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Artworks

42 records · Lithograph from a portfolio of twelve lithographs
Shoot from Fun City
Shoot from Fun City
Richard Lindner
Lithograph from a portfolio of twelve lithographs (five with collotype) and two cut-and-pasted lithographs on lenticular sheets · 1971
Museum of Modern Art
New York Men from Fun City
New York Men from Fun City
Richard Lindner
Lithograph from a portfolio of twelve lithographs (five with collotype) and two cut-and-pasted lithographs on lenticular sheets · 1971
Museum of Modern Art
Lollipop from Fun City
Lollipop from Fun City
Richard Lindner
Lithograph from a portfolio of twelve lithographs (five with collotype) and two cut-and-pasted lithographs on lenticular sheets · 1971
Museum of Modern Art
On from Fun City
On from Fun City
Richard Lindner
Lithograph from a portfolio of twelve lithographs (five with collotype) and two cut-and-pasted lithographs on lenticular sheets · 1971
Museum of Modern Art
Girl with Hoop from Fun City
Girl with Hoop from Fun City
Richard Lindner
Lithograph from a portfolio of twelve lithographs (five with collotype) and two cut-and-pasted lithographs on lenticular sheets · 1971
Museum of Modern Art
Fifth Ave. from Fun City
Fifth Ave. from Fun City
Richard Lindner
Lithograph from a portfolio of twelve lithographs (five with collotype) and two cut-and-pasted lithographs on lenticular sheets · 1971
Museum of Modern Art
Title Illustration (Titelbild) from The Robbers (Die Räuber)
Title Illustration (Titelbild) from The Robbers (Die Räuber)
Lovis Corinth
Lithograph from a portfolio of twelve lithographs · 1923
Museum of Modern Art
Hermann's False Report (Hermanns lügenhafter Bericht) from The Robbers (Die Räuber)
Hermann's False Report (Hermanns lügenhafter Bericht) from The Robbers (Die Räuber)
Lovis Corinth
Lithograph from a portfolio of twelve lithographs · 1923
Museum of Modern Art
Karl Has Killed Amalia (Karl hat Amalien getötet) from The Robbers (Die Räuber)
Karl Has Killed Amalia (Karl hat Amalien getötet) from The Robbers (Die Räuber)
Lovis Corinth
Lithograph from a portfolio of twelve lithographs · 1923
Museum of Modern Art
Closing Illustration (Schlussbild) from The Robbers (Die Räuber)
Closing Illustration (Schlussbild) from The Robbers (Die Räuber)
Lovis Corinth
Lithograph from a portfolio of twelve lithographs · 1923
Museum of Modern Art
Resting on a Summer Evening (Rast am Sommerabend) from The Robbers (Die Räuber)
Resting on a Summer Evening (Rast am Sommerabend) from The Robbers (Die Räuber)
Lovis Corinth
Lithograph from a portfolio of twelve lithographs · 1923
Museum of Modern Art
Heading for Act 4: Karl Moor and Kosinsky on Horseback by Count Moor's Castle (Kopfstück Zum 4. Akt: Karl Moor und Kosinsky zu Pferde vor der Burg des Grafen Moor) from The Robbers (Die Räuber)
Heading for Act 4: Karl Moor and Kosinsky on Horseback by Count Moor's Castle (Kopfstück Zum 4. Akt: Karl Moor und Kosinsky zu Pferde vor der Burg des Grafen Moor) from The Robbers (Die Räuber)
Lovis Corinth
Lithograph from a portfolio of twelve lithographs · 1923
Museum of Modern Art
Heading for Act 3 (Kopfstück Zum 3. Akt) from The Robbers (Die Räuber)
Heading for Act 3 (Kopfstück Zum 3. Akt) from The Robbers (Die Räuber)
Lovis Corinth
Lithograph from a portfolio of twelve lithographs · 1923
Museum of Modern Art
Karl Moor and His Father (Karl Moor und sein Vater) from The Robbers (Die Räuber)
Karl Moor and His Father (Karl Moor und sein Vater) from The Robbers (Die Räuber)
Lovis Corinth
Lithograph from a portfolio of twelve lithographs · 1923
Museum of Modern Art
Heading for Act 1 (Kopfstück Zum 1. Akt) from The Robbers (Die Räuber)
Heading for Act 1 (Kopfstück Zum 1. Akt) from The Robbers (Die Räuber)
Lovis Corinth
Lithograph from a portfolio of twelve lithographs · 1923
Museum of Modern Art
Heading for Act 2 (Kopfstück zum 2. Akt) from The Robbers (Die Räuber)
Heading for Act 2 (Kopfstück zum 2. Akt) from The Robbers (Die Räuber)
Lovis Corinth
Lithograph from a portfolio of twelve lithographs · 1923
Museum of Modern Art
Heading for Act 5: Franz and Daniel (Kopfstück zum 5. Akt: Franz und Daniel) from The Robbers (Die Räuber)
Heading for Act 5: Franz and Daniel (Kopfstück zum 5. Akt: Franz und Daniel) from The Robbers (Die Räuber)
Lovis Corinth
Lithograph from a portfolio of twelve lithographs · 1923
Museum of Modern Art
The New Columbus and Saint George (Der neue Columbus und der heilige Georg) from The Bound Columbus (Der gefesselte Kolumbus)
The New Columbus and Saint George (Der neue Columbus und der heilige Georg) from The Bound Columbus (Der gefesselte Kolumbus)
Oskar Kokoschka
Lithograph from a portfolio of twelve lithographs · 1916
Museum of Modern Art
The Face of Woman (Des Gesicht des Weibes) from The Bound Columbus (Der gefesselte Columbus)
The Face of Woman (Des Gesicht des Weibes) from The Bound Columbus (Der gefesselte Columbus)
Oskar Kokoschka
Lithograph from a portfolio of twelve lithographs · 1916
Museum of Modern Art
Man with Raised Arms and the Figure of Death (Der Mann mit erhobenen Armen und die Gestalt des Todes) (plate 8) from The Bound Columbus (Der gefesselte Columbus)
Man with Raised Arms and the Figure of Death (Der Mann mit erhobenen Armen und die Gestalt des Todes) (plate 8) from The Bound Columbus (Der gefesselte Columbus)
Oskar Kokoschka
Lithograph from a portfolio of twelve lithographs · 1916
Museum of Modern Art
The Last Judgement (Das jüngste Gericht) (plate 3) from The Bound Columbus (Der gefesselte Columbus)
The Last Judgement (Das jüngste Gericht) (plate 3) from The Bound Columbus (Der gefesselte Columbus)
Oskar Kokoschka
Lithograph from a portfolio of twelve lithographs · 1916
Museum of Modern Art
At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus)
At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus)
Oskar Kokoschka
Lithograph from a portfolio of twelve lithographs · 1916
Museum of Modern Art
Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus)
Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus)
Oskar Kokoschka
Lithograph from a portfolio of twelve lithographs · 1916
Museum of Modern Art
The Path to the Grave (Der Weg ins Grab) (plate 4) from The Bound Columbus (Der gefesselte Columbus)
The Path to the Grave (Der Weg ins Grab) (plate 4) from The Bound Columbus (Der gefesselte Columbus)
Oskar Kokoschka
Lithograph from a portfolio of twelve lithographs · 1916
Museum of Modern Art
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