Database / Artworks
Artworks
Study for Ventura Mina 17
Dalton Paula
Pen and brown and green inks and translucent and opaque watercolors on brown wove paper · 2019
Art Institute of Chicago
Study for Ventura Mina 18
Dalton Paula
Pen and brown ink and translucent and opaque watercolors on brown wove paper · 2019
Art Institute of Chicago
![Study for Threshold - Plan, SouthWest - Two [ green with red ] #2](/api/images/artworks/aic/240507.jpg)
Study for Threshold - Plan, SouthWest - Two [ green with red ] #2
Julia Fish
Opaque watercolors, over touches of graphite, on white wove paper · 2017
Art Institute of Chicago
Hyderabad
Rasheed Araeen
Brush and black and red opaque watercolors and pastel on tan wove paper · 1962
Art Institute of Chicago
Design for Stained Glass Memorial Window to Thomas J. Post
Robert Winthrop Chanler, American
glasswares, drawing — pen and black ink, brush and opaque watercolors on tissue paper (mounted) · 1919
Cooper Hewitt, Smithsonian Design Museum
Plate 115 from The Plan of Chicago
Daniel Hudson Burnham
Pen and black ink with brush and translucent and opaque watercolors over graphite on paper-faced laminate board · 1909
Art Institute of Chicago
Plate 51 from The Plan of Chicago
Daniel Hudson Burnham
Brush and transparent and opaque watercolors over graphite on paper-faced laminate board · 1909
Art Institute of Chicago
Drawing
Louis-Albert DuBois, Swiss
Opaque watercolors · 1801
Cooper Hewitt, Smithsonian Design Museum
A Greek Warrior Attacked by a Leopard
Anthelme-François Lagrenée
Black chalk, brush and black ink, and translucent and opaque watercolors on four sheets of tan laid paper, pieced and laid down on canvas · 1800
Art Institute of Chicago
Interior View of the Church of St. Peter's in the Vatican
Francesco Panini
Transparent and opaque watercolors with shell gold and pen and black ink, over etching, on ivory laid paper · 1765
Art Institute of Chicago
Interior View of the Church of St. Peter's in the Vatican
Francesco Panini
Transparent and opaque watercolors with shell gold and pen and black ink, over etching, on ivory laid paper · 1765
Art Institute of Chicago
Interior View of the Church of St. Peter's in the Vatican
Francesco Panini
Transparent and opaque watercolors with shell gold and pen and black ink, over etching, on ivory laid paper · 1765
Art Institute of Chicago
Study of a Tulip ('t roosje)
Pieter Holsteyn II
Point of brush and transparent and opaque watercolors with traces of graphite and gum glazing on antique laid paper · 1640
Cleveland Museum of Art
Study of a Tulip (Anvaers)
Pieter Holsteyn II
Point of brush and transparent and opaque watercolors with traces of graphite and gum glazing on antique laid paper · 1640
Cleveland Museum of Art
Study of a Tulip (Perregoen Machieu)
Pieter Holsteyn II
Point of brush and transparent and opaque watercolors with traces of graphite and gum glazing on antique laid paper · 1640
Cleveland Museum of Art
Study of a Tulip (Wit en root boode)
Pieter Holsteyn II
Point of brush and transparent and opaque watercolors with traces of graphite and gum glazing on antique laid paper · 1640
Cleveland Museum of Art
Study of a Tulip (Perregoen Machieu)
Pieter
Point of brush and transparent and opaque watercolors with traces of graphite and gum glazing on antique laid paper · 1640
Cleveland Museum of Art
Study of a Tulip ('t roosje)
Pieter
Point of brush and transparent and opaque watercolors with traces of graphite and gum glazing on antique laid paper · 1640
Cleveland Museum of Art
Design for Stained Glass Memorial Window to Thomas J. Post
Robert Winthrop Chanler, American
glasswares, drawing — pen and black ink, brush and opaque watercolors on tissue paper (mounted)
Cooper Hewitt, Smithsonian Design Museum