Database / Artworks
Artworks
Flash - Ed Ruscha
Theo Wujcik
Metalpoint on commercially prepared yellow wove paper · 1977
Art Institute of Chicago
Seated Nude
Le Corbusier (Charles-Édouard Jeanneret)
Metalpoint on ivory wove paper, prepared with an ivory ground · 1934
Art Institute of Chicago
Head of a Woman
Le Corbusier (Charles-Édouard Jeanneret)
Metalpoint on ivory wove paper, commercially prepared with an ivory ground · 1934
Art Institute of Chicago
Portrait of J.Figmann
Le Corbusier (Charles-Édouard Jeanneret)
Metalpoint on ivory wove paper, commercially prepared with a white ground · 1929
Art Institute of Chicago
View of a Church near a River
Le Corbusier (Charles-Édouard Jeanneret)
Metalpoint on cream wove paper, commercially prepared with a white ground · 1928
Art Institute of Chicago
Still Life with Sailboat
Le Corbusier (Charles-Édouard Jeanneret)
Metalpoint on ivory wove paper, commercially prepared with a white ground · 1928
Art Institute of Chicago
Still Life with Teakettle and Pipe (recto); Profile of a Man (verso)
Le Corbusier (Charles-Édouard Jeanneret)
Metalpoint on ivory wove paper (recto and verso) commercially prepared with an ivory ground · 1928
Art Institute of Chicago
Untitled (Studies of a Female Nude; Recto and Verso)
Sylvia Shaw Judson
Metalpoint on coated off-white wove paper · 1917
Art Institute of Chicago
Bust of a Woman and Still Life
Le Corbusier (Charles-Édouard Jeanneret)
Metalpoint on cream wove paper, commercially prepared with a white ground · 1907
Art Institute of Chicago
Head of a Man with a Beard
Alphonse Legros
Metalpoint on off-white laid paper, prepared with a salmon ground · 1857
Art Institute of Chicago
Alcibiades and Two Philosophers
Raphael
Metalpoint and black chalk, with traces of white chalk, on pale blue-toned cream laid paper · 1700
Art Institute of Chicago
Two Men Conversing and Gesturing
Raphael
Metalpoint and black chalk, with traces of white chalk, on pale blue-toned cream laid paper · 1700
Art Institute of Chicago
Portrait of a Young Woman
Francesco Foschi
Metalpoint, touches of red chalk, on gray prepared paper. · 1520
The Metropolitan Museum of Art
Studies of a Seated Female, Child's Head, and Three Studies of a Baby
Raphael, Italian
metalpoint · 1507
Cleveland Museum of Art
Studies of a Seated Female, Child's Head, and Three Studies of a Baby
Raphael
metalpoint · 1507
Cleveland Museum of Art
Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso)
Perugino
Metalpoint on pinkish prepared paper; retouched by a later hand in pencil, particularly the figure at the right (recto); black chalk, over dots obtained by the pouncing of a model; partly retouched with brush and brown ink (verso) · 1501
The Metropolitan Museum of Art
Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso)
Pietro Perugino
Metalpoint on pinkish prepared paper; retouched by a later hand in pencil, particularly the figure at the right (recto); black chalk, over dots obtained by the pouncing of a model; partly retouched with brush and brown ink (verso) · 1501
The Metropolitan Museum of Art
Study of a Kneeling Youth and of the Head of Another
Perugino
Metalpoint on pale pink-beige prepared paper · 1500
The Metropolitan Museum of Art
Study of a Kneeling Youth and of the Head of Another
Pietro Perugino
Metalpoint on pale pink-beige prepared paper · 1500
The Metropolitan Museum of Art
Saint Sebastian
Perugino
metalpoint · 1488
Cleveland Museum of Art
Head of a Youth Wearing a Cap; a Right Forearm with the Hand Clutching a Stone; and a Left Hand Holding a Drapery
Sandro Botticelli
metalpoint heightened with white gouache on mauve prepared paper · 1480
National Gallery of Art
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso) · 1480
The Metropolitan Museum of Art
A Kneeling Angel
Fra Bartolommeo
pen and brown ink heightened with white over metalpoint on gray-blue prepared paper · 1472
National Gallery of Art
The Virgin and Child Surrounded by Saints and Angels
Fra Bartolommeo
pen and brown ink heightened with white lead over metalpoint underdrawing on prepared pink paper · 1472
National Gallery of Art