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Artworks

246 records · Ink and watercolor
A Farmer Feeding his Pony in Geneva (recto); Seated Friar (verso)
A Farmer Feeding his Pony in Geneva (recto); Seated Friar (verso)
Sir Edwin Henry Landseer
Pen and brown ink and watercolor with graphite (recto) and graphite (verso) on tan wove paper, edge-mounted to cream wove paper · 1835
Art Institute of Chicago
Designs for House of L. M. Davenport, New Rochelle, in the Tuscan Style (ground plan)
Designs for House of L. M. Davenport, New Rochelle, in the Tuscan Style (ground plan)
Alexander Jackson Davis
Ink and watercolor over graphite · 1835
The Metropolitan Museum of Art
A Farmer Feeding his Pony in Geneva (recto); Seated Friar (verso)
A Farmer Feeding his Pony in Geneva (recto); Seated Friar (verso)
Edwin Henry Landseer
Pen and brown ink and watercolor with graphite (recto) and graphite (verso) on tan wove paper, edge-mounted to cream wove paper · 1835
Art Institute of Chicago
Vaulted Side Aisle of a Church, with Figures
Vaulted Side Aisle of a Church, with Figures
Johannes Bosboom
Pen and brush, gray and brown ink and watercolor. · 1830
The Metropolitan Museum of Art
A Ruined Church in the Forest
A Ruined Church in the Forest
Carl Blechen
brush and brown ink and watercolor over graphite on light gray wove paper · 1829
National Gallery of Art
Mr. Fred H. Robertson
Mr. Fred H. Robertson
George Catlin
ink and watercolor with oil and metallic gold on paperboard · 1824
Smithsonian American Art Museum
Cottages in an extensive landscape
Cottages in an extensive landscape
William Hunt
Reed pen, ink and watercolor over traces of graphite · 1823
The Metropolitan Museum of Art
Wall Elevation
Wall Elevation
Frederick Crace, English
interiors, drawing — pen and black ink and watercolors on wove paper · 1815
Cooper Hewitt, Smithsonian Design Museum
Side Wall with Doorway
Side Wall with Doorway
Frederick Crace, English
interiors, drawing — pen and black ink and watercolors on wove paper · 1815
Cooper Hewitt, Smithsonian Design Museum
Interior of Bushey Church
Interior of Bushey Church
William Henry Hunt
pen and brown ink and watercolor over graphite on wove paper · 1815
National Gallery of Art
Raising the Wind
Raising the Wind
Thomas Rowlandson, British
Pen and brown ink and watercolor over graphite on off-white paper. · 1812
The Metropolitan Museum of Art
Quakers' Meeting
Quakers' Meeting
Thomas Rowlandson
Pen and brown ink and watercolor on paper · 1808
Art Institute of Chicago
Study for Royal Chapel, Whitehall, from Microcosm of London
Study for Royal Chapel, Whitehall, from Microcosm of London
Thomas Rowlandson
Pen and ink and watercolor on paper · 1807
Art Institute of Chicago
Study for Royal Chapel, Whitehall, in Micocosm of London
Study for Royal Chapel, Whitehall, in Micocosm of London
Augustus Charles Pugin
Pen and ink and watercolor on paper · 1807
Art Institute of Chicago
Christie's Auction Room, Pall Mall
Christie's Auction Room, Pall Mall
Thomas Rowlandson, British
Pen and brown ink and watercolor over traces of graphite on cream paper. · 1805
The Metropolitan Museum of Art
Design for Stage Set for the Second Act of Elisca or L'Habitante de Madagascar
Design for Stage Set for the Second Act of Elisca or L'Habitante de Madagascar
Thibault
pen and black ink and watercolor · 1798
Cleveland Museum of Art
Design for Stage Set for the Second Act of Elisca or L'Habitante de Madagascar
Design for Stage Set for the Second Act of Elisca or L'Habitante de Madagascar
Charles Percier, French
pen and black ink and watercolor · 1798
Cleveland Museum of Art
Watering Horses
Watering Horses
Thomas Rowlandson
Pen and brown ink and watercolor · 1795
Cleveland Museum of Art
Watering Horses
Watering Horses
Thomas Rowlandson
Pen and brown ink and watercolor · 1795
Cleveland Museum of Art
Watering Horses
Watering Horses
Thomas Rowlandson, British
Pen and brown ink and watercolor · 1795
Cleveland Museum of Art
Landscape with Farm Animals
Landscape with Farm Animals
Benjamin Barker
ink and watercolor · 1791
Cleveland Museum of Art
Portrait of a Lady with an Elaborate Cartouche
Portrait of a Lady with an Elaborate Cartouche
Giuseppe Cades
Red chalk over graphite (portrait), pen and black ink and watercolor over graphite (surround), circular framing line in graphite · 1785
Cleveland Museum of Art
View of Lake Como
View of Lake Como
Francis Towne
Pen and brown ink and watercolor · 1781
The Metropolitan Museum of Art
View of Lake Como with Monte Legnone
View of Lake Como with Monte Legnone
Francis Towne
Pen and brown ink and watercolor · 1781
The Metropolitan Museum of Art
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