Database / Artworks
Artworks
Three-Quarter Length Portrait of a Woman
Constantin
Pen and brown ink, with brush and gray wash, over graphite, on ivory wove paper · 1860
Art Institute of Chicago
Three-Quarter Length Portrait of a Woman
Constantin Guys
Pen and brown ink, with brush and gray wash, over graphite, on ivory wove paper · 1860
Art Institute of Chicago
Three-Quarter Length Portrait of a Woman
Constantin Guys
Pen and brown ink, with brush and gray wash, over graphite, on ivory wove paper · 1860
Art Institute of Chicago
After the Ballet
Constantin
Pen and brown ink, with brush and gray wash, over graphite, on ivory wove paper · 1822
Art Institute of Chicago
After the Ballet
Constantin Guys
Pen and brown ink, with brush and gray wash, over graphite, on ivory wove paper · 1822
Art Institute of Chicago
After the Ballet
Constantin Guys
Pen and brown ink, with brush and gray wash, over graphite, on ivory wove paper · 1822
Art Institute of Chicago
Design for a Chimney Piece
Charles Alfred Stothard
Pen and brown ink, with brush and gray wash, on ivory wove paper, laid down on ivory laid paper · 1806
Art Institute of Chicago
Ascension of Christ
Giotto
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on blue laid paper, tipped onto cream laid paper · 1780
Art Institute of Chicago
Wedding Procession of Mary and Joseph
Giotto
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on blue laid paper, tipped on to cream wove card · 1780
Art Institute of Chicago
Horatius at the Bridge
Polidoro da Caravaggio
Pen and brown ink, with brush and gray wash, on ivory laid paper, laid down on ivory laid paper · 1747
Art Institute of Chicago
Italianate Landscape with Figures Crossing Bridge
Heinrich Meyeringh
Pen and brown ink, with brush and gray wash, over traces of graphite, on ivory wove paper, laid down on card · 1720
Art Institute of Chicago
Musician Angels
Giovanni Battista Tiepolo
Pen and brown ink, with brush and gray wash, on cream laid paper · 1719
Art Institute of Chicago
Roman Ruins and Two Figures
Giovanni Paolo Panini
Pen and brown ink, with brush and gray wash, on tan laid paper · 1711
Art Institute of Chicago
Design for a Stage Set with a Monumental Arcaded Courtyard
Giuseppe Galli Bibiena
Pen and brown ink, with brush and gray wash · 1710
The Metropolitan Museum of Art
Design for a Stage Set with a Monumental Arcaded Courtyard
Giuseppe Galli Bibiena, Italian
Pen and brown ink, with brush and gray wash · 1710
The Metropolitan Museum of Art
Knights on Horseback
Charles Parrocel
Pen and brown ink, with brush and gray wash, over traces of graphite on ivory laid paper, laid down on ivory laid paper · 1708
Art Institute of Chicago
Washerwomen by Stream in Italianate Landscape
Locatelli
Pen and brown ink, with brush and gray wash and traces of graphite, on cream laid paper · 1705
Art Institute of Chicago
Washerwomen by Stream in Italianate Landscape
Andrea Locatelli
Pen and brown ink, with brush and gray wash and traces of graphite, on cream laid paper · 1705
Art Institute of Chicago
Sketches of Angels and Putti
Daniel Gran
Pen and brown ink, with brush and gray wash, on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. VI
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. II
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Thalia, Clio, and Melpomene
Giovanni Battista Cipriani
Pen and brown ink, with brush and gray wash, over black chalk, on ivory laid paper · 1700
Art Institute of Chicago
Sketches of Angels and Putti
Daniel Gran
Pen and brown ink, with brush and gray wash, on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. VII
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago