Database / Artworks
Artworks
Little Greengrocer's Shop, Chelsea
James McNeill Whistler
Etching and drypoint with foul biting in brown ink on ivory laid paper · 1886
Art Institute of Chicago
The Village Sweet Shop
James McNeill Whistler
Etching with foul biting in dark brown ink on ivory laid paper · 1886
Art Institute of Chicago
Dordrecht
James McNeill Whistler
Etching and drypoint with foul biting in dark brown ink on ivory laid paper · 1886
Art Institute of Chicago
Cottage Door
James McNeill Whistler
Etching and drypoint in black ink on ivory laid paper · 1886
Art Institute of Chicago
The Village Sweet Shop
James McNeill Whistler
Etching with foul biting in dark brown ink on ivory laid paper · 1886
Art Institute of Chicago
Dieppe
James McNeill Whistler
Etching and drypoint in black ink on ivory laid paper · 1885
Art Institute of Chicago
Head of a Man in Profile
Henri de Toulouse-Lautrec
Ink on ivory laid paper · 1884
Art Institute of Chicago
The Basin at Dieppe
Henri Charles Guérard
Etching and aquatint with burnishing in black and blue-gray ink on ivory laid paper · 1883
Art Institute of Chicago
On the Terrace of a Hotel in Bordighera: The Painter Jean Martin Reviews His Bill (Illustration for Edmond Renoir’s “L’étiquette”)
Pierre-Auguste Renoir
Black conté crayon over pen and brush and black ink on ivory laid paper (discolored to cream) · 1883
Art Institute of Chicago
Alderney Street
James McNeill Whistler
Etching with foul biting in black ink on ivory laid paper · 1881
Art Institute of Chicago
Lobster Pots - Selsea Bill
James McNeill Whistler
Etching and drypoint with foul biting in dark brown ink on ivory laid paper · 1880
Art Institute of Chicago
Turkeys
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1880
Art Institute of Chicago
Bead Stringers
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1880
Art Institute of Chicago
Lobster Pots - Selsea Bill
James McNeill Whistler
Etching and drypoint with drypoint cancellation, in black ink on ivory laid paper · 1880
Art Institute of Chicago
Little Court
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1880
Art Institute of Chicago
The Temple
James McNeill Whistler
Etching, with drypoint cancellation, in black ink on ivory laid paper · 1880
Art Institute of Chicago
Turkeys
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1880
Art Institute of Chicago
Bead Stringers
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1880
Art Institute of Chicago
Wheelwright
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper · 1880
Art Institute of Chicago
San Biagio
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in brown ink on ivory laid paper · 1880
Art Institute of Chicago
Turkeys
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1880
Art Institute of Chicago
The Traghetto, No. 2
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1880
Art Institute of Chicago
Lobster Pots - Selsea Bill
James McNeill Whistler
Etching with foul biting in black ink on ivory laid paper · 1880
Art Institute of Chicago
The Traghetto, No. 2
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1880
Art Institute of Chicago