Database / Artworks
Artworks
Monotype, Glass Base (Pears in a Basket), plate 76 from 101 Prints
Norman Roland Eppink
Monotype in black on ivory wove paper · 1967
Art Institute of Chicago
Monotype, Metal Base (Black Abstraction), plate 78 from 101 Prints
Norman Roland Eppink
Monotype in black on ivory wove paper · 1967
Art Institute of Chicago
Color Monotype, Glass Base (Red, Black, and Gray), plate 77 from 101 Prints
Norman Roland Eppink
Color monotype on ivory wove paper · 1967
Art Institute of Chicago
Homage to Fish (Omaggio a pesce) from 9 Prints
Carol Summers
Woodcut with monotype, stencil, and fish print additions from a portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967
Museum of Modern Art
Waterfall from 9 Prints
Carol Summers
Woodcut from a portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967
Museum of Modern Art
9 Prints
Carol Summers
Portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967
Museum of Modern Art
Pool from 9 Prints
Carol Summers
Lithograph with stencil additions from a portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967
Museum of Modern Art
Portrait of D.M. from 9 Prints
Carol Summers
Woodcut from a portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967
Museum of Modern Art
The End from 9 Prints
Carol Summers
Woodcut from a portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967
Museum of Modern Art
Choeps from 9 Prints
Carol Summers
Woodcut from a portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967
Museum of Modern Art
Large Head
Georg Baselitz
Woodblock and monotype on paper · 1966
Tate
Large Head
Georg Baselitz
Woodcut printed from two blocks, with monotype inking on grayish wove paper, laid down on tan laid paper · 1966
Art Institute of Chicago
Untitled (Genesis)
Mira Schendel
9 monotypes on paper between 2 Perspex sheets, pins and nylon fishing wire · 1965
Tate
Untitled
Mira Schendel
Monotype on Japanese paper · 1964
Art Institute of Chicago
Untitled
Mira Schendel
Monotype on Japanese paper · 1964
Art Institute of Chicago
Untitled
Mira Schendel
Monotype in black on white translucent Eastern paper · 1964
Art Institute of Chicago
Untitled
Mira Schendel
Monotype on Japanese paper · 1964
Art Institute of Chicago
Untitled
Mira Schendel
Monotype on Japanese paper · 1964
Art Institute of Chicago
Untitled
Mira Schendel
Monotype on Japanese paper · 1964
Art Institute of Chicago
Composition
Augusto Rivera
Monotype · 1964
Museum of Modern Art
Untitled
Alina Szapocznikow
Monotype · 1963
Museum of Modern Art
Untitled (Study for a Sculpture 4)
Alina Szapocznikow
Monotype and ink on paper · 1963
Museum of Modern Art
House
Cestmir Kafka
Monotype on white wove paper · 1962
Art Institute of Chicago
Moses
Harry Mintz
Monotype on paper · 1961
Art Institute of Chicago