Database / Artworks
Artworks
Corner of the Meadow with Reeds and Other Plants
Adrian
Pen and black ink, with brush and gray wash, over traces of graphite, on off-white wove paper · 1795
Art Institute of Chicago
St. Paul's Cathedral, from St. Martin's-le-Grand
Thomas Girtin
Watercolor, pen and black ink, over graphite · 1795
The Metropolitan Museum of Art
Portrait of Jeanbon Saint-André
Jacques-Louis David
Pen and black ink and brush and black ink with yellow ocher watercolor over graphite, on cream laid paper · 1795
Art Institute of Chicago
Corner of the Meadow with Reeds and Other Plants
Adrian Zingg
Pen and black ink, with brush and gray wash, over traces of graphite, on off-white wove paper · 1795
Art Institute of Chicago
Design for an Allegorical Print
Louis Lafitte
Pen and black ink · 1795
The Metropolitan Museum of Art
Death of Ananias
John Constable
Pen and black ink and brush and black ink and gray wash on cream wove paper · 1795
Art Institute of Chicago
Rape of Lucretia
Giuseppe Cades
Pen and black ink with brush and brown wash, over black chalk, on ivory laid paper · 1795
Art Institute of Chicago
The Interior of the So-called Stables of Maecenas at Tivoli
Hendrik Voogd
Pen and black ink, brush and light and dark brown wash; framing line in pen and brown ink · 1793
The Metropolitan Museum of Art
The Interior of the So-called Stables of Maecenas at Tivoli
Hendrik Voogd
Pen and black ink, brush and light and dark brown wash; framing line in pen and brown ink · 1793
The Metropolitan Museum of Art
Sketch for the Title-Page of an Edition of Aeschylus
John Flaxman, English
Pen and black ink over graphite · 1793
The Metropolitan Museum of Art
Sleep Escaping from the Wrath of Jupiter – "But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd" (Pope's Iliad, Book 14, line 293)
John Flaxman, English
Pen and black ink over graphite · 1793
The Metropolitan Museum of Art
The Disobedient Prophet
Benjamin West
pen and black ink with wash heightened with blue and cream oil paint over chalk · 1793
National Gallery of Art
Sleep Escaping from the Wrath of Jupiter – "But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd" (Pope's Iliad, Book 14, line 293)
John Flaxman
Pen and black ink over graphite · 1793
The Metropolitan Museum of Art
Sketch for the Title-Page of an Edition of Aeschylus
John Flaxman
Pen and black ink over graphite · 1793
The Metropolitan Museum of Art
Fair Emily
Henry James
Pen and black ink and brush and watercolor, over traces of graphite, on oval-shaped ivory paper, laid down on laid paper · 1792
Art Institute of Chicago
Wall Elevation, Alexander Palace, Tsarkoie-Selo, Russia
Giacomo Quarenghi, Italian
architecture, drawing — pen and black ink, brush and watercolor on paper · 1792
Cooper Hewitt, Smithsonian Design Museum
Sketches of Head, Arm, and Kneeling Figure
George Cruikshank
graphite, pen and black ink, with pink, brown, and green wash · 1792
National Gallery of Art
Fair Emily
Henry James Richter
Pen and black ink and brush and watercolor, over traces of graphite, on oval-shaped ivory paper, laid down on laid paper · 1792
Art Institute of Chicago
Central Salon of the Alexander Palace at Tsarskoe Selo
Giacomo Quarenghi
Pen and black ink, brush with gray, green, pink, blue, brown, and yellow wash, over ruled construction lines in graphite. Fragments of framing lines in black ink · 1792
The Metropolitan Museum of Art
North Elevation and Ground Plan of the Alexander Palace at Tsarskoe Selo
Giacomo Quarenghi
Pen and black ink, brush and blue, gray, and ochre wash, over traces of compass and ruled construction lines in graphite; framing lines in pen and black ink · 1792
The Metropolitan Museum of Art
Christ in Glory with Saints
Vincenzo Camuccini
Pen and black ink, heightened with white gouache, on brown tinted laid paper, laid down on ivory laid paper · 1791
Art Institute of Chicago
The Flood
William Young Ottley
Pen and black ink, with brush and gray wash, over traces of graphite on ivory wove paper, tipped onto buff wove paper · 1791
Art Institute of Chicago
Monuments of Greece: After Parthenon Frieze (North Side)
William Young Ottley
Pen and black ink on tracing paper · 1791
Art Institute of Chicago
Christ in Glory with Saints
Vincenzo Camuccini
Pen and black ink, heightened with white gouache, on brown tinted laid paper, laid down on ivory laid paper · 1791
Art Institute of Chicago