Database / Artworks
Artworks

Old Apple Tree in Flower
Peter Takal
Pen and black and brown ink on cream wove paper · 1969
Art Institute of Chicago

The Tiara
Joseph Cornell
Commercially printed papers and painted mixed media, with pen and black and brown ink, on untempered masonite · 1966
Art Institute of Chicago

Notes for Sitting
Öyvind Fahlström
Opaque watercolor and pen and black and brown ink on cream wove paper · 1963
Art Institute of Chicago

The Execution
Edward Giobbi
Pen and black and brown ink, with brush and gray and brown wash, on ivory wove paper · 1956
Art Institute of Chicago

The Worker
Charles White
Brush and pen and black and brown inks on illustration board · 1938
Art Institute of Chicago

Portrait of Mrs. Bl.
Paul Klee
Pen and black and brown ink and graphite with smudging on off-white wove paper, laid down on ivory wove card. · 1931
Art Institute of Chicago

Antelao, From Cortina, with Studies of Flowers
Samuel Colman, American
Pen and black and brown inks, pastel, graphite on cream laid paper · 1904
Cooper Hewitt, Smithsonian Design Museum

Portrait of Stéphane Mallarmé
Paul Gauguin
Etching, with drypoint and engraving, in black, with pen and black and brown ink, and brush and black and gray wash, on cream wove paper · 1891
Art Institute of Chicago

Design for a Covered Dish in the "Service au Filet" (Fish Net Ware), Maison J. Vieillard et Cie, Bordeaux
Amédée de Caranza
Graphite, pen and black and brown ink, watercolor, gold paint · 1875
The Metropolitan Museum of Art

Standard Bearer
Odilon Redon
Etching and drypoint, heightened with pen and black and brown ink, on mounted tan China paper · 1868
Art Institute of Chicago

Study of Cavalry Officer's Boots
Winslow Homer, American
Recto: Graphite, pen and black and brown ink on off-white wove paper · 1862
Cooper Hewitt, Smithsonian Design Museum

A Brook near a Farm in Usserød with Cows and Two Figures
Johan Lundbye
Pen and black and brown ink · 1847
The Metropolitan Museum of Art

The Death of Raphael
Johannes Riepenhausen
Pen and black and brown ink; framing lines in graphite and brush and gray wash · 1827
The Metropolitan Museum of Art

Design for a Three-Tiered Sweetmeat and Stand
Joseph Anton Seethaler II, German
drawing — pen and black and brown ink, brush and gray wash, slight traces of graphite on cream wove paper · 1827
Cooper Hewitt, Smithsonian Design Museum

Design for Panelled Ceiling with Figures and Carving
John Gregory Crace
Graphite, pen and black and brown ink · 1825
The Metropolitan Museum of Art

Boat House, Virginia Water; Verso: Scullery, Virginia Water
Sir Jeffry Wyatville, English
architecture, drawing — pen and black and brown ink, brush and gray wash on off-white wove paper · 1825
Cooper Hewitt, Smithsonian Design Museum
![Taufschein [Birth Certificate]](/api/images/artworks/cooper_hewitt/chndm_1962-143-88.jpg)
Taufschein [Birth Certificate]
Johann Ritter, German
ephemera, fraktur — pen and black and brown ink, brush and watercolor over letterpress on white wove paper · 1816
Cooper Hewitt, Smithsonian Design Museum

Stage Design, Interior of Egyptian Temple
Antonio Giuseppe Basoli, Italian
theater, drawing — pen and black and brown ink, brush and gray wash on paper · 1810
Cooper Hewitt, Smithsonian Design Museum

Design for a Monument to Sailors
John Bacon
Pen and black and brown ink and brush and gray and blue wash, with touches of black chalk, over traces of graphite, on ivory laid paper · 1797
Art Institute of Chicago

Design for a Monument to Sailors
John Bacon
Pen and black and brown ink and brush and gray and blue wash, with touches of black chalk, over traces of graphite, on ivory laid paper · 1797
Art Institute of Chicago

Design for a Monument to Sailors
John Bacon the Younger
Pen and black and brown ink and brush and gray and blue wash, with touches of black chalk, over traces of graphite, on ivory laid paper · 1797
Art Institute of Chicago

Cléombrote and Léonidas
François-Xavier Fabre
Pen and black and brown ink, with brush and brown wash and touches of blue gouache, over red chalk, heightened with white gouache, on blue laid paper, laid down on gray laid paper · 1795
Art Institute of Chicago

Study for a Tribute to Giorgio Vasari
Sante Pacini, Italian
Pen and black and brown ink, brush and brown wash, black chalk on white laid paper · 1781
Cooper Hewitt, Smithsonian Design Museum

Elevation of Salon Chimney Wall
Pierre-Louis Moreau-Desproux, French
architecture, interiors, drawing — pen and black and brown ink, brush and watercolor, white gouache, over black chalk indications on paper, lined · 1780
Cooper Hewitt, Smithsonian Design Museum