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Artworks

236 records · Ink and watercolour on paper
Cerberus
Cerberus
William Blake
Graphite, ink and watercolour on paper · 1824
Tate
Dante and Virgil Penetrating the Forest
Dante and Virgil Penetrating the Forest
William Blake
Graphite, ink and watercolour on paper · 1824
Tate
The Inscription over the Gate
The Inscription over the Gate
William Blake
Graphite, ink and watercolour on paper · 1824
Tate
6. A Single Object or Cluster of Objects [or More than One Object (erased)] [...(illegible) near the Eye (erased)] at a Distance
6. A Single Object or Cluster of Objects [or More than One Object (erased)] [...(illegible) near the Eye (erased)] at a Distance
John Constable
Ink and watercolour on paper · 1823
Tate
3. A Varied Landscape on One Side, and a Flat Country or Water on the Other
3. A Varied Landscape on One Side, and a Flat Country or Water on the Other
John Constable
Graphite, ink and watercolour on paper · 1823
Tate
5. Flat Ground or Water Bounded by a Narrow Range of Forms or Objects Parallel to the Base of the Landscape
5. Flat Ground or Water Bounded by a Narrow Range of Forms or Objects Parallel to the Base of the Landscape
John Constable
Ink and watercolour on paper · 1823
Tate
4. A Gulph or Bay
4. A Gulph or Bay
John Constable
Ink and watercolour on paper · 1823
Tate
1. Edge of a Hill or Mountain near the Eye
1. Edge of a Hill or Mountain near the Eye
John Constable
Ink and watercolour on paper · 1823
Tate
Study Connected with J. Ritson’s ‘Caledonian Muse’: Men with Spears, Fighting. Verso: Sketch
Study Connected with J. Ritson’s ‘Caledonian Muse’: Men with Spears, Fighting. Verso: Sketch
Thomas Stothard
Ink and watercolour on paper. Verso: graphite on paper · 1821
Tate
Every Man also Gave him a Piece of Money. Verso: God the Father with Attendant Angels
Every Man also Gave him a Piece of Money. Verso: God the Father with Attendant Angels
William Blake
Graphite, ink and watercolour on paper. Verso: graphite on paper · 1821
Tate
The Ramparts, Domfront
The Ramparts, Domfront
John Sell Cotman
Ink and watercolour on paper · 1820
Tate
Designs for Rundell and Bridge’s Transparency
Designs for Rundell and Bridge’s Transparency
Thomas Stothard
Graphite, ink and watercolour on paper · 1810
Tate
[title not known]
[title not known]
Thomas Stothard
Ink and watercolour on paper · 1806
Tate
The First Drawing ... made for Ritson
The First Drawing ... made for Ritson
Thomas Stothard
Ink and watercolour on paper · 1806
Tate
Sketch for Illustration to Bowyer’s ‘History of England’: Two Sleeping Children, for the Headpiece ‘The Murder of Edward V and his Brother’
Sketch for Illustration to Bowyer’s ‘History of England’: Two Sleeping Children, for the Headpiece ‘The Murder of Edward V and his Brother’
Thomas Stothard
Ink and watercolour on paper · 1805
Tate
Sketch for Illustration to Bowyer’s ‘History of England’: Queen Elizabeth at Tilbury
Sketch for Illustration to Bowyer’s ‘History of England’: Queen Elizabeth at Tilbury
Thomas Stothard
Ink and watercolour on paper · 1805
Tate
The Crucifixion: ‘Behold Thy Mother’
The Crucifixion: ‘Behold Thy Mother’
William Blake
Ink and watercolour on paper · 1805
Tate
The Entombment
The Entombment
William Blake
Ink and watercolour on paper · 1805
Tate
Satan in his Original Glory: ‘Thou wast Perfect till Iniquity was Found in Thee’
Satan in his Original Glory: ‘Thou wast Perfect till Iniquity was Found in Thee’
William Blake
Ink and watercolour on paper · 1805
Tate
The River of Life
The River of Life
William Blake
Ink and watercolour on paper · 1805
Tate
David Delivered out of Many Waters
David Delivered out of Many Waters
William Blake
Ink and watercolour on paper · 1805
Tate
Landscape, with Lake
Landscape, with Lake
Thomas Rowlandson
Ink and watercolour on paper · 1799
Tate
Plate 2 of ‘Urizen’: ‘Teach these Souls to Fly’
Plate 2 of ‘Urizen’: ‘Teach these Souls to Fly’
William Blake
Relief etching, ink and watercolour on paper · 1796
Tate
Satan Exulting over Eve
Satan Exulting over Eve
William Blake
Colour print, ink and watercolour on paper mounted on canvas · 1795
Tate
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