Artworks

Paul Gauguin

Wood-block print in black ink, with red, orange, yellow, green, blue, violet and brown watercolor and touches of red and orange gouache, on ivory Japanese paper, laid down on cream Japanese paper · 1894

Paul Gauguin

Pastel monotype, with touches of pastel, on cream wove Japanese paper, laid down on cream wove Japanese paper · 1894

Paul Gauguin

Wood-block print in black ink on cream Japanese paper · 1894

Paul Gauguin

Wood-block print in black ink on cream wove Japanese paper, laid down on cream wove Japanese paper · 1894

Paul Gauguin

Wood-block print in black ink manipulated with brush and solvent, on ivory Japanese paper, laid down on cream Japanese paper · 1894

Paul Gauguin

Wood-block print, printed twice in black ink, with brush and stencil-applied red, orange, yellow, green, blue, violet, and brown watercolors on ivory Japanese paper, laid down on cream Japanese paper · 1894

Paul Gauguin

Wood-block print in black ink with touches of solvent-thinned blue, red, and orange watercolors (recto); wood-block print, printed twice in brown and brown-black ink (a maculature impression) (verso), on cream Japanese paper · 1894

Paul Gauguin

Wood-block print, printed twice in brown and black ink, on cream wove Japanese paper laid down on cream wove Japanese paper · 1894

Paul Gauguin

Wood-block print, printed twice in black ink, on cream Japanese paper · 1894

Paul Gauguin

Wood-block print in black ink with brush and stencil-applied red, orange, yellow, green, blue, violet, and brown watercolors on ivory Japanese paper, laid down on cream Japanese paper · 1894

Paul Gauguin

Watercolor and graphite on irregularly shaped cream wove Japanese paper, laid down on ivory laid paper with brown and blue fibers, laid down on cream wove paper · 1894

Paul Gauguin

Etching with open bite applied with a reed pen on a zinc plate, in dark green ink with selective wiping, on cream wove Japanese paper (a proofing paper) · 1894

Paul Gauguin

Wood-block print in black ink manipulated with brush and solvent, on ivory Japanese paper, laid down on cream Japanese paper · 1894

Paul Gauguin

color woodcut on Japanese paper · 1893

James McNeill Whistler

Transfer lithograph in grayish black on tan Japanese paper · 1893

James McNeill Whistler

Transfer lithograph, with scraping on stone, from fine-grained transfer paper (keystone) and thin, transparent transfer paper (color stones), in color (black, warm gray, dark brown, red brown, green-gray, gray and ochre) on cream Japanese paper · 1893

James McNeill Whistler

Transfer ithograph in black on tan laid Japanese paper · 1893

James McNeill Whistler

Transfer lithograph from three stones, in black (keystone), red, and gray inks, with scraping, on cream Japanese paper · 1893

Henri de Toulouse-Lautrec

Color lithograph on cream laid Japanese paper · 1893

Henri de Toulouse-Lautrec

Lithograph on cream Japanese paper · 1893

James McNeill Whistler

Transfer lithograph with scraping, from five stones, in black (keystone), green, yellow, gray, and medium gray, on cream Japanese paper · 1893

Paul Gauguin

Wood-block print, printed twice in yellow ocher and black inks, over a yellow ink tone block, and stenciled red oil medium, on cream Japanese paper discolored to a grayish tone · 1893

Paul Gauguin

Wood-block print, printed twice in yellow ocher and black inks, over a yellow ink tone block, and transferred golden-yellow, green, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), with brush and black ink and diluted yellow printing ink, on cream Japanese paper · 1893

Paul Gauguin

Wood-block print, printed three times in reddish-brown, black, and light black ink, with touches of brush and black gouache and silver-gray watercolor (altered from black), on ivory laid Japanese paper, laid down on ivory wove Japanese paper (a laminate made by the artist) · 1893