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Artworks

2,376 records · Pen and black ink
Design for an Urn
Design for an Urn
Giuseppe Barberi, Italian
classicism, drawing — graphite, pen and black ink, brush and gray wash on paper · 1780
Cooper Hewitt, Smithsonian Design Museum
Public Building
Public Building
Planier, French
architecture, drawing — pen and black ink, brush and gray and blue wash, over black chalk on paper · 1780
Cooper Hewitt, Smithsonian Design Museum
Design for a table with decorated base
Design for a table with decorated base
Giuseppe Barberi, Italian
furniture, drawing — brush and black and grey wash, pen and black ink on paper · 1780
Cooper Hewitt, Smithsonian Design Museum
Designs for Two Trophies: Stonecutters and Goldsmiths
Designs for Two Trophies: Stonecutters and Goldsmiths
Jean-Charles Delafosse, French
ornament, drawing — pen and black ink, brush and wash, black chalk on white laid paper · 1780
Cooper Hewitt, Smithsonian Design Museum
Jephthah's Daughter
Jephthah's Daughter
Benjamin West
pen and black ink, wash, and gouache on blue wove paper · 1780
National Gallery of Art
Study for "Jephthah's Daughter"
Study for "Jephthah's Daughter"
Benjamin West
pen and black ink on blue wove paper · 1780
National Gallery of Art
Group of Men Seated in a Circle [recto]
Group of Men Seated in a Circle [recto]
William Blake
pen and black ink with wash over black chalk on laid paper · 1780
National Gallery of Art
Two Roman Warriors with She-Wolf, Romulus, and Remus
Two Roman Warriors with She-Wolf, Romulus, and Remus
Polidoro da Caravaggio
Pen and black ink, with brush and brown wash, on cream laid paper, prepared with a brown wash and squared in white chalk, laid down on cream card · 1780
Art Institute of Chicago
Design for a Gold and Silver Bishop's Reliquary
Design for a Gold and Silver Bishop's Reliquary
C. Luigi Valadier
Pen and black ink, brush with gray, yellow, red and blue wash, highlighted with white gouache over lead or graphite on cream laid paper; framing lines in pen and brown ink · 1780
The Metropolitan Museum of Art
Saint Luke
Saint Luke
Veronese (Paolo Caliari)
Pen and black ink, with brush and brown wash, on an oiled golden-yellow transparentized wove paper, laid down on tan laid paper · 1780
Art Institute of Chicago
Louis XIV Pleading with Louise de La Vallière at the Carmelite Convent at Chaillot
Louis XIV Pleading with Louise de La Vallière at the Carmelite Convent at Chaillot
Pierre-Maximilien Delafontaine
Pen and black ink, with brush and brown and gray wash, heightened with white gouache, over graphite, on cream laid paper, laid down on card · 1780
Art Institute of Chicago
Monumental Entrance to Cemetery
Monumental Entrance to Cemetery
James Malton
Pen and black ink and brush and gray wash on tan laid paper · 1780
Art Institute of Chicago
Six capitals of pillars, with alternative suggestions
Six capitals of pillars, with alternative suggestions
Filippo Marchionni, Italian
Pen and black ink, brush and brown, gray wash, traces of graphite on off-white laid paper · 1780
Cooper Hewitt, Smithsonian Design Museum
Project for Tapestry Dedicated to Farm Life
Project for Tapestry Dedicated to Farm Life
Jean-Baptiste Huet, French
Pen and black ink, brush and wash on off-white laid paper · 1780
Cooper Hewitt, Smithsonian Design Museum
Apollo Guards the Herds [or Flocks] of King Admetus
Apollo Guards the Herds [or Flocks] of King Admetus
Felice Giani, Italian
Pencil, pen and black ink, brush and watercolors on paper. · 1780
Cooper Hewitt, Smithsonian Design Museum
Design for the Wall Decoration for Marie-Antoinette's Apartment at Fontainebleau Palace
Design for the Wall Decoration for Marie-Antoinette's Apartment at Fontainebleau Palace
Jean-Siméon Rousseau
Pen and black ink, brush and watercolor, white gouache on off-white paper · 1780
Cooper Hewitt, Smithsonian Design Museum
Two Roman Warriors with She-Wolf, Romulus, and Remus
Two Roman Warriors with She-Wolf, Romulus, and Remus
Caravaggio
Pen and black ink, with brush and brown wash, on cream laid paper, prepared with a brown wash and squared in white chalk, laid down on cream card · 1780
Art Institute of Chicago
The Entrance of the Academy of Architecture at the Louvre
The Entrance of the Academy of Architecture at the Louvre
Jacques Gabriel
Brush and black ink and gray and colored wash, with black chalk and touches of pen and black ink, on off-white laid paper · 1779
Art Institute of Chicago
The Garden Façade of Bagatelle
The Garden Façade of Bagatelle
Jean Démosthène Dugourc
Pen and black ink, watercolor, over traces of black chalk · 1779
The Metropolitan Museum of Art
Faith Overcoming Heresy (recto); Tracing after Faith Overcoming Heresy (verso)
Faith Overcoming Heresy (recto); Tracing after Faith Overcoming Heresy (verso)
Pietro Antonio Novelli
Pen and black ink, watercolor, and brush and gray wash, with traces of black chalk (recto), and graphite (verso), on ivory laid paper · 1779
Art Institute of Chicago
Faith Overcoming Heresy (recto); Tracing after Faith Overcoming Heresy (verso)
Faith Overcoming Heresy (recto); Tracing after Faith Overcoming Heresy (verso)
Pietro Novelli
Pen and black ink, watercolor, and brush and gray wash, with traces of black chalk (recto), and graphite (verso), on ivory laid paper · 1779
Art Institute of Chicago
The Entrance of the Academy of Architecture at the Louvre
The Entrance of the Academy of Architecture at the Louvre
Jacques Gabriel
Brush and black ink and gray and colored wash, with black chalk and touches of pen and black ink, on off-white laid paper · 1779
Art Institute of Chicago
The Despair of Hecuba
The Despair of Hecuba
Jean François Pierre Peyron
Pen and black ink, gray wash · 1779
The Metropolitan Museum of Art
The Entrance of the Academy of Architecture at the Louvre
The Entrance of the Academy of Architecture at the Louvre
Jacques Gabriel
Brush and black ink and gray and colored wash, with black chalk and touches of pen and black ink, on off-white laid paper · 1779
Art Institute of Chicago
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