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Artworks

1,000 records · Lithograph from an illustrated book
Intelligence Was Mine! I Became the Buddha (L'Intelligence fût à moi! Je devins le Buddha) (plate XI) from La Tentation de Saint-Antoine
Intelligence Was Mine! I Became the Buddha (L'Intelligence fût à moi! Je devins le Buddha) (plate XI) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
Helen (Ennoia) (Hélène [Ennoia]) (plate IX) from La Tentation de Saint-Antoine
Helen (Ennoia) (Hélène [Ennoia]) (plate IX) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
Oannès: I, the First Consciousness of Chaos, Arose from the Abyss to Harden Matter, to Regulate Forms (Oannès: Moi, la première conscience du chaos, j'ai surgi de l'abîme pour durcir la matière, pour régler les formes) (plate XII) from La Tentation de Saint-Antoine
Oannès: I, the First Consciousness of Chaos, Arose from the Abyss to Harden Matter, to Regulate Forms (Oannès: Moi, la première conscience du chaos, j'ai surgi de l'abîme pour durcir la matière, pour régler les formes) (plate XII) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
Here Is the Good Goddess, the Idaean Mother of the Mountains (Voici la bonne-déesse, l'idéenne des montagnes) (plate XIII) from La Tentation de Saint-Antoine
Here Is the Good Goddess, the Idaean Mother of the Mountains (Voici la bonne-déesse, l'idéenne des montagnes) (plate XIII) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
The Old Woman: What Are You Afraid of? A Wide Black Hole! It Is Empty, Perhaps? (La Vieille: Que crains-tu? Un large trou noir! Il est vide, peut-être?) (plate XVII) from La Tentation de Saint-Antoine
The Old Woman: What Are You Afraid of? A Wide Black Hole! It Is Empty, Perhaps? (La Vieille: Que crains-tu? Un large trou noir! Il est vide, peut-être?) (plate XVII) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
Anthony: What Is the Point of All This? The Devil: There Is No Point! (Antoine: Quel est le but de tout cela? Le Diable: Il n'y a pas de but!) (plate XVI) from La Tentation de Saint-Antoine
Anthony: What Is the Point of All This? The Devil: There Is No Point! (Antoine: Quel est le but de tout cela? Le Diable: Il n'y a pas de but!) (plate XVI) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
. . . And Eyes without Heads Were Floating like Mollusks (. . . Et que des yeux sans tête flottait comme des mollusques) (plate XX) from La Tentation de Saint-Antoine
. . . And Eyes without Heads Were Floating like Mollusks (. . . Et que des yeux sans tête flottait comme des mollusques) (plate XX) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
. . .And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse)) (plate I) from La Tentation de Saint-Antoine
. . .And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse)) (plate I) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
He Falls Head Foremost into the Abyss (Il tombe dans l'abîme, la tête en bas) (plate XV) from La Tentation de Saint-Antoine
He Falls Head Foremost into the Abyss (Il tombe dans l'abîme, la tête en bas) (plate XV) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
Different Peoples Dwell in the Countries of the Ocean (Des peuples divers habitent les pays de l'océan) (plate XIX) from La Tentation de Saint-Antoine
Different Peoples Dwell in the Countries of the Ocean (Des peuples divers habitent les pays de l'océan) (plate XIX) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
. . . I Have Sometimes Seen in the Sky What Seemed like Forms of Spirits (. . . J'ai quelquefois aperçu dans le ciel comme des formes d'esprits) (plate III) from La Tentation de Saint-Antoine
. . . I Have Sometimes Seen in the Sky What Seemed like Forms of Spirits (. . . J'ai quelquefois aperçu dans le ciel comme des formes d'esprits) (plate III) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
Saint Anthony: Help Me, O My God! (Saint-Antoine: Au secours mon dieu!) (plate II) from La Tentation de Saint-Antoine
Saint Anthony: Help Me, O My God! (Saint-Antoine: Au secours mon dieu!) (plate II) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
Day Appears at Last, . . . and in the Very Disk of the Sun Shines the Face of Jesus Christ (Le Jour enfin paraît, . . . et dans le disque même du soleil, rayonne la face de Jésus-Christ) (plate XXII) from La Tentation de Saint-Antoine
Day Appears at Last, . . . and in the Very Disk of the Sun Shines the Face of Jesus Christ (Le Jour enfin paraît, . . . et dans le disque même du soleil, rayonne la face de Jésus-Christ) (plate XXII) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le goût d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) (plate IV) from La Tentation de Saint-Antoine
My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le goût d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) (plate IV) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) (plate X) from La Tentation de Saint-Antoine
Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) (plate X) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
. . . The Beasts of the Sea, Round like Leather Bottles (. . . Les Bêtes de la mer rondes comme des outres) (plate XXI) from La Tentation de Saint-Antoine
. . . The Beasts of the Sea, Round like Leather Bottles (. . . Les Bêtes de la mer rondes comme des outres) (plate XXI) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voutes) (plate V) from La Tentation de Saint-Antoine
And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voutes) (plate V) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
Death: It Is I Who Makes You Serious; Let Us Embrace (La Mort: C'est moi qui te rends serieuse; enlaçons-nous) (plate XVIII) from La Tentation de Saint-Antoine
Death: It Is I Who Makes You Serious; Let Us Embrace (La Mort: C'est moi qui te rends serieuse; enlaçons-nous) (plate XVIII) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
Plate (facing page 7) from Mazas
Plate (facing page 7) from Mazas
Maximilien Luce
Lithograph from an illustrated book with ten lithographs and a supplementary suite of ten lithographs · 1894
Museum of Modern Art
Plate (facing page 9) from Mazas
Plate (facing page 9) from Mazas
Maximilien Luce
Lithograph from an illustrated book with ten lithographs and a supplementary suite of ten lithographs · 1894
Museum of Modern Art
Plate (facing page 3) from Mazas
Plate (facing page 3) from Mazas
Maximilien Luce
Lithograph from an illustrated book with ten lithographs and a supplementary suite of ten lithographs · 1894
Museum of Modern Art
Plate (facing page 10) from Mazas
Plate (facing page 10) from Mazas
Maximilien Luce
Lithograph from an illustrated book with ten lithographs and a supplementary suite of ten lithographs · 1894
Museum of Modern Art
Plate (facing page 6) from Mazas
Plate (facing page 6) from Mazas
Maximilien Luce
Lithograph from an illustrated book with ten lithographs and a supplementary suite of ten lithographs · 1894
Museum of Modern Art
Plate (facing page 5) from Mazas
Plate (facing page 5) from Mazas
Maximilien Luce
Lithograph from an illustrated book with ten lithographs and a supplementary suite of ten lithographs · 1894
Museum of Modern Art
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