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Artworks

20 records · Pen and brown ink, watercolor
The Queen of Sheba
The Queen of Sheba
Edmund Dulac
Pen and brown ink, watercolor, and gouache, with graphite and color wax crayon, on artist’s drawing board · 1911
Cleveland Museum of Art
The Queen of Sheba
The Queen of Sheba
Edmund Dulac
Pen and brown ink, watercolor, and gouache, with graphite and color wax crayon, on artist’s drawing board · 1911
Cleveland Museum of Art
Dancer in a Red Skirt, No. 2
Dancer in a Red Skirt, No. 2
Robert Henri
pen and brown ink, watercolor, and gouache on wove paper · 1907
National Gallery of Art
Sarcophagus for the Relic
Sarcophagus for the Relic
Luigi Righetti, Italian
Pen and brown ink, watercolor, over graphite Support: white laid paper · 1825
Cooper Hewitt, Smithsonian Design Museum
Joan of Arc Imprisoned in Rouen
Joan of Arc Imprisoned in Rouen
Pierre Henri
Pen and brown ink, watercolor, and wash on two sheets of laid paper, mounted together on a sheet of laid paper · 1819
The Metropolitan Museum of Art
A Man O'War Lying at Anchor
A Man O'War Lying at Anchor
Johannes Christiaan Schotel
Pen and brown ink, watercolor; framing line in graphite · 1807
The Metropolitan Museum of Art
Christ in the Garden of Gethsemane
Christ in the Garden of Gethsemane
Robert Walter Weir
Black and gray ink washes, pen and brown ink, watercolor, and graphite on off-white wove paper · 1803
The Metropolitan Museum of Art
Christ in the Garden of Gethsemane
Christ in the Garden of Gethsemane
Robert Walter Weir
Black and gray ink washes, pen and brown ink, watercolor, and graphite on off-white wove paper · 1803
The Metropolitan Museum of Art
Hagen and the Nymphs of the Danube
Hagen and the Nymphs of the Danube
Fuse*
Graphite, pen and brown ink, watercolor and gouache on cream wove paper · 1802
The Metropolitan Museum of Art
Hagen and the Nymphs of the Danube
Hagen and the Nymphs of the Danube
Henry Fuseli
Graphite, pen and brown ink, watercolor and gouache on cream wove paper · 1802
The Metropolitan Museum of Art
Vignette with an Allegorical Figure of Astronomy
Vignette with an Allegorical Figure of Astronomy
Mauro Gandolfi
Pen and brown ink, watercolor, over black chalk; framing lines in pen and brown ink · 1793
The Metropolitan Museum of Art
Fantasy View of the Roman Forum
Fantasy View of the Roman Forum
Victor Jean Nicolle
Pen and brown ink, watercolor · 1770
The Metropolitan Museum of Art
View of the Roman Forum with the Temple of Saturn in the Background
View of the Roman Forum with the Temple of Saturn in the Background
Victor Jean Nicolle
Pen and brown ink, watercolor · 1770
The Metropolitan Museum of Art
Courtyard of the Chateau de Saint-Cloud
Courtyard of the Chateau de Saint-Cloud
Victor Jean Nicolle
Pen and brown ink, watercolor, over traces of graphite. Scattered stains. · 1765
The Metropolitan Museum of Art
Catafalque of Giorgio Bolognetti, Bishop of Rieti
Catafalque of Giorgio Bolognetti, Bishop of Rieti
Sebastiano Cipriani, Italian
Pen and brown ink, watercolor, black chalk on laid paper · 1686
Cooper Hewitt, Smithsonian Design Museum
Reading the News at the Weavers' Cottage
Reading the News at the Weavers' Cottage
Adriaen van Ostade
Pen and brown ink, watercolor, white heightening, over traces of graphite; framing lines by the artist (?) in pen and brown ink and gold · 1673
The Metropolitan Museum of Art
Allegorical Design for a Ceiling Fresco
Allegorical Design for a Ceiling Fresco
Francesco Albani
Pen and brown ink, watercolor, over black chalk or leadpoint · 1650
The Metropolitan Museum of Art
The Banquet of Anthony and Cleopatra
The Banquet of Anthony and Cleopatra
Jacob Jordaens
Pen and brown ink, watercolor, heightened with white gouache, over black chalk · 1605
The Metropolitan Museum of Art
Studies of Two Pollard Willows; Verso: Wide Landscape Prospect
Studies of Two Pollard Willows; Verso: Wide Landscape Prospect
Abraham Bloemaert, Dutch
Pen and brown ink, watercolor, traces of black chalk (recto); black chalk and watercolor (verso); framing lines in pen and brown ink · 1580
The Metropolitan Museum of Art
Studies of Two Pollard Willows; Verso: Wide Landscape Prospect
Studies of Two Pollard Willows; Verso: Wide Landscape Prospect
Abraham Bloemaert
Pen and brown ink, watercolor, traces of black chalk (recto); black chalk and watercolor (verso); framing lines in pen and brown ink · 1580
The Metropolitan Museum of Art