Database / Artworks
Artworks
Benediction a Lourdes
Jean-Louis Forain
pen and brown ink, brown wash, and graphite on laid paper · 1912
National Gallery of Art
A Fisherman's Family at the Beach, the Mother and One of the Children Sitting in a Cart
Smits
Pen and brown ink, brown wash, watercolor, gouache · 1855
The Metropolitan Museum of Art
The Entombment
Philipp Veit
Pen and brown ink, brown wash, over graphite · 1830
The Metropolitan Museum of Art
Apollo with Lyre, Fame, Abundance, Beauty and Two Putti on Clouds, Study after Marcantonio Franceschini
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brown wash, over black chalk white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
The Vestal Tuccia Carries Water in Sieve; Two Studies after Polidoro da Caravaggio
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brown wash, over black chalk support: white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Angels Bearing Symbols of Martyrdom, Study after Domenichino
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brown wash, over traces of black chalk support: white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Saddled Arabian Horse in Courtyard
Carle Vernet, French
pen and brown ink, brown wash, with gray wash, over black chalk or crayon, heightened with white gouache and white chalk · 1820
Cleveland Museum of Art
Prudence
Felice Giani, Italian
figures, drawing — pen and brown ink, brown wash over traces of graphite on cream laid paper · 1816
Cooper Hewitt, Smithsonian Design Museum
Stage Curtain: Minerva Honoring the Poets on Parnassus
Felice Giani, Italian
theater, drawing — pen and brown ink, brown wash, over black chalk on paper · 1815
Cooper Hewitt, Smithsonian Design Museum
Two Standing Angels Holding Wreath
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brown wash, over black chalk on white laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Numa Pompilius and Egeria, Sala di Numa Pompilius, Palazzo Milzetti, Faenza
Felice Giani, Italian
interiors, drawing — pen and brown ink, brown wash, over black chalk on white laid paper · 1802
Cooper Hewitt, Smithsonian Design Museum
Four Connoisseurs Seated at a Table
Antonio Zucchi
Pen and brown ink, brown wash, with white heightening · 1771
The Metropolitan Museum of Art
An English Family Group
Antonio Zucchi
Pen and brown ink, brown wash · 1771
The Metropolitan Museum of Art
The Betrothal of the Virgin
Giovanni Domenico Tiepolo
Pen and brown ink, brown wash, over black chalk. · 1767
The Metropolitan Museum of Art
Architectural design around door
Giovanni Battista Natali III, Italian
Pen and brown ink, brown wash, black chalk on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Philosophers Instructing Pupils by an Antique Sarcophagus
Lorenzo Tiepolo
Pen and brown ink, brown wash, over black chalk · 1736
The Metropolitan Museum of Art
The Stoning of Saint Stephen
Niccolò Bambini
Pen and brown ink, brown wash, over red and black chalk · 1697
The Metropolitan Museum of Art
Forest Clearing with Figures
Jan Frans van Bloemen
Pen and brown ink, brown wash on paper backed with Japan paper. · 1685
The Metropolitan Museum of Art
Tullia Driving Her Chariot over the Body of Her Father
Ciro Ferri
Pen and brown ink, brown wash, over black pencil; squared in black chalk. · 1652
The Metropolitan Museum of Art
Tullia Driving Her Chariot over the Body of Her Father
Ciro Ferri
Pen and brown ink, brown wash, over black pencil; squared in black chalk. · 1652
The Metropolitan Museum of Art
A Glory of Angels
Luca Giordano
Pen and brown ink, brown wash, over black chalk sketch. · 1650
The Metropolitan Museum of Art
The Almighty with Angels
Luca Giordano
Pen and brown ink, brown wash, over black chalk sketch. · 1650
The Metropolitan Museum of Art
A Glory of Angels
Luca Giordano
Pen and brown ink, brown wash, over black chalk sketch. · 1650
The Metropolitan Museum of Art
Ornamental Motif Surmounted by a Coat of Arms
Leonardo Scaglia, Italian
Pen and brown ink, brown wash · 1640
The Metropolitan Museum of Art