Database / Artworks
Artworks
Prospero, Miranda, Caliban and Ariel
Henry Fuseli
Oil and oil wash, with pen and black ink, charcoal, and touches of incising, heightened with touches of white chalk, on tan laid paper, laid down on off-white Japanese paper · 1800
Art Institute of Chicago
Irish cars (Study of two carts in a landscape)
Cornelius Varley
Pen and black ink, brush and gray wash, over graphite · 1800
The Metropolitan Museum of Art
Project for a Fountain
Mario Asprucci The Younger, Italian
Pen and black ink, brush and watercolor, graphite on paper, lined · 1800
Cooper Hewitt, Smithsonian Design Museum
Design for a Bronze Candlestick
Jean-Jacques-François Le Barbier, French
Pen and black ink, brush and gray, brown wash, yellow watercolor on laid paper lined with paper mount · 1800
Cooper Hewitt, Smithsonian Design Museum
The Surviving Horatian
Christoffer Wilhelm Eckersberg
Pen and black ink, brush and gray wash; framing lines in pen and black ink, by the artist · 1800
The Metropolitan Museum of Art
Design for a Dish Stand with Extending Arms and a Small Spirit Lamp
Joseph Anton Seethaler II, German
Pen and black ink, brush and gray wash on paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Hercules Killing the Mares of Diomedes
Henry Fuseli
Pen and black ink, with brush and black wash, over graphite, on cream laid paper, laid down on ivory laid paper · 1800
Art Institute of Chicago
Allegory of Love: Scorn
Paolo Veronese
Pen and black ink, with brush and watercolor and gouache, over graphite, on cream wove paper, laid down on ivory wove paper · 1800
Art Institute of Chicago
Design for a Chimneypiece
Luigi Righetti, Italian
architecture, interiors, drawing — pen and black ink, brush and watercolor, graphite on paper · 1799
Cooper Hewitt, Smithsonian Design Museum
The Angel Appearing to Zacharias
William Blake
Pen and black ink, tempera, and glue size on canvas · 1799
The Metropolitan Museum of Art
Design for Stage Set for the Second Act of Elisca or L'Habitante de Madagascar
Thibault
pen and black ink and watercolor · 1798
Cleveland Museum of Art
A House near a Grotto and a Roadside Chapel at Lake Nemi, with a View of Genzano from the North; verso: Sketch of Trees on the Border of a Lake, with Mountains in the Background
Johann Martin von Rohden
Graphite, pen and black ink · 1798
The Metropolitan Museum of Art
Renaissance Monument in Benedictine Church, Fecamp, Normandy
Auguste-Pierre Sainte-Marie Famin, French
architecture, drawing — pen and black ink, brush and gray, brown wash on paper · 1798
Cooper Hewitt, Smithsonian Design Museum
Design for Stage Set for the Second Act of Elisca or L'Habitante de Madagascar
Charles Percier, French
pen and black ink and watercolor · 1798
Cleveland Museum of Art
Angel of the Revelation (Book of Revelation, chapter 10)
William Blake
Watercolor, pen and black ink, brush and wash, over traces of graphite · 1798
The Metropolitan Museum of Art
Vignette with Bridge Trees
Thomas Bewick
Pen and black ink on ivory laid paper · 1797
Art Institute of Chicago
Toussaint Louverture on Horseback
Claude Louis Desrais
Pen and black ink with brush and gray wash · 1797
The Metropolitan Museum of Art
Cymon and Iphigenia
James Gillray
Watercolor, pen and black ink over graphite · 1796
The Metropolitan Museum of Art
Nude Soldiers Gesticulating with Their Weapons (recto); Two Drapery Studies for the Figure of Tatius (verso)
Jacques-Louis David
Black chalk and pen and black ink, with touches of white chalk (recto) and black chalk, with touches of red and white chalk (verso) on cream laid paper, pieced · 1796
Art Institute of Chicago
Apollo flays Marsyas
Felice Giani, Italian
Pencil, pen and black ink, brush and watercolors on paper · 1796
Cooper Hewitt, Smithsonian Design Museum
Jupiter consoles an imploring goddess, probably Venus
Felice Giani, Italian
Pencil, pen and black inks, brush and watercolors on paper · 1796
Cooper Hewitt, Smithsonian Design Museum
Apollo kills the Python
Felice Giani, Italian
Pencil, Pen and black inks, brush and watercolor on paper. · 1796
Cooper Hewitt, Smithsonian Design Museum
Apollo and Daphne
Felice Giani, Italian
Pencil, pen and black ink, brush and watercolors on Paper. · 1796
Cooper Hewitt, Smithsonian Design Museum
Drawing
Felice Giani, Italian
ornament, drawing — pen and black ink, brush and sepia wash over black chalk on paper · 1795
Cooper Hewitt, Smithsonian Design Museum