Database / Artworks
Artworks

Pietà
Höchst Ceramics Manufactory, German
Silver · 1680
Art Institute of Chicago

Pietà
German Botero
Silver · 1680
Art Institute of Chicago

Pietà
Johann Andréas Pfeffel, German
Silver · 1680
Art Institute of Chicago

Pietà
David Roentgen, German
Silver · 1680
Art Institute of Chicago

Pietà
German Venegas
Silver · 1680
Art Institute of Chicago

Pietà
William Unger, German
Silver · 1680
Art Institute of Chicago

Pietà
Wilhelm Müller, German
Silver · 1680
Art Institute of Chicago

Pietà
Christian Wink, German
Silver · 1680
Art Institute of Chicago

Dalliance
Sugimura Jihei
Hand-colored woodblock print; oban, sumizuri-e · 1680
Art Institute of Chicago

Pietà
German
Silver · 1680
Art Institute of Chicago

Pietà
Johann Friedrich Böttger, German
Silver · 1680
Art Institute of Chicago

Cow Drinking
Nicolaes Berchem
Etching on paper · 1680
Art Institute of Chicago

Pietà
Ferdinand le Feubure, German
Silver · 1680
Art Institute of Chicago

Pietà
Elizabeth Pochhammer, German, active Berlin
Silver · 1680
Art Institute of Chicago

Pietà
Wenzel Jamnitzer, German
Silver · 1680
Art Institute of Chicago

Charger
Thomas Shakle
Pewter · 1680
Art Institute of Chicago

Soldiers of Cyrus Tearing Apart the Army of Spargabise
Polidoro da Caravaggio
Black chalk on ivory laid paper · 1680
Art Institute of Chicago

Pietà
Herman Mueller, German
Silver · 1680
Art Institute of Chicago

Pietà
German Wolf
Silver · 1680
Art Institute of Chicago

Pietà
Adolf von Menzel, German
Silver · 1680
Art Institute of Chicago

Pietà
Friedrich von Schmidt, German
Silver · 1680
Art Institute of Chicago

Cow Drinking
Nicolaes Berchem
Etching on paper · 1680
Art Institute of Chicago

Mystic Marriage of Saint Catherine
Veronese (Paolo Caliari)
Pen and brown ink, with brush and brown wash, heightened with lead white (partly oxidized), on blue-gray laid paper, laid down on cream laid paper · 1680
Art Institute of Chicago

Christ in the House of Simon
Veronese (Paolo Caliari)
Pen and brown ink, with brush and brown wash, heightened with lead white (partly oxidized), over black chalk, on blue-gray laid paper, laid down on ivory laid paper · 1680
Art Institute of Chicago