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Artworks

86 records · Pen and brown ink, with brush and gray wash
Siege of Fortress
Siege of Fortress
Jan Luyken
Pen and brown ink, with brush and gray wash, on ivory laid paper · 1669
Art Institute of Chicago
Man Preaching to Congregation
Man Preaching to Congregation
Jan Luyken
Pen and brown ink, with brush and gray wash, on ivory laid paper · 1669
Art Institute of Chicago
Allegory with the Map of Cyprus
Allegory with the Map of Cyprus
Charles Simonneau
Pen and brown ink, with brush and gray wash, over traces of graphite, on ivory laid paper, laid down on ivory laid paper · 1665
Art Institute of Chicago
Scene from Dutch History: Supplicants before Ruler
Scene from Dutch History: Supplicants before Ruler
Romeyn de Hooghe
Pen and brown ink, with brush and gray wash, over graphite and traces of white chalk, on ivory laid paper · 1665
Art Institute of Chicago
Four Continents
Four Continents
Gerard de Lairesse
Pen and brown ink, with brush and gray wash, on tan laid paper, tipped on ivory laid paper · 1660
Art Institute of Chicago
Three Sailboats
Three Sailboats
Willem van de Velde, II
Pen and brown ink, with brush and gray wash, on ivory laid paper, tipped onto cream wove card · 1653
Art Institute of Chicago
Earthquake in an Artist's Studio
Earthquake in an Artist's Studio
Pietro da Cortona
Pen and brown ink, with brush and gray wash, over charcoal on cream laid paper (recto); pen and brown ink and charcoal on cream laid paper (verso) · 1650
Art Institute of Chicago
Landscape with Fountain
Landscape with Fountain
Abraham Genoels
Pen and brown ink, with brush and gray wash, and touches of black chalk, on ivory laid paper, laid down on ivory laid card · 1650
Art Institute of Chicago
Earthquake in an Artist's Studio
Earthquake in an Artist's Studio
Pietro da Cortona
Pen and brown ink, with brush and gray wash, over charcoal on cream laid paper (recto); pen and brown ink and charcoal on cream laid paper (verso) · 1650
Art Institute of Chicago
Allegorical Scene in Artist's Studio
Allegorical Scene in Artist's Studio
Carlo Maratti
Pen and brown ink, with brush and gray wash, heightened with lead white (partly discolored), with traces of graphite, on tan laid paper · 1645
Art Institute of Chicago
Allegorical Scene in Artist's Studio
Allegorical Scene in Artist's Studio
Carlo Maratti
Pen and brown ink, with brush and gray wash, heightened with lead white (partly discolored), with traces of graphite, on tan laid paper · 1645
Art Institute of Chicago
Italian Landscape with a Bridge
Italian Landscape with a Bridge
Jan Both
Pen and brown ink, with brush and gray wash, over traces of black chalk, on ivory laid paper; verso, slight sketches of leaves in pen and brown ink · 1642
Art Institute of Chicago
Italian Landscape with a Bridge
Italian Landscape with a Bridge
Jan Both
Pen and brown ink, with brush and gray wash, over traces of black chalk, on ivory laid paper; verso, slight sketches of leaves in pen and brown ink · 1642
Art Institute of Chicago
John, Son of First Duke of Lennon
John, Son of First Duke of Lennon
Peter Lely
Pen and brown ink, with brush and gray wash, heightened with white gouache, over graphite, on tan laid paper, tipped on ivory laid paper · 1638
Art Institute of Chicago
John, Son of First Duke of Lennon
John, Son of First Duke of Lennon
Sir Peter Lely
Pen and brown ink, with brush and gray wash, heightened with white gouache, over graphite, on tan laid paper, tipped on ivory laid paper · 1638
Art Institute of Chicago
John, Son of First Duke of Lennon
John, Son of First Duke of Lennon
Peter Lely
Pen and brown ink, with brush and gray wash, heightened with white gouache, over graphite, on tan laid paper, tipped on ivory laid paper · 1638
Art Institute of Chicago
The Charlatan (recto), and Two Standing Figures (verso)
The Charlatan (recto), and Two Standing Figures (verso)
Borch
Pen and brown ink, with brush and gray wash, with traces of graphite, over traces of black chalk (recto), and red and black chalk (verso), on ivory laid paper · 1630
Art Institute of Chicago
The Charlatan (recto), and Two Standing Figures (verso)
The Charlatan (recto), and Two Standing Figures (verso)
Gerard ter Borch the Younger
Pen and brown ink, with brush and gray wash, with traces of graphite, over traces of black chalk (recto), and red and black chalk (verso), on ivory laid paper · 1630
Art Institute of Chicago
The Charlatan (recto), and Two Standing Figures (verso)
The Charlatan (recto), and Two Standing Figures (verso)
Gerard ter Borch
Pen and brown ink, with brush and gray wash, with traces of graphite, over traces of black chalk (recto), and red and black chalk (verso), on ivory laid paper · 1630
Art Institute of Chicago
Sheet of Sketches: Sea Monsters and Elaborate Portals (recto); Sketches of Architectural Details (verso)
Sheet of Sketches: Sea Monsters and Elaborate Portals (recto); Sketches of Architectural Details (verso)
Agostino Mitelli
Pen and brown ink, with brush and gray wash and traces of red chalk (recto), and pen and brown ink (verso), on ivory laid paper · 1629
Art Institute of Chicago
Sheet of Sketches: Sea Monsters and Elaborate Portals (recto); Sketches of Architectural Details (verso)
Sheet of Sketches: Sea Monsters and Elaborate Portals (recto); Sketches of Architectural Details (verso)
Agostino Mitelli
Pen and brown ink, with brush and gray wash and traces of red chalk (recto), and pen and brown ink (verso), on ivory laid paper · 1629
Art Institute of Chicago
Sacrifice of Abraham
Sacrifice of Abraham
Jan Lievens
Pen and brown ink, with brush and gray wash, on ivory laid paper, tipped onto card · 1627
Art Institute of Chicago
Design for Memorial to Pope Gregory XV
Design for Memorial to Pope Gregory XV
Algardi, Alessandro, Style of
Pen and brown ink, with brush and gray wash and watercolor, on vellum · 1618
Art Institute of Chicago
Design for Memorial to Pope Gregory XV
Design for Memorial to Pope Gregory XV
Alessandro Algardi
Pen and brown ink, with brush and gray wash and watercolor, on vellum · 1618
Art Institute of Chicago
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