape - Hillside in Gruchy, Normandy
Landscape - Hillside in Gruchy, Normandy
Jean-François Millet
Pen and brown ink on cream laid paper · 1869
Art Institute of Chicago
Still Life Sketch
Still Life Sketch
William Michael Harnett
Graphite and pen and brown ink on cream laid paper · 1868
Art Institute of Chicago
Departure
Departure
David Octavius Hill
Pen and brown ink on cream laid paper · 1848
Art Institute of Chicago
Album Cover Design for Le Zodiaque Travesti (The Farcical Zodiac)
Album Cover Design for Le Zodiaque Travesti (The Farcical Zodiac)
Jean Charles Develly, French
ceramics, document — pen and brown ink on cream laid paper · 1824
Cooper Hewitt, Smithsonian Design Museum
In Ayrshire Dairy
In Ayrshire Dairy
David Octavius Hill
Pen and brown ink on cream laid paper · 1822
Art Institute of Chicago
Project for Painted Medallions
Project for Painted Medallions
Felice Giani, Italian
drawing — pen and brown ink on cream laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Project for Two Octagonal Paintings: Daedalus using Breasts of Hebe as Model for Bowl for Jupiter. Hebe Receives this Bowl from Him.
Project for Two Octagonal Paintings: Daedalus using Breasts of Hebe as Model for Bowl for Jupiter. Hebe Receives this Bowl from Him.
Felice Giani, Italian
figures, drawing — pen and brown ink on cream laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Decorative Project with Prudence in Oval
Decorative Project with Prudence in Oval
Felice Giani, Italian
architecture, interiors, drawing — pen and brown ink on cream laid paper · 1780
Cooper Hewitt, Smithsonian Design Museum
Stage Design, Interior of Papal Palace
Stage Design, Interior of Papal Palace
Flaminio Innocenzi Minozzi, Italian
theater, drawing — pen and brown and gray ink, brush and brown and gray wash, graphite, ruled border in pen and brown ink on cream laid paper, lined · 1777
Cooper Hewitt, Smithsonian Design Museum
Sketch of Figure Leaning on Cane
Sketch of Figure Leaning on Cane
Thomas Stothard
Pen and brown ink on cream laid paper, tipped onto cream wove paper · 1775
Art Institute of Chicago
Architectural details; human figures
Architectural details; human figures
Filippo Marchionni, Italian
architecture, drawing — brush and brown wash, pen and brown ink on cream laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Drawing
Drawing
Johann Melchior Füssli, Swiss
drawing — brush and gray wash, pen and brown ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Study for the First Plan of Solomon's Temple, Plate 420, Physica Sacra
Study for the First Plan of Solomon's Temple, Plate 420, Physica Sacra
Johann Melchior Füssli, Swiss
figures, drawing — brush and grey, black wash, pen and brown ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Study for Abimelech Reproveth Sarah, Plate 81, Physica Sacra
Study for Abimelech Reproveth Sarah, Plate 81, Physica Sacra
Johann Melchior Füssli, Swiss
figures, drawing — brush and grey wash, pen and brown ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Study for The Temple in Jerusalem, Plate 424, Physica Sacra
Study for The Temple in Jerusalem, Plate 424, Physica Sacra
Johann Melchior Füssli, Swiss
architecture, drawing — brush and gray wash, pen and brown ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Study for The Creation of Light, Plate 3, Physica Sacra
Study for The Creation of Light, Plate 3, Physica Sacra
Johann Melchior Füssli, Swiss
landscapes, drawing — brush and grey, black wash, white goauche, pen and brown ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Study for Jacob Pours Oil upon the Stone at Bethel, Plate 87, Physica Sacra
Study for Jacob Pours Oil upon the Stone at Bethel, Plate 87, Physica Sacra
Johann Melchior Füssli, Swiss
figures, drawing — brush and grey, black wash, pen and brown ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Physica Sacra
Physica Sacra
Johann Melchior Füssli, Swiss
Brush and gray and yellow wash, pen and brown ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Designs for Gobelins Tapestry, June (Les Mois Grotesques par Bandes)
Designs for Gobelins Tapestry, June (Les Mois Grotesques par Bandes)
Claude Audran III, French
textile designs, drawing — red chalk, pen and brown ink on cream laid paper · 1709
Cooper Hewitt, Smithsonian Design Museum
Designs for Gobelins Tapestry, October (Les Mois Grotesques par Bandes)
Designs for Gobelins Tapestry, October (Les Mois Grotesques par Bandes)
Claude Audran III, French
textile designs, drawing — red chalk, pen and brown ink on cream laid paper · 1709
Cooper Hewitt, Smithsonian Design Museum
Designs for Gobelins Tapestry, April (Les Mois Grotesques par Bandes)
Designs for Gobelins Tapestry, April (Les Mois Grotesques par Bandes)
Claude Audran III, French
Red chalk, pen and brown ink on cream laid paper · 1709
Cooper Hewitt, Smithsonian Design Museum
Literary Subject: Banquet Scene
Literary Subject: Banquet Scene
Jean Cotelle
Pen and brown ink on cream laid paper · 1662
Art Institute of Chicago
Literary Subject: Banquet Scene
Literary Subject: Banquet Scene
Jean Cotelle
Pen and brown ink on cream laid paper · 1662
Art Institute of Chicago
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