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Artworks

A Farmer Feeding his Pony in Geneva (recto); Seated Friar (verso)
Sir Edwin Henry Landseer
Pen and brown ink and watercolor with graphite (recto) and graphite (verso) on tan wove paper, edge-mounted to cream wove paper · 1835
Art Institute of Chicago

Designs for House of L. M. Davenport, New Rochelle, in the Tuscan Style (ground plan)
Alexander Jackson Davis
Ink and watercolor over graphite · 1835
The Metropolitan Museum of Art

A Farmer Feeding his Pony in Geneva (recto); Seated Friar (verso)
Edwin Henry Landseer
Pen and brown ink and watercolor with graphite (recto) and graphite (verso) on tan wove paper, edge-mounted to cream wove paper · 1835
Art Institute of Chicago

Vaulted Side Aisle of a Church, with Figures
Johannes Bosboom
Pen and brush, gray and brown ink and watercolor. · 1830
The Metropolitan Museum of Art

A Ruined Church in the Forest
Carl Blechen
brush and brown ink and watercolor over graphite on light gray wove paper · 1829
National Gallery of Art

Mr. Fred H. Robertson
George Catlin
ink and watercolor with oil and metallic gold on paperboard · 1824
Smithsonian American Art Museum

Cottages in an extensive landscape
William Hunt
Reed pen, ink and watercolor over traces of graphite · 1823
The Metropolitan Museum of Art

Wall Elevation
Frederick Crace, English
interiors, drawing — pen and black ink and watercolors on wove paper · 1815
Cooper Hewitt, Smithsonian Design Museum

Side Wall with Doorway
Frederick Crace, English
interiors, drawing — pen and black ink and watercolors on wove paper · 1815
Cooper Hewitt, Smithsonian Design Museum

Interior of Bushey Church
William Henry Hunt
pen and brown ink and watercolor over graphite on wove paper · 1815
National Gallery of Art

Raising the Wind
Thomas Rowlandson, British
Pen and brown ink and watercolor over graphite on off-white paper. · 1812
The Metropolitan Museum of Art

Quakers' Meeting
Thomas Rowlandson
Pen and brown ink and watercolor on paper · 1808
Art Institute of Chicago

Study for Royal Chapel, Whitehall, from Microcosm of London
Thomas Rowlandson
Pen and ink and watercolor on paper · 1807
Art Institute of Chicago

Study for Royal Chapel, Whitehall, in Micocosm of London
Augustus Charles Pugin
Pen and ink and watercolor on paper · 1807
Art Institute of Chicago

Christie's Auction Room, Pall Mall
Thomas Rowlandson, British
Pen and brown ink and watercolor over traces of graphite on cream paper. · 1805
The Metropolitan Museum of Art
Design for Stage Set for the Second Act of Elisca or L'Habitante de Madagascar
Thibault
pen and black ink and watercolor · 1798
Cleveland Museum of Art
Design for Stage Set for the Second Act of Elisca or L'Habitante de Madagascar
Charles Percier, French
pen and black ink and watercolor · 1798
Cleveland Museum of Art
Watering Horses
Thomas Rowlandson
Pen and brown ink and watercolor · 1795
Cleveland Museum of Art
Watering Horses
Thomas Rowlandson
Pen and brown ink and watercolor · 1795
Cleveland Museum of Art
Watering Horses
Thomas Rowlandson, British
Pen and brown ink and watercolor · 1795
Cleveland Museum of Art
Landscape with Farm Animals
Benjamin Barker
ink and watercolor · 1791
Cleveland Museum of Art
Portrait of a Lady with an Elaborate Cartouche
Giuseppe Cades
Red chalk over graphite (portrait), pen and black ink and watercolor over graphite (surround), circular framing line in graphite · 1785
Cleveland Museum of Art

View of Lake Como
Francis Towne
Pen and brown ink and watercolor · 1781
The Metropolitan Museum of Art

View of Lake Como with Monte Legnone
Francis Towne
Pen and brown ink and watercolor · 1781
The Metropolitan Museum of Art