Database / Artworks
Artworks

Uncut Yardage (Dress Fabric)
Manchu
brocaded silk · 1700
Art Institute of Chicago

Look at This Sword, Was it to Be Resisted?, from Eleanora: from the Sorrows of Werter
Haggitt
Pen and brown ink, over graphite, on ivory laid paper · 1700
Art Institute of Chicago

Goldweight with a Geometric Design
Asante
Copper alloy · 1700
Art Institute of Chicago

Landscape with Ruined Tower
Pierre Alexandre Wille
Red chalk, over traces of graphite, on ivory laid paper · 1700
Art Institute of Chicago

Plate
A. Karst
Pewter · 1700
Art Institute of Chicago

Madonna and Child with Three Saints
Pierre Subleyras
Black chalk, with brush and gray wash, on yellowish-tan laid paper · 1700
Art Institute of Chicago

Goldweight with a Geometric Pattern
Asante
Copper alloy · 1700
Art Institute of Chicago

Vision of a Pope
Francesco Campora
Pen and red brown ink with brush and brown wash and gouache, heightened with lead white (partly discolored), over black chalk, squared in black chalk, on ivory laid paper, partially laid down · 1700
Art Institute of Chicago

Conversion of Saint Paul
Raphael, Italian
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

Pattern for China Plates (Utica)
George Knapton
Pen and black ink, with brush and gray wash, on cream laid paper, laid down on ivory wove paper · 1700
Art Institute of Chicago

Farmyard Scene
Bernardo Zilotti
Pen and brown ink, over traces of black chalk, on ivory laid paper · 1700
Art Institute of Chicago

Prometheus Taking Fire From Olympus
Cigoli
Pen and brown ink with brush and gray wash, over traces of black chalk, on tan laid paper · 1700
Art Institute of Chicago

Head of Neptune
James Barry
Pen and brown ink with brush and gray wash and traces of graphite, on ivory laid paper, laid down on cream laid paper · 1700
Art Institute of Chicago

Sketch of Actor Standing
John Sell Cotman
Graphite on tan wove paper · 1700
Art Institute of Chicago

Bardolphe
John Hamilton Mortimer
Red and black chalk on buff wove paper, tipped onto ivory wove paper · 1700
Art Institute of Chicago

Female Caryatid
Perino del Vaga
Red chalk on ivory laid paper, laid down on card · 1700
Art Institute of Chicago

Plate
Augusteyne Reygensburgh
Tin-glazed earthenware (Delftware) · 1700
Art Institute of Chicago

The Dane
H. Cotta
Lithograph on tan wove paper · 1700
Art Institute of Chicago

Panel (Former Fragment of Man's Coat)
Manchu
Center: silk, slit tapestry weave with eccentric and interlaced outlining wefts; painted; border: silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 twill interlacings of secondary binding warp-float faced 7:1 satin weave; lined with silk, 3:1 twill damask weave · 1700
Art Institute of Chicago

Goldweight with a Geometric Design
Asante
Copper alloy · 1700
Art Institute of Chicago

Goldweight with a Geometric Pattern
Asante
Copper alloy · 1700
Art Institute of Chicago

Education of Marie de Medicis
Nicolas Pierre Loir
Pen and brown ink, over traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Goldweight with a Geometric Pattern
Asante
Copper alloy · 1700
Art Institute of Chicago

Fragment
Manchu
Silk brocade · 1700
Art Institute of Chicago