Database / Artworks

Artworks

64 records · Ink and graphite on paper
University of Illinois, Chicago Circle Campus, Lecture Hall Complex Section
University of Illinois, Chicago Circle Campus, Lecture Hall Complex Section
Skidmore Owings & Merrill
Ink and graphite on paper · 1961
Art Institute of Chicago
University of Illinois, Chicago Circle Campus, Study for Theater
University of Illinois, Chicago Circle Campus, Study for Theater
Skidmore Owings & Merrill
Ink and graphite on paper · 1961
Art Institute of Chicago
Study for frontispiece to ‘A Press View at teh Tate Gallery’ by William Roberts
Study for frontispiece to ‘A Press View at teh Tate Gallery’ by William Roberts
William Roberts
Ink and graphite on paper · 1956
Tate
Study for ‘The Broken Vortex’ for the back cover of ‘Cometism and Vorticism: A Tate Gallery Catalogue Revised’ by William Roberts
Study for ‘The Broken Vortex’ for the back cover of ‘Cometism and Vorticism: A Tate Gallery Catalogue Revised’ by William Roberts
William Roberts
Ink and graphite on paper · 1956
Tate
Skeleton Party
Skeleton Party
Edward Burra
Watercolour, ink and graphite on paper · 1952
Tate
Cover Design for ‘Fantasy for Flute’ by David Roberts
Cover Design for ‘Fantasy for Flute’ by David Roberts
William Roberts
Ink and graphite on paper · 1942
Tate
Nude
Nude
John Piper
Watercolour, gouache, ink and graphite on paper · 1942
Tate
Unity Temple, Oak Park, IL (Exterior perspective and partial plan)
Unity Temple, Oak Park, IL (Exterior perspective and partial plan)
Frank Lloyd Wright
Ink and graphite on paper · 1929
Museum of Modern Art
École Primaire for Une Cité Moderne, Perspective View
École Primaire for Une Cité Moderne, Perspective View
Robert Mallet-Stevens
Ink and graphite on paper · 1921
Art Institute of Chicago
Abstract Composition
Abstract Composition
Edward Wadsworth
Gouache, ink and graphite on paper · 1915
Tate
The Orchard
The Orchard
Paul Nash
Watercolour, ink and graphite on paper · 1914
Tate
Study for ‘Leeds Market’
Study for ‘Leeds Market’
Harold Gilman
Ink and graphite on paper · 1913
Tate
Design for the Frontispiece to John Davidson’s Plays
Design for the Frontispiece to John Davidson’s Plays
Aubrey Beardsley
Ink and graphite on paper · 1894
Tate
Study for Heraldic Glass
Study for Heraldic Glass
Philip Webb
Watercolour, ink and graphite on paper · 1893
Tate
Sheepshearing
Sheepshearing
Ford Madox Brown
Ink and graphite on paper · 1887
Tate
Near Calvi
Near Calvi
Edward Lear
Ink and graphite on paper · 1868
Tate
Design for the Top Panel of the Overmantel of the Fireplace for Dorchester House
Design for the Top Panel of the Overmantel of the Fireplace for Dorchester House
Alfred Stevens
Watercolour, ink and graphite on paper · 1863
Tate
Emblems of Saints Luke and John
Emblems of Saints Luke and John
Philip Webb
Watercolour, ink and graphite on paper · 1863
Tate
Emblems of Saints Matthew and Mark
Emblems of Saints Matthew and Mark
Philip Webb
Watercolour, ink and graphite on paper · 1863
Tate
Philates
Philates
Edward Lear
Watercolour, ink and graphite on paper · 1856
Tate
Sketch for ‘Jesus Washing Peter’s Feet’
Sketch for ‘Jesus Washing Peter’s Feet’
Ford Madox Brown
Ink and graphite on paper · 1851
Tate
Group of Portrait and Compositional Studies
Group of Portrait and Compositional Studies
Jules Delaunay
Pen and ink and graphite on paper · 1848
Art Institute of Chicago
Library and Chapel, University of Michigan, Ann Arbor (front elevation)
Library and Chapel, University of Michigan, Ann Arbor (front elevation)
Alexander Jackson Davis
Watercolor, ink and graphite on paper · 1838
The Metropolitan Museum of Art
Sketch for ‘Treatise on Zodiacal Physiognomy’
Sketch for ‘Treatise on Zodiacal Physiognomy’
John Varley
Ink and graphite on paper · 1828
Tate
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