Artworks

Feltron Annual Reports

The Telephone Call from the Slammer, no. 1 of 9, component A, from the series, What Is the Shape of This Problem?

Repairs in the Sky, no. 3 of 9, component A, from the series, What Is the Shape of This Problem?

To Unravel a Torment You Must Begin Somewhere, no. 8 of 9, component A, from the series, What Is the Shape of This Problem?

The Papillon, the Ray of Hope, no. 6 of 9, component A, from the series, What Is the Shape of This Problem?

I Pick on Everyone, Dead or Alive, no. 4 of 9, from the series, What Is the Shape of This Problem?

Le Père, la Mère, et les 3 Enfants

Le Père, la Mère, et les 3 Enfants

Le Père, la Mère, et les 3 Enfants

I Pick on Everyone, Dead or Alive, no. 4 of 9, component A, from the series, What Is the Shape of This Problem?

The Papillon, the Ray of Hope, no. 6 of 9, component A, from the series, What Is the Shape of This Problem?

To Unravel a Torment You Must Begin Somewhere, no. 8 of 9, from the series, What Is the Shape of This Problem?

Repairs in the Sky, no. 3 of 9, from the series, What Is the Shape of This Problem?

I Pick on Everyone, Dead or Alive, no. 4 of 9, from the series, What Is the Shape of This Problem?

The Papillon, the Ray of Hope, no. 6 of 9, component A, from the series, What Is the Shape of This Problem?

The Telephone Call from the Slammer, no. 1 of 9, from the series, What Is the Shape of This Problem?

Dieses Leben kann nicht die Ausrede für das nächste sein,

Announcement card for A Vendre, Yvon Lambert, Paris, September 8–October 10, 1990

Anlehnungsbedürfnis 86,

Dom Perignon from The Pink Elephants

The Majors Port from The Pink Elephants

Dom Perignon from The Pink Elephants

London Dry from The Pink Elephants

Bristol Cream from The Pink Elephants