Database / Artworks
Artworks
Brutus Exhorting the Romans after the Death of Lucretia
Etienne-Barthélémy Garnier
Brush and brown and black ink washes, over pen and black ink and traces of black chalk, with opaque white paint, on cut and pieced cream laid paper · 1788
Art Institute of Chicago
After Frontispiece to 'Figure'
Carlo Labruzzi
Pen and black ink, with brush and brown wash, on cream laid paper · 1788
Art Institute of Chicago
Scene from the Inferno (canto IX)
William Etty
pen and black ink with gray wash · 1787
National Gallery of Art
Jean-Baptiste Belley
Anne-Louis Girodet de Roussy-Trioson
Black chalk, with stumping, and traces of pen and black ink, heightened with touches of opaque white, on ivory wove paper · 1787
Art Institute of Chicago
Hermione Rejecting Orestes
Anne-Louis Girodet de Roussy-Trioson
Pen and black ink and black chalk, with stumping, and brush and brown and gray wash, heightened with white gouache, on ivory laid paper · 1787
Art Institute of Chicago
Design for Ceiling for the Basement Story, Carlton House, Pall Mall, London, England
Henry Holland, British
architecture, interiors, drawing — pen and black ink, brush and gray wash on paper · 1786
Cooper Hewitt, Smithsonian Design Museum
Design for Oblong Plaster Ceiling for the First Hall, Carlton House, Pall Mall, London, England
Henry Holland, British
architecture, interiors, drawing — pen and black ink, brush and gray wash on paper · 1786
Cooper Hewitt, Smithsonian Design Museum
A Study of Miranda for "The Tempest"
George Romney
pen and black ink with gray wash over graphite on laid paper · 1786
National Gallery of Art
Wooded Pond with Bathing Figures, Vista of River Bridge, and Farms
Wilhelm Alexander Wolfgang von Kobell
Pen and black ink over graphite, on ivory laid paper · 1786
Art Institute of Chicago
Hall Decoration, Hotel des Menus-Plaisirs, for the Assemblee des Notables
Pierre-Adrien Paris, French
Pen and black ink, brush and gray and rose wash, black chalk indications on two sheets of paper, joined together horizontally at center · 1786
Cooper Hewitt, Smithsonian Design Museum
Rocky Landscape with Hunters
Johann Christian Reinhart
Pen and brown ink, brush and brown and gray wash; framing lines in pen and black ink · 1786
The Metropolitan Museum of Art
Man Holding Jar
David Pierre Giottino Humbert de Superville
Pen and black ink on ivory laid paper, tipped onto gray laid paper · 1785
Art Institute of Chicago
Man Holding Jar
Giottino
Pen and black ink on ivory laid paper, tipped onto gray laid paper · 1785
Art Institute of Chicago
Wall Elevation for an Antechamber or Salon
Louis-Gustave Taraval, French
architecture, interiors, drawing — pen and black ink, brush and watercolor, black chalk on laid paper · 1785
Cooper Hewitt, Smithsonian Design Museum
Wall Elevation for a Salon with Mantelpiece
Louis-Gustave Taraval, French
architecture, interiors, drawing — pen and black ink, brush and rose and blue watercolor on paper · 1785
Cooper Hewitt, Smithsonian Design Museum
Christ Leading Peter, James, and John to the High Mountain for the Transfiguration
Giovanni Domenico Tiepolo
pen and gray ink and pen and black ink over black chalk with a variety of gray, black, brown and golden brown washes · 1785
National Gallery of Art
Man Holding Jar
David Pierre Giottino Humbert de Superville
Pen and black ink on ivory laid paper, tipped onto gray laid paper · 1785
Art Institute of Chicago
Fragments of an incomplete cartoon for cotton printing: La Course au Sanglier
Claude-Louis Desrais, French
Pen and black ink with gray washes on paper · 1785
Cooper Hewitt, Smithsonian Design Museum
Fragments of an incomplete cartoon for cotton printing: La Course au Sanglier
Claude-Louis Desrais, French
Pen and black ink with gray washes on paper · 1785
Cooper Hewitt, Smithsonian Design Museum
Fragments of an incomplete cartoon for cotton printing: La Course au Sanglier
Claude-Louis Desrais, French
Pen and black ink with gray washes on paper · 1785
Cooper Hewitt, Smithsonian Design Museum
Fragments of an incomplete cartoon for cotton printing: La Course au Sanglier
Claude-Louis Desrais, French
Pen and black ink with gray washes on paper · 1785
Cooper Hewitt, Smithsonian Design Museum
Fragments of an incomplete cartoon for cotton printing: La Course au Sanglier
Claude-Louis Desrais, French
Pen and black ink with gray washes on paper · 1785
Cooper Hewitt, Smithsonian Design Museum
Fragments of an incomplete cartoon for cotton printing: La Course au Sanglier
Claude-Louis Desrais, French
Pen and black ink with gray washes on paper · 1785
Cooper Hewitt, Smithsonian Design Museum
Fragments of an incomplete cartoon for cotton printing: La Course au Sanglier
Claude-Louis Desrais, French
Pen and black ink with gray washes on paper · 1785
Cooper Hewitt, Smithsonian Design Museum