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Artworks

18 records · Lithograph with chine collé
The Three Sisters and The Critic
The Three Sisters and The Critic
Claudette Schreuders
Lithograph with chine collé? · 2002
Museum of Modern Art
Dobles
Dobles
José Bedia
Lithograph with chine collé · 1994
Museum of Modern Art
Tongue of the Universal Fly
Tongue of the Universal Fly
Salvador Bru
Lithograph with chine collé additions · 1969
Museum of Modern Art
Tongue of the Universal Fly
Tongue of the Universal Fly
Salvador Bru
Lithograph with chine collé additions · 1969
Museum of Modern Art
St. Dominic (St. Dominique)
St. Dominic (St. Dominique)
Henri Matisse
Lithograph with chine collé · 1950
Museum of Modern Art
Composition
Composition
Léo Marchutz
Lithograph with chine collé · 1949
Museum of Modern Art
Composition
Composition
Léo Marchutz
Lithograph with chine collé · 1949
Museum of Modern Art
Checkerboard
Checkerboard
Louis Lozowick
Lithograph with chine collé · 1927
Museum of Modern Art
And I John Saw These Things, and Heard Them (C'est moi, Jean, qui ai vu et qui ai ouï ces choses) from Apocalypse of Saint John (Apocalypse de Saint-Jean)
And I John Saw These Things, and Heard Them (C'est moi, Jean, qui ai vu et qui ai ouï ces choses) from Apocalypse of Saint John (Apocalypse de Saint-Jean)
Odilon Redon
Lithograph with chine collé from a portfolio of 13 lithographs (12 with chine collé) · 1899
Museum of Modern Art
And I Saw an Angel Coming down from Heaven, Having the Key of the Bottomless Pit and a Great Chain in His Hand (Après cela je vis descendre du ciel un ange qui avait la clef de l'abîme, et une grande chaine en sa main) from) Apocalypse of Saint John (Apocalypse de Saint-Jean)
And I Saw an Angel Coming down from Heaven, Having the Key of the Bottomless Pit and a Great Chain in His Hand (Après cela je vis descendre du ciel un ange qui avait la clef de l'abîme, et une grande chaine en sa main) from) Apocalypse of Saint John (Apocalypse de Saint-Jean)
Odilon Redon
Lithograph with chine collé from a portfolio of 13 lithographs (12 with chine collé) · 1899
Museum of Modern Art
And His Name That Sat on Him Was Death (Et celui qui était monté dessus se nommait la Mort) from Apocalypse of Saint John (Apocalypse de Saint-Jean)
And His Name That Sat on Him Was Death (Et celui qui était monté dessus se nommait la Mort) from Apocalypse of Saint John (Apocalypse de Saint-Jean)
Odilon Redon
Lithograph with chine collé from a portfolio of 13 lithographs (12 with chine collé) · 1899
Museum of Modern Art
And Bound Him a Thousand Years (Et le lia pour mille ans) from Apocalypse of Saint John (Apocalypse de Saint-Jean)
And Bound Him a Thousand Years (Et le lia pour mille ans) from Apocalypse of Saint John (Apocalypse de Saint-Jean)
Odilon Redon
Lithograph with chine collé from a portfolio of 13 lithographs (12 with chine collé) · 1899
Museum of Modern Art
And Another Angel Came out of the Temple Which Is in Heaven, and He Also Having a Sharp Sickle (Et un autre ange sortit du temple qui est au ciel, ayant lui aussi une faucille tranchante) from Apocalypse of Saint John (Apocalypse de Saint-Jean)
And Another Angel Came out of the Temple Which Is in Heaven, and He Also Having a Sharp Sickle (Et un autre ange sortit du temple qui est au ciel, ayant lui aussi une faucille tranchante) from Apocalypse of Saint John (Apocalypse de Saint-Jean)
Odilon Redon
Lithograph with chine collé from a portfolio of 13 lithographs (12 with chine collé) · 1899
Museum of Modern Art
And He Had in His Right Hand Seven Stars, and out of His Mouth Went a Sharp Two-Edged Sword (Et il avait dans sa main droit sept étoiles, et de sa bouche sortait une épée aiguë à deux tranchants) from Apocalypse of Saint John (Apocalypse de Saint-Jean)
And He Had in His Right Hand Seven Stars, and out of His Mouth Went a Sharp Two-Edged Sword (Et il avait dans sa main droit sept étoiles, et de sa bouche sortait une épée aiguë à deux tranchants) from Apocalypse of Saint John (Apocalypse de Saint-Jean)
Odilon Redon
Lithograph with chine collé from a portfolio of 13 lithographs (12 with chine collé) · 1899
Museum of Modern Art
And I Saw in the Right Hand of Him That Sat on the Throne a Book Written Within and on the Backside, Sealed with Seven Seals (Puis je vis, dans la main droite de celui qui était assis sur le trône, un livre écrit dedans et dehors, scellé de sept sceaux) from Apocalypse of Saint John (Apocalypse de Saint-Jean)
And I Saw in the Right Hand of Him That Sat on the Throne a Book Written Within and on the Backside, Sealed with Seven Seals (Puis je vis, dans la main droite de celui qui était assis sur le trône, un livre écrit dedans et dehors, scellé de sept sceaux) from Apocalypse of Saint John (Apocalypse de Saint-Jean)
Odilon Redon
Lithograph with chine collé from a portfolio of 13 lithographs (12 with chine collé) · 1899
Museum of Modern Art
And the Devil That Deceived Them Was Cast into the Lake of Fire and Brimstone, Where the Beast and the False Prophet Are (Et le diable qui les séduisait, fut jeté dans l'étang de feu et de soufre, où est la bête et le faux prophète) from Apocalypse of Saint John (Apocalypse de Saint-Jean)
And the Devil That Deceived Them Was Cast into the Lake of Fire and Brimstone, Where the Beast and the False Prophet Are (Et le diable qui les séduisait, fut jeté dans l'étang de feu et de soufre, où est la bête et le faux prophète) from Apocalypse of Saint John (Apocalypse de Saint-Jean)
Odilon Redon
Lithograph with chine collé from a portfolio of 13 lithographs (12 with chine collé) · 1899
Museum of Modern Art
The Demolishers (Les Démolisseurs)
The Demolishers (Les Démolisseurs)
Paul Signac
Lithograph with chine collé · 1894
Museum of Modern Art
Nocturne: The River at Battersea
Nocturne: The River at Battersea
James McNeill Whistler
Lithograph with chine collé · 1878
Museum of Modern Art